Herbert Wells - Ann Veronica

She inhaled a deep breath of air—London air.

She dismissed the first hotels she passed, she scarcely knew why, mainly perhaps from the mere dread of entering them, and crossed Waterloo Bridge at a leisurely pace. It was high afternoon, there was no great throng of foot-passengers, and many an eye from omnibus and pavement rested gratefully on her fresh, trim presence as she passed young and erect, with the light of determination shining through the quiet self-possession of her face. She was dressed as English girls do dress for town, without either coquetry or harshness: her collarless blouse confessed a pretty neck, her eyes were bright and steady, and her dark hair waved loosely and graciously over her ears....

It seemed at first the most beautiful afternoon of all time to her, and perhaps the thrill of her excitement did add a distinctive and culminating keenness to the day. The river, the big buildings on the north bank, Westminster, and St. Paul's, were rich and wonderful with the soft sunshine of London, the softest, the finest grained, the most penetrating and least emphatic sunshine in the world. The very carts and vans and cabs that Wellington Street poured out incessantly upon the bridge seemed ripe and good in her eyes. A traffic of copious barges slumbered over the face of the river-barges either altogether stagnant or dreaming along in the wake of fussy tugs; and above circled, urbanely voracious, the London seagulls. She had never been there before at that hour, in that light, and it seemed to her as if she came to it all for the first time. And this great mellow place, this London, now was hers, to struggle with, to go where she pleased in, to overcome and live in. "I am glad," she told herself, "I came."

She marked an hotel that seemed neither opulent nor odd in a little side street opening on the Embankment, made up her mind with an effort, and, returning by Hungerford Bridge to Waterloo, took a cab to this chosen refuge with her two pieces of luggage. There was just a minute's hesitation before they gave her a room.

The young lady in the bureau said she would inquire, and Ann Veronica, while she affected to read the appeal on a hospital collecting-box upon the bureau counter, had a disagreeable sense of being surveyed from behind by a small, whiskered gentleman in a frock-coat, who came out of the inner office and into the hall among a number of equally observant green porters to look at her and her bags. But the survey was satisfactory, and she found herself presently in Room No. 47, straightening her hat and waiting for her luggage to appear.

"All right so far," she said to herself....

But presently, as she sat on the one antimacassared red silk chair and surveyed her hold-all and bag in that tidy, rather vacant, and dehumanized apartment, with its empty wardrobe and desert toilet-table and pictureless walls and stereotyped furnishings, a sudden blankness came upon her as though she didn't matter, and had been thrust away into this impersonal corner, she and her gear....

She decided to go out into the London afternoon again and get something to eat in an Aerated Bread shop or some such place, and perhaps find a cheap room for herself. Of course that was what she had to do; she had to find a cheap room for herself and work!

This Room No. 47 was no more than a sort of railway compartment on the way to that.

How does one get work?

She walked along the Strand and across Trafalgar Square, and by the Haymarket to Piccadilly, and so through dignified squares and palatial alleys to Oxford Street; and her mind was divided between a speculative treatment of employment on the one hand, and breezes—zephyr breezes—of the keenest appreciation for London, on the other. The jolly part of it was that for the first time in her life so far as London was concerned, she was not going anywhere in particular; for the first time in her life it seemed to her she was taking London in.

She tried to think how people get work. Ought she to walk into some of these places and tell them what she could do? She hesitated at the window of a shipping-office in Cockspur Street and at the Army and Navy Stores, but decided that perhaps there would be some special and customary hour, and that it would be better for her to find this out before she made her attempt. And, besides, she didn't just immediately want to make her attempt.

She fell into a pleasant dream of positions and work. Behind every one of these myriad fronts she passed there must be a career or careers. Her ideas of women's employment and a modern woman's pose in life were based largely on the figure of Vivie Warren in Mrs. Warren's Profession. She had seen Mrs. Warren's Profession furtively with Hetty Widgett from the gallery of a Stage Society performance one Monday afternoon. Most of it had been incomprehensible to her, or comprehensible in a way that checked further curiosity, but the figure of Vivien, hard, capable, successful, and bullying, and ordering about a veritable Teddy in the person of Frank Gardner, appealed to her. She saw herself in very much Vivie's position—managing something.

Her thoughts were deflected from Vivie Warren by the peculiar behavior of a middle-aged gentleman in Piccadilly. He appeared suddenly from the infinite in the neighborhood of the Burlington Arcade, crossing the pavement toward her and with his eyes upon her. He seemed to her indistinguishably about her father's age. He wore a silk hat a little tilted, and a morning coat buttoned round a tight, contained figure; and a white slip gave a finish to his costume and endorsed the quiet distinction of his tie. His face was a little flushed perhaps, and his small, brown eyes were bright. He stopped on the curb-stone, not facing her but as if he was on his way to cross the road, and spoke to her suddenly over his shoulder.

"Whither away?" he said, very distinctly in a curiously wheedling voice. Ann Veronica stared at his foolish, propitiatory smile, his hungry gaze, through one moment of amazement, then stepped aside and went on her way with a quickened step. But her mind was ruffled, and its mirror-like surface of satisfaction was not easily restored.

Queer old gentleman!

The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge. Ann Veronica could at the same time ask herself what this queer old gentleman could have meant by speaking to her, and know—know in general terms, at least—what that accosting signified. About her, as she had gone day by day to and from the Tredgold College, she had seen and not seen many an incidental aspect of those sides of life about which girls are expected to know nothing, aspects that were extraordinarily relevant to her own position and outlook on the world, and yet by convention ineffably remote. For all that she was of exceptional intellectual enterprise, she had never yet considered these things with unaverted eyes. She had viewed them askance, and without exchanging ideas with any one else in the world about them.

She went on her way now no longer dreaming and appreciative, but disturbed and unwillingly observant behind her mask of serene contentment.

That delightful sense of free, unembarrassed movement was gone.

As she neared the bottom of the dip in Piccadilly she saw a woman approaching her from the opposite direction—a tall woman who at the first glance seemed altogether beautiful and fine. She came along with the fluttering assurance of some tall ship. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word "meretricious." Behind this woman and a little to the side of her, walked a man smartly dressed, with desire and appraisal in his eyes. Something insisted that those two were mysteriously linked—that the woman knew the man was there.