Charles Dickens - The Cricket on the Hearth

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The Cricket on the Hearth is a novella by Charles Dickens, written in 1845. It is the third of Dickens' five Christmas books, the others being A Christmas Carol (1843), The Chimes (1844), The Battle of Life (1846), and The Haunted Man (1847).

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He reversed the gun to beat the stock up the door; he already held it lifted in the air; some indistinct design was in his thoughts of calling out to him to fly, for God’s sake, by the window—

When, suddenly, the struggling fire illumined the whole chimney with a glow of light; and the Cricket on the Hearth began to Chirp!

No sound he could have heard, no human voice, not even hers, could so have moved and softened him. The artless words in which she had told him of her love for this same Cricket, were once more freshly spoken; her trembling, earnest manner at the moment, was again before him; her pleasant voice—O what a voice it was, for making household music at the fireside of an honest man!—thrilled through and through his better nature, and awoke it into life and action.

He recoiled from the door, like a man walking in his sleep, awakened from a frightful dream; and put the gun aside. Clasping his hands before his face, he then sat down again beside the fire, and found relief in tears.

The Cricket on the Hearth came out into the room, and stood in Fairy shape before him.

‘“I love it,”’ said the Fairy Voice, repeating what he well remembered, ‘“for the many times I have heard it, and the many thoughts its harmless music has given me.”’

‘She said so!’ cried the Carrier. ‘True!’

‘“This has been a happy home, John; and I love the Cricket for its sake!”’

‘It has been, Heaven knows,’ returned the Carrier. ‘She made it happy, always,—until now.’

‘So gracefully sweet–tempered; so domestic, joyful, busy, and light–hearted!’ said the Voice.

‘Otherwise I never could have loved her as I did,’ returned the Carrier.

The Voice, correcting him, said ‘do.’

The Carrier repeated ‘as I did.’ But not firmly. His faltering tongue resisted his control, and would speak in its own way, for itself and him.

The Figure, in an attitude of invocation, raised its hand and said:

‘Upon your own hearth—’

‘The hearth she has blighted,’ interposed the Carrier.

‘The hearth she has—how often!—blessed and brightened,’ said the Cricket; ‘the hearth which, but for her, were only a few stones and bricks and rusty bars, but which has been, through her, the Altar of your Home; on which you have nightly sacrificed some petty passion, selfishness, or care, and offered up the homage of a tranquil mind, a trusting nature, and an overflowing heart; so that the smoke from this poor chimney has gone upward with a better fragrance than the richest incense that is burnt before the richest shrines in all the gaudy temples of this world!—Upon your own hearth; in its quiet sanctuary; surrounded by its gentle influences and associations; hear her! Hear me! Hear everything that speaks the language of your hearth and home!’

‘And pleads for her?’ inquired the Carrier.

‘All things that speak the language of your hearth and home, must plead for her!’ returned the Cricket. ‘For they speak the truth.’

And while the Carrier, with his head upon his hands, continued to sit meditating in his chair, the Presence stood beside him, suggesting his reflections by its power, and presenting them before him, as in a glass or picture. It was not a solitary Presence. From the hearthstone, from the chimney, from the clock, the pipe, the kettle, and the cradle; from the floor, the walls, the ceiling, and the stairs; from the cart without, and the cupboard within, and the household implements; from every thing and every place with which she had ever been familiar, and with which she had ever entwined one recollection of herself in her unhappy husband’s mind; Fairies came trooping forth. Not to stand beside him as the Cricket did, but to busy and bestir themselves. To do all honour to her image. To pull him by the skirts, and point to it when it appeared. To cluster round it, and embrace it, and strew flowers for it to tread on. To try to crown its fair head with their tiny hands. To show that they were fond of it and loved it; and that there was not one ugly, wicked or accusatory creature to claim knowledge of it—none but their playful and approving selves.

His thoughts were constant to her image. It was always there.

