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Elizabeth Gaskell: The Grey Woman

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Elizabeth Gaskell The Grey Woman

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Elizabeth Cleghorn Gaskell née Stevenson (1810–1865), often referred to simply as Mrs. Gaskell, was an English novelist and short story writer during the Victorian era. She is perhaps best known for her biography of Charlotte Brontë. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and as such are of interest to social historians as well as lovers of literature. She married William Gaskell, the minister at Cross Street Unitarian Chapel in Manchester. They settled in Manchester, where the industrial surroundings would offer inspiration for her novels. Her first novel, Mary Barton: A Tale of Manchester Life, was published anonymously in 1848. The best known of her remaining novels are Cranford (1853), North and South (1855), and Wives and Daughters (1866). She became popular for her writing, especially her ghost story writing, aided by her friend Charles Dickens, who published her work in his magazine Household Words. Her other works include The Grey Woman (1865), Lois the Witch (1861) and The Old Nurse's Story (1852).

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The blacksmith's forge was in a shed beside the house, and fronting the road. I heard the hammers stop plying their continual rhythmical beat. She had seen why they ceased. A rider had come up to the forge and dismounted, leading his horse in to be re-shod. The broad red light of the forge-fire had revealed the face of the rider to Amante, and she apprehended the consequence that really ensued.

The rider, after some words with the blacksmith, was ushered in by him into the house-place where we sat.

"Here, good wife, a cup of wine and some galette for this gentleman."

"Anything, anything, madame, that I can eat and drink in my hand while my horse is being shod. I am in haste, and must get on to Forbach to-night."

The blacksmith's wife lighted her lamp; Amante had asked her for it five minutes before. How thankful we were that she had not more speedily complied with our request! As it was, we sat in dusk shadow, pretending to stitch away, but scarcely able to see. The lamp was placed on the stove, near which my husband, for it was he, stood and warmed himself. By-and-by he turned round, and looked all over the room, taking us in with about the same degree of interest as the inanimate furniture. Amante, cross-legged, fronting him, stooped over her work, whistling softly all the while. He turned again to the stove, impatiently rubbing his hands. He had finished his wine and galette, and wanted to be off.

"I am in haste, my good woman. Ask thy husband to get on more quickly. I will pay him double if he makes haste."

The woman went out to do his bidding; and he once more turned round to face us. Amante went on to the second part of the tune. He took it up, whistled a second for an instant or so, and then the blacksmith's wife re-entering, he moved towards her, as if to receive her answer the more speedily.

"One moment, monsieur—only one moment. There was a nail out of the off-foreshoe which my husband is replacing; it would delay monsieur again if that shoe also came off."

"Madame is right," said he, "but my haste is urgent. If madame knew my reasons, she would pardon my impatience. Once a happy husband, now a deserted and betrayed man, I pursue a wife on whom I lavished all my love, but who has abused my confidence, and fled from my house, doubtless to some paramour; carrying off with her all the jewels and money on which she could lay her hands. It is possible madame may have heard or seen something of her; she was accompanied in her flight by a base, profligate woman from Paris, whom I, unhappy man, had myself engaged for my wife's waiting-maid, little dreaming what corruption I was bringing into my house!"

"Is it possible?" said the good woman, throwing up her hands.

Amante went on whistling a little lower, out of respect to the conversation.

"However, I am tracing the wicked fugitives; I am on their track" (and the handsome, effeminate face looked as ferocious as any demon's). "They will not escape me; but every minute is a minute of misery to me, till I meet my wife. Madame has sympathy, has she not?"

He drew his face into a hard, unnatural smile, and then both went out to the forge, as if once more to hasten the blacksmith over his work.

Amante stopped her whistling for one instant.

"Go on as you are, without change of an eyelid even; in a few minutes he will be gone, and it will be over!"

