Herbert Wells - Ann Veronica

When at last she did so, the sapphire ring took on a new quality in the imagination of Capes. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.

Manning appeared just at the end of the afternoon's work, and the biologist was going through some perplexities the Scotchman had created by a metaphysical treatment of the skulls of Hyrax and a young African elephant. He was clearing up these difficulties by tracing a partially obliterated suture the Scotchman had overlooked when the door from the passage opened, and Manning came into his universe.

Seen down the length of the laboratory, Manning looked a very handsome and shapely gentleman indeed, and, at the sight of his eager advance to his fiancee, Miss Klegg replaced one long-cherished romance about Ann Veronica by one more normal and simple. He carried a cane and a silk hat with a mourning-band in one gray-gloved hand; his frock-coat and trousers were admirable; his handsome face, his black mustache, his prominent brow conveyed an eager solicitude.

"I want," he said, with a white hand outstretched, "to take you out to tea."

"I've been clearing up," said Ann Veronica, brightly.

"All your dreadful scientific things?" he said, with a smile that Miss Klegg thought extraordinarily kindly.

"All my dreadful scientific things," said Ann Veronica.

He stood back, smiling with an air of proprietorship, and looking about him at the business-like equipment of the room. The low ceiling made him seem abnormally tall. Ann Veronica wiped a scalpel, put a card over a watch-glass containing thin shreds of embryonic guinea-pig swimming in mauve stain, and dismantled her microscope.

"I wish I understood more of biology," said Manning.

"I'm ready," said Ann Veronica, closing her microscope-box with a click, and looking for one brief instant up the laboratory. "We have no airs and graces here, and my hat hangs from a peg in the passage."

She led the way to the door, and Manning passed behind her and round her and opened the door for her. When Capes glanced up at them for a moment, Manning seemed to be holding his arms all about her, and there was nothing but quiet acquiescence in her bearing.

After Capes had finished the Scotchman's troubles he went back into the preparation-room. He sat down on the sill of the open window, folded his arms, and stared straight before him for a long time over the wilderness of tiles and chimney-pots into a sky that was blue and empty. He was not addicted to monologue, and the only audible comment he permitted himself at first upon a universe that was evidently anything but satisfactory to him that afternoon, was one compact and entirely unassigned "Damn!"

The word must have had some gratifying quality, because he repeated it. Then he stood up and repeated it again. "The fool I have been!" he cried; and now speech was coming to him. He tried this sentence with expletives. "Ass!" he went on, still warming. "Muck-headed moral ass! I ought to have done anything.

"I ought to have done anything!

"What's a man for?

"Friendship!"

He doubled up his fist, and seemed to contemplate thrusting it through the window. He turned his back on that temptation. Then suddenly he seized a new preparation bottle that stood upon his table and contained the better part of a week's work—a displayed dissection of a snail, beautifully done—and hurled it across the room, to smash resoundingly upon the cemented floor under the bookcase; then, without either haste or pause, he swept his arm along a shelf of re-agents and sent them to mingle with the debris on the floor. They fell in a diapason of smashes. "H'm!" he said, regarding the wreckage with a calmer visage. "Silly!" he remarked after a pause. "One hardly knows—all the time."

He put his hands in his pockets, his mouth puckered to a whistle, and he went to the door of the outer preparation-room and stood there, looking, save for the faintest intensification of his natural ruddiness, the embodiment of blond serenity.

"Gellett," he called, "just come and clear up a mess, will you? I've smashed some things."

There was one serious flaw in Ann Veronica's arrangements for self-rehabilitation, and that was Ramage. He hung over her—he and his loan to her and his connection with her and that terrible evening—a vague, disconcerting possibility of annoyance and exposure. She could not see any relief from this anxiety except repayment, and repayment seemed impossible. The raising of twenty-five pounds was a task altogether beyond her powers. Her birthday was four months away, and that, at its extremist point, might give her another five pounds.

The thing rankled in her mind night and day. She would wake in the night to repeat her bitter cry: "Oh, why did I burn those notes?"

It added greatly to the annoyance of the situation that she had twice seen Ramage in the Avenue since her return to the shelter of her father's roof. He had saluted her with elaborate civility, his eyes distended with indecipherable meanings.

She felt she was bound in honor to tell the whole affair to Manning sooner or later. Indeed, it seemed inevitable that she must clear it up with his assistance, or not at all. And when Manning was not about the thing seemed simple enough. She would compose extremely lucid and honorable explanations. But when it came to broaching them, it proved to be much more difficult than she had supposed.

They went down the great staircase of the building, and, while she sought in her mind for a beginning, he broke into appreciation of her simple dress and self-congratulations upon their engagement.

"It makes me feel," he said, "that nothing is impossible—to have you here beside me. I said, that day at Surbiton, 'There's many good things in life, but there's only one best, and that's the wild-haired girl who's pulling away at that oar. I will make her my Grail, and some day, perhaps, if God wills, she shall become my wife!'"

He looked very hard before him as he said this, and his voice was full of deep feeling.

"Grail!" said Ann Veronica, and then: "Oh, yes—of course! Anything but a holy one, I'm afraid."

"Altogether holy, Ann Veronica. Ah! but you can't imagine what you are to me and what you mean to me! I suppose there is something mystical and wonderful about all women."

"There is something mystical and wonderful about all human beings. I don't see that men need bank it with the women."

"A man does," said Manning—"a true man, anyhow. And for me there is only one treasure-house. By Jove! When I think of it I want to leap and shout!"

"It would astonish that man with the barrow."

"It astonishes me that I don't," said Manning, in a tone of intense self-enjoyment.

"I think," began Ann Veronica, "that you don't realize—"

He disregarded her entirely. He waved an arm and spoke with a peculiar resonance. "I feel like a giant! I believe now I shall do great things. Gods! what it must be to pour out strong, splendid verse—mighty lines! mighty lines! If I do, Ann Veronica, it will be you. It will be altogether you. I will dedicate my books to you. I will lay them all at your feet."

He beamed upon her.

"I don't think you realize," Ann Veronica began again, "that I am rather a defective human being."

"I don't want to," said Manning. "They say there are spots on the sun. Not for me. It warms me, and lights me, and fills my world with flowers. Why should I peep at it through smoked glass to see things that don't affect me?" He smiled his delight at his companion.

"I've got bad faults."

He shook his head slowly, smiling mysteriously.