Herbert Wells - Love and Mr. Lewisham

What on earth had he been thinking about? He fell foul of his upbringing. Men of the upper or middle classes were put up to these things by their parents; they were properly warned against involving themselves in this love nonsense before they were independent. It was much better….

Everything was going. Not only his work—his scientific career, but the Debating Society, the political movement, all his work for Humanity…. Why not be resolute—even now?… Why not put the thing clearly and plainly to her? Or write? If he wrote now he could get the advantage of the evening at the Library. He must ask her to forgo these walks home—at least until the next examination. She would understand. He had a qualm of doubt whether she would understand…. He grew angry at this possibility. But it was no good mincing matters. If once he began to consider her—Why should he consider her in that way? Simply because she was unreasonable!

Lewisham had a transitory gust of anger.

Yet that abandonment of the walks insisted on looking mean to him. And she would think it mean. Which was very much worse, somehow. Why mean? Why should she think it mean? He grew angry again.

The portly museum policeman who had been watching him furtively, wondering why a student should sit in front of the "Sacrifice of Lystra" and gnaw lips and nails and moustache, and scowl and glare at that masterpiece, saw him rise suddenly to his feet with an air of resolution, spin on his heel, and set off with a quick step out of the gallery. He looked neither to the right nor the left. He passed out of sight down the staircase.

"Gone to get some more moustache to eat, I suppose," said the policeman reflectively….

"One 'ud think something had bit him."

After some pensive moments the policeman strolled along down the gallery and came to a stop opposite the cartoon.

"Figgers is a bit big for the houses," said the policeman, anxious to do impartial justice. "But that's Art. I lay ' e couldn't do anything … not arf so good."

The night next but one after this meditation saw a new order in the world. A young lady dressed in an astrachan-edged jacket and with a face of diminished cheerfulness marched from Chelsea to Clapham alone, and Lewisham sat in the flickering electric light of the Education Library staring blankly over a business-like pile of books at unseen things.

The arrangement had not been effected without friction, the explanation had proved difficult. Evidently she did not appreciate the full seriousness of Lewisham's mediocre position in the list. "But you have passed all right," she said. Neither could she grasp the importance of evening study. "Of course I don't know," she said judicially; "but I thought you were learning all day." She calculated the time consumed by their walk as half an hour, "just one half hour;" she forgot that he had to get to Chelsea and then to return to his lodgings. Her customary tenderness was veiled by an only too apparent resentment. First at him, and then when he protested, at Fate. "I suppose it has to be," she said. "Of course, it doesn't matter, I suppose, if we don't see each other quite so often," with a quiver of pale lips.

He had returned from the parting with an uneasy mind, and that evening had gone in the composition of a letter that was to make things clearer. But his scientific studies rendered his prose style "hard," and things he could whisper he could not write. His justification indeed did him no sort of justice. But her reception of it made her seem a very unreasonable person. He had some violent fluctuations. At times he was bitterly angry with her for her failure to see things as he did. He would wander about the museum conducting imaginary discussions with her and making even scathing remarks. At other times he had to summon all his powers of acrid discipline and all his memories of her resentful retorts, to keep himself from a headlong rush to Chelsea and unmanly capitulation.

And this new disposition of things endured for two weeks. It did not take Miss Heydinger all that time to discover that the disaster of the examination had wrought a change in Lewisham. She perceived those nightly walks were over. It was speedily evident to her that he was working with a kind of dogged fury; he came early, he went late. The wholesome freshness of his cheek paled. He was to be seen on each of the late nights amidst a pile of diagrams and text-books in one of the less draughty corners of the Educational Library, accumulating piles of memoranda. And nightly in the Students' "club" he wrote a letter addressed to a stationer's shop in Clapham, but that she did not see. For the most part these letters were brief, for Lewisham, South Kensington fashion, prided himself upon not being "literary," and some of the more despatch-like wounded a heart perhaps too hungry for tender words.

He did not meet Miss Heydinger's renewed advances with invariable kindness. Yet something of the old relations were presently restored. He would talk well to her for a time, and then snap like a dry twig. But the loaning of books was resumed, the subtle process of his aesthetic education that Miss Heydinger had devised. "Here is a book I promised you," she said one day, and he tried to remember the promise.

The book was a collection of Browning's Poems, and it contained "Sludge"; it also happened that it contained "The Statue and the Bust"—that stimulating lecture on half-hearted constraints. "Sludge" did not interest Lewisham, it was not at all his idea of a medium, but he read and re-read "The Statue and the Bust." It had the profoundest effect upon him. He went to sleep—he used to read his literature in bed because it was warmer there, and over literature nowadays it did not matter as it did with science if one dozed a little—with these lines stimulating his emotion:—

By way of fruit it may be to such seed, he dreamed a dream that night. It concerned Ethel, and at last they were a-marrying. He drew her to his arms. He bent to kiss her. And suddenly he saw her lips were shrivelled and her eyes were dull, saw the wrinkles seaming her face! She was old! She was intolerably old! He woke in a kind of horror and lay awake and very dismal until dawn, thinking of their separation and of her solitary walk through the muddy streets, thinking of his position, the leeway he had lost and the chances there were against him in the battle of the world. He perceived the colourless truth; the Career was improbable, and that Ethel should be added to it was almost hopeless. Clearly the question was between these two. Or should he vacillate and lose both? And then his wretchedness gave place to that anger that comes of perpetually thwarted desires….

It was on the day after this dream that he insulted Parkson so grossly. He insulted Parkson after a meeting of the "Friends of Progress" at Parkson's rooms.

No type of English student quite realises the noble ideal of plain living and high thinking nowadays. Our admirable examination system admits of extremely little thinking at any level, high or low. But the Kensington student's living is at any rate insufficient, and he makes occasional signs of recognition towards the cosmic process.

One such sign was the periodic gathering of these "Friends of Progress," an association begotten of Lewisham's paper on Socialism. It was understood that strenuous things were to be done to make the world better, but so far no decisive action had been taken.

They met in Parkson's sitting-room, because Parkson was the only one of the Friends opulent enough to have a sitting-room, he being a Whitworth Scholar and in receipt of one hundred pounds a year. The Friends were of various ages, mostly very young. Several smoked and others held pipes which they had discontinued smoking—but there was nothing to drink, except coffee, because that was the extent of their means. Dunkerley, an assistant master in a suburban school, and Lewisham's former colleague at Whortley, attended these assemblies through the introduction of Lewisham. All the Friends wore red ties except Bletherley, who wore an orange one to show that he was aware of Art, and Dunkerley, who wore a black one with blue specks, because assistant masters in small private schools have to keep up appearances. And their simple procedure was that each talked as much as the others would suffer.