Charles Dickens - Life And Adventures Of Martin Chuzzlewit

Mrs Gamp's apartment in Kingsgate Street, High Holborn, wore, metaphorically speaking, a robe of state. It was swept and garnished for the reception of a visitor. That visitor was Betsey Prig; Mrs Prig, of Bartlemy's; or as some said Barklemy's, or as some said Bardlemy's; for by all these endearing and familiar appellations, had the hospital of Saint Bartholomew become a household word among the sisterhood which Betsey Prig adorned.

Mrs Gamp's apartment was not a spacious one, but, to a contented mind, a closet is a palace; and the first-floor front at Mr Sweedlepipe's may have been, in the imagination of Mrs Gamp, a stately pile. If it were not exactly that, to restless intellects, it at least comprised as much accommodation as any person, not sanguine to insanity, could have looked for in a room of its dimensions. For only keep the bedstead always in your mind; and you were safe. That was the grand secret. Remembering the bedstead, you might even stoop to look under the little round table for anything you had dropped, without hurting yourself much against the chest of drawers, or qualifying as a patient of Saint Bartholomew, by falling into the fire.

Visitors were much assisted in their cautious efforts to preserve an unflagging recollection of this piece of furniture, by its size; which was great. It was not a turn-up bedstead, nor yet a French bedstead, nor yet a four-post bedstead, but what is poetically called a tent; the sacking whereof was low and bulgy, insomuch that Mrs Gamp's box would not go under it, but stopped half-way, in a manner which, while it did violence to the reason, likewise endangered the legs of a stranger. The frame too, which would have supported the canopy and hangings if there had been any, was ornamented with divers pippins carved in timber, which on the slightest provocation, and frequently on none at all, came tumbling down; harassing the peaceful guest with inexplicable terrors.

The bed itself was decorated with a patchwork quilt of great antiquity; and at the upper end, upon the side nearest to the door, hung a scanty curtain of blue check, which prevented the Zephyrs that were abroad in Kingsgate Street, from visiting Mrs Gamp's head too roughly. Some rusty gowns and other articles of that lady's wardrobe depended from the posts; and these had so adapted themselves by long usage to her figure, that more than one impatient husband coming in precipitately, at about the time of twilight, had been for an instant stricken dumb by the supposed discovery that Mrs Gamp had hanged herself. One gentleman, coming on the usual hasty errand, had said indeed, that they looked like guardian angels “watching of her in her sleep.”But that, as Mrs Gamp said, “was his first;” and he never repeated the sentiment, though he often repeated his visit.

The chairs in Mrs Gamp's apartment were extremely large and broadbacked, which was more than a sufficient reason for there being but two in number. They were both elbow-chairs, of ancient mahogany; and were chiefly valuable for the slippery nature of their seats, which had been originally horsehair, but were now covered with a shiny substance of a bluish tint, from which the visitor began to slide away with a dismayed countenance, immediately after sitting down. What Mrs Gamp wanted in chairs she made up in bandboxes; of which she had a great collection, devoted to the reception of various miscellaneous valuables, which were not, however, as well protected as the good woman, by a pleasant fiction, seemed to think; for, though every bandbox had a carefully closed lid, not one among them had a bottom; owing to which cause the property within was merely, as it were, extinguished. The chest of drawers having been originally made to stand upon the top of another chest, had a dwarfish, elfin look, alone; but in regard of its security it had a great advantage over the bandboxes, for as all the handles had been long ago pulled off, it was very difficult to get at its contents. This indeed was only to be done by one or two devices; either by tilting the whole structure forward until all the drawers fell out together, or by opening them singly with knives, like oysters.

Mrs Gamp stored all her household matters in a little cupboard by the fire-place; beginning below the surface (as in nature) with the coals, and mounting gradually upwards to the spirits, which, from motives of delicacy, she kept in a teapot. The chimney-piece was ornamented with a small almanack, marked here and there in Mrs Gamp's own hand with a memorandum of the date at which some lady was expected to fall due. It was also embellished with three profiles: one, in colours, of Mrs Gamp herself in early life; one, in bronze, of a lady in feathers, supposed to be Mrs Harris, as she appeared when dressed for a ball; and one, in black, of Mr Gamp, deceased. The last was a full length, in order that the likeness might be rendered more obvious and forcible by the introduction of the wooden leg.

A pair of bellows, a pair of pattens, a toasting-fork, a kettle, a pap-boat, a spoon for the administration of medicine to the refractory, and lastly, Mrs Gamp's umbrella, which as something of great price and rarity, was displayed with particular ostentation, completed the decorations of the chimney-piece and adjacent wall. Towards these objects Mrs Gamp raised her eyes in satisfaction when she had arranged the tea-board, and had concluded her arrangements for the reception of Betsey Prig, even unto the setting forth of two pounds of Newcastle salmon, intensely pickled.

“There! Now drat you, Betsey, don't be long!” said Mrs Gamp, apostrophizing her absent friend. “For I can't abear to wait, I do assure you. To wotever place I goes, I sticks to this one mortar, “I'm easy pleased; it is but little as I wants; but I must have that little of the best, and to the minute when the clock strikes, else we do not part as I could wish, but bearin” malice in our arts.”

Her own preparations were of the best, for they comprehended a delicate new loaf, a plate of fresh butter, a basin of fine white sugar, and other arrangements on the same scale. Even the snuff with which she now refreshed herself, was so choice in quality that she took a second pinch.

“There's the little bell a-ringing now,” said Mrs Gamp, hurrying to the stair-head and looking over. “Betsey Prig, my—why it's that there disapintin” Sweedlepipes, I do believe.”

“Yes, it's me,” said the barber in a faint voice; “I've just come in.”

“You're always a-comin” in, I think,” muttered Mrs Gamp to herself, “except wen you're a-goin” out. I ha'n't no patience with that man!”

“Mrs Gamp,” said the barber. “I say! Mrs Gamp!”

“Well,” cried Mrs Gamp, impatiently, as she descended the stairs. “What is it? Is the Thames a-fire, and cooking its own fish, Mr Sweedlepipes? Why wot's the man gone and been a-doin” of to himself? He's as white as chalk!”

She added the latter clause of inquiry, when she got downstairs, and found him seated in the shaving-chair, pale and disconsolate.

“You recollect,” said Poll. “You recollect young—”

“Not young Wilkins!” cried Mrs Gamp. “Don't say young Wilkins, wotever you do. If young Wilkins's wife is took—”

“It isn't anybody's wife,” exclaimed the little barber. “Bailey, young Bailey!”

“Why, wot do you mean to say that chit's been a-doin” of?” retorted Mrs Gamp, sharply. “Stuff and nonsense, Mrs Sweedlepipes!”

“He hasn't been a-doing anything!” exclaimed poor Poll, quite desperate. “What do you catch me up so short for, when you see me put out to that extent that I can hardly speak? He'll never do anything again. He's done for. He's killed. The first time I ever see that boy,” said Poll, “I charged him too much for a red-poll. I asked him three-halfpence for a penny one, because I was afraid he'd beat me down. But he didn't. And now he's dead; and if you was to crowd all the steam-engines and electric fluids that ever was, into this shop, and set “em every one to work their hardest, they couldn't square the account, though it's only a ha'penny!”