It was a necessary caution, for I was on the point of giving way, and throwing myself weakly upon her neck. We went on; she whistling and stitching, I making semblance to sew. And it was well we did so; for almost directly he came back for his whip, which he had laid down and forgotten; and again I felt one of those sharp, quick-scanning glances, sent all round the room, and taking in all.

Then we heard him ride away; and then, it had been long too dark to see well, I dropped my work, and gave way to my trembling and shuddering. The blacksmith's wife returned. She was a good creature. Amante told her I was cold and weary, and she insisted on my stopping my work, and going to sit near the stove; hastening, at the same time, her preparations for supper, which, in honour of us, and of monsieur's liberal payment, was to be a little less frugal than ordinary. It was well for me that she made me taste a little of the cider-soup she was preparing, or I could not have held up, in spite of Amante's warning look, and the remembrance of her frequent exhortations to act resolutely up to the characters we had assumed, whatever befel. To cover my agitation, Amante stopped her whistling, and began to talk; and, by the time the blacksmith came in, she and the good woman of the house were in full flow. He began at once upon the handsome gentleman, who had paid him so well; all his sympathy was with him, and both he and his wife only wished he might overtake his wicked wife, and punish her as she deserved. And then the conversation took a turn, not uncommon to those whose lives are quiet and monotonous; every one seemed to vie with each other in telling about some horror; and the savage and mysterious band of robbers called the Chauffeurs, who infested all the roads leading to the Rhine, with Schinderhannes at their head, furnished many a tale which made the very marrow of my bones run cold, and quenched even Amante's power of talking. Her eyes grew large and wild, her cheeks blanched, and for once she sought by her looks help from me. The new call upon me roused me. I rose and said, with their permission my husband and I would seek our bed, for that we had travelled far and were early risers. I added that we would get up betimes, and finish our piece of work. The blacksmith said we should be early birds if we rose before him; and the good wife seconded my proposal with kindly bustle. One other such story as those they had been relating, and I do believe Amante would have fainted.

As it was, a night's rest set her up; we arose and finished our work betimes, and shared the plentiful breakfast of the family. Then we had to set forth again; only knowing that to Forbach we must not go, yet believing, as was indeed the case, that Forbach lay between us and that Germany to which we were directing our course. Two days more we wandered on, making a round, I suspect, and returning upon the road to Forbach, a league or two nearer to that town than the blacksmith's house. But as we never made inquiries I hardly knew where we were, when we came one night to a small town, with a good large rambling inn in the very centre of the principal street. We had begun to feel as if there were more safety in towns than in the loneliness of the country. As we had parted with a ring of mine not many days before to a travelling jeweller, who was too glad to purchase it far below its real value to make many inquiries as to how it came into the possession of a poor working tailor, such as Amante seemed to be, we resolved to stay at this inn all night, and gather such particulars and information as we could by which to direct our onward course.

We took our supper in the darkest corner of the salle-à-manger , having previously bargained for a small bedroom across the court, and over the stables. We needed food sorely; but we hurried on our meal from dread of any one entering that public room who might recognize us. Just in the middle of our meal, the public diligence drove lumbering up under the porte-cochère , and disgorged its passengers. Most of them turned into the room where we sat, cowering and fearful, for the door was opposite to the porter's lodge, and both opened on to the wide-covered entrance from the street. Among the passengers came in a young, fair-haired lady, attended by an elderly French maid. The poor young creature tossed her head, and shrank away from the common room, full of evil smells and promiscuous company, and demanded, in German French, to be taken to some private apartment. We heard that she and her maid had come in the coupé, and, probably from pride, poor young lady! she had avoided all association with her fellow-passengers, thereby exciting their dislike and ridicule. All these little pieces of hearsay had a significance to us afterwards, though, at the time, the only remark made that bore upon the future was Amante's whisper to me that the young lady's hair was exactly the colour of mine, which she had cut off and burnt in the stove in the miller's kitchen in one of her descents from our hiding-place in the loft.

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