She sat plying her needle, before the fire, and singing to herself. Such a blithe, thriving, steady little Dot! The fairy figures turned upon him all at once, by one consent, with one prodigious concentrated stare, and seemed to say, ‘Is this the light wife you are mourning for!’

There were sounds of gaiety outside, musical instruments, and noisy tongues, and laughter. A crowd of young merry–makers came pouring in, among whom were May Fielding and a score of pretty girls. Dot was the fairest of them all; as young as any of them too. They came to summon her to join their party. It was a dance. If ever little foot were made for dancing, hers was, surely. But she laughed, and shook her head, and pointed to her cookery on the fire, and her table ready spread: with an exulting defiance that rendered her more charming than she was before. And so she merrily dismissed them, nodding to her would–be partners, one by one, as they passed, but with a comical indifference, enough to make them go and drown themselves immediately if they were her admirers—and they must have been so, more or less; they couldn’t help it. And yet indifference was not her character. O no! For presently, there came a certain Carrier to the door; and bless her what a welcome she bestowed upon him!

Again the staring figures turned upon him all at once, and seemed to say, ‘Is this the wife who has forsaken you!’

A shadow fell upon the mirror or the picture: call it what you will. A great shadow of the Stranger, as he first stood underneath their roof; covering its surface, and blotting out all other objects. But the nimble Fairies worked like bees to clear it off again. And Dot again was there. Still bright and beautiful.

Rocking her little Baby in its cradle, singing to it softly, and resting her head upon a shoulder which had its counterpart in the musing figure by which the Fairy Cricket stood.

The night—I mean the real night: not going by Fairy clocks—was wearing now; and in this stage of the Carrier’s thoughts, the moon burst out, and shone brightly in the sky. Perhaps some calm and quiet light had risen also, in his mind; and he could think more soberly of what had happened.

Although the shadow of the Stranger fell at intervals upon the glass—always distinct, and big, and thoroughly defined—it never fell so darkly as at first. Whenever it appeared, the Fairies uttered a general cry of consternation, and plied their little arms and legs, with inconceivable activity, to rub it out. And whenever they got at Dot again, and showed her to him once more, bright and beautiful, they cheered in the most inspiring manner.

They never showed her, otherwise than beautiful and bright, for they were Household Spirits to whom falsehood is annihilation; and being so, what Dot was there for them, but the one active, beaming, pleasant little creature who had been the light and sun of the Carrier’s Home!

The Fairies were prodigiously excited when they showed her, with the Baby, gossiping among a knot of sage old matrons, and affecting to be wondrous old and matronly herself, and leaning in a staid, demure old way upon her husband’s arm, attempting—she! such a bud of a little woman—to convey the idea of having abjured the vanities of the world in general, and of being the sort of person to whom it was no novelty at all to be a mother; yet in the same breath, they showed her, laughing at the Carrier for being awkward, and pulling up his shirt–collar to make him smart, and mincing merrily about that very room to teach him how to dance!

They turned, and stared immensely at him when they showed her with the Blind Girl; for, though she carried cheerfulness and animation with her wheresoever she went, she bore those influences into Caleb Plummer’s home, heaped up and running over. The Blind Girl’s love for her, and trust in her, and gratitude to her; her own good busy way of setting Bertha’s thanks aside; her dexterous little arts for filling up each moment of the visit in doing something useful to the house, and really working hard while feigning to make holiday; her bountiful provision of those standing delicacies, the Veal and Ham–Pie and the bottles of Beer; her radiant little face arriving at the door, and taking leave; the wonderful expression in her whole self, from her neat foot to the crown of her head, of being a part of the establishment—a something necessary to it, which it couldn’t be without; all this the Fairies revelled in, and loved her for. And once again they looked upon him all at once, appealingly, and seemed to say, while some among them nestled in her dress and fondled her, ‘Is this the wife who has betrayed your confidence!’

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