Herbert Wells - Love and Mr. Lewisham

Immediately she looked away. At first his only emotion was surprise. He would have spoken, but a little thing robbed him of speech. For a moment he was unable to remember her surname. Moreover, the strangeness of his surroundings made him undecided. He did not know what was the proper way to address her—and he still kept to the superstition of etiquette. Besides—to speak to her would involve a general explanation to all these people …

"Just leave a pin-point of gas, Mr. Smithers, please," said Lagune, and suddenly the one surviving jet of the gas chandelier was turned down and they were in darkness. The moment for recognition had passed.

The joining of hands was punctiliously verified, the circle was linked little finger to little finger. Lewisham's abstraction received a rebuke from Smithers. The Medium, speaking in an affable voice, premised that he could promise nothing, he had no " directing " power over manifestations. Thereafter ensued a silence….

For a space Lewisham was inattentive to all that happened.

He sat in the breathing darkness, staring at the dim elusive shape that had presented that remembered face. His mind was astonishment mingled with annoyance. He had settled that this girl was lost to him for ever. The spell of the old days of longing, of the afternoons that he had spent after his arrival in London, wandering through Clapham with a fading hope of meeting her, had not returned to him. But he was ashamed of his stupid silence, and irritated by the awkwardness of the situation. At one moment he was on the very verge of breaking the compact and saying "Miss Henderson" across the table….

How was it he had forgotten that "Henderson"? He was still young enough to be surprised at forgetfulness.

Smithers coughed, one might imagine with a warning intention.

Lewisham, recalling his detective responsibility with an effort, peered about him, but the room was very dark. The silence was broken ever and again by deep sighs and a restless stirring from the Medium. Out of this mental confusion Lewisham's personal vanity was first to emerge. What did she think of him? Was she peering at him through the darkness even as he peered at her? Should he pretend to see her for the first time when the lights were restored? As the minutes lengthened it seemed as though the silence grew deeper and deeper. There was no fire in the room, and it looked, for lack of that glow, chilly. A curious scepticism arose in his mind as to whether he had actually seen Ethel or only mistaken someone else for her. He wanted the séance over in order that he might look at her again. The old days at Whortley came out of his memory with astonishing detail and yet astonishingly free from emotion….

He became aware of a peculiar sensation down his back, that he tried to account for as a draught….

Suddenly a beam of cold air came like a touch against his face, and made him shudder convulsively. Then he hoped that she had not marked his shudder. He thought of laughing a low laugh to show he was not afraid. Someone else shuddered too, and he perceived an extraordinarily vivid odour of violets. Lagune's finger communicated a nervous quivering.

What was happening?

The musical box somewhere on the table began playing a rather trivial, rather plaintive air that was strange to him. It seemed to deepen the silence about him, an accent on the expectant stillness, a thread of tinkling melody spanning an abyss.

Lewisham took himself in hand at this stage. What was happening? He must attend. Was he really watching as he should do? He had been wool-gathering. There were no such things as spirits, mediums were humbugs, and he was here to prove that sole remaining Gospel. But he must keep up with things—he was missing points. What was that scent of violets? And who had set the musical box going? The Medium, of course; but how? He tried to recall whether he had heard a rustling or detected any movement before the music began. He could not recollect. Come! he must be more on the alert than this!

He became acutely desirous of a successful exposure. He figured the dramatic moment he had prepared with Smithers—Ethel a spectator. He peered suspiciously into the darkness.

Somebody shuddered again, someone opposite him this time. He felt Lagune's finger quiver still more palpably, and then suddenly the raps began, abruptly, all about him. Rap !—making him start violently. A swift percussive sound, tap, rap, dap, under the table, under the chair, in the air, round the cornices. The Medium groaned again and shuddered, and his nervous agitation passed sympathetically round the circle. The music seemed to fade to the vanishing point and grew louder again.

How was it done?

He heard Lagune's voice next him speaking with a peculiar quality of breathless reverence, "The alphabet?" he asked, "shall we—shall we use the alphabet?"

A forcible rap under the table.

"No!" interpreted the voice of the Medium.

The raps were continued everywhere.

Of course it was trickery, Lewisham endeavoured to think what the mechanism was. He tried to determine whether he really had the Medium's little finger touching his. He peered at the dark shape next him. There was a violent rapping far away behind them with an almost metallic resonance. Then the raps ceased, and over the healing silence the little jet of melody from the musical box played alone. And after a moment that ceased also….

The stillness was profound, Mr. Lewisham was now highly strung. Doubts assailed him suddenly, and an overwhelming apprehension, a sense of vast occurrences gathering above him. The darkness was a physical oppression….

He started. Something had stirred on the table. There was the sharp ping of metal being struck. A number of little crepitating sounds like paper being smoothed. The sound of wind without the movement of air. A sense of a presence hovering over the table.

The excitement of Lagune communicated itself in convulsive tremblings; the Medium's hand quivered. In the darkness on the table something faintly luminous, a greenish-white patch, stirred and hopped slowly among the dim shapes.

The object, whatever it was, hopped higher, rose slowly in the air, expanded. Lewisham's attention followed this slavishly. It was ghostly—unaccountable—marvellous. For the moment he forgot even Ethel. Higher and higher this pallid luminosity rose overhead, and then he saw that it was a ghostly hand and arm, rising, rising. Slowly, deliberately it crossed the table, seemed to touch Lagune, who shivered. It moved slowly round and touched Lewisham. He gritted his teeth.

There was no mistaking the touch, firm and yet soft, of finger-tips. Almost simultaneously, Miss Heydinger cried out that something was smoothing her hair, and suddenly the musical box set off again with a reel. The faint oval of the tambourine rose, jangled, and Lewisham heard it pat Smithers in the face. It seemed to pass overhead. Immediately a table somewhere beyond the Medium began moving audibly on its castors.

It seemed impossible that the Medium, sitting so still beside him, could be doing all these things—grotesquely unmeaning though they might be. After all….

The ghostly hand was hovering almost directly in front of Mr. Lewisham's eyes. It hung with a slight quivering. Ever and again its fingers flapped down and rose stiffly again.

Noise! A loud noise it seemed. Something moving? What was it he had to do?

Lewisham suddenly missed the Medium's little finger. He tried to recover it. He could not find it. He caught, held and lost an arm. There was an exclamation. A faint report. A curse close to him bitten in half by the quick effort to suppress it. Tzit! The little pinpoint of light flew up with a hiss.

Lewisham, standing, saw a circle of blinking faces turned to the group of two this sizzling light revealed. Smithers was the chief figure of the group; he stood triumphant, one hand on the gas tap, the other gripping the Medium's wrist, and in the Medium's hand—the incriminatory tambourine.