Herbert Wells - Mr. Britling Sees It Through

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Moreover, he liked to see her casting her eye over the morning paper. She did it with a manner as though she thought the terrestrial globe a great fool, and quite beyond the reach of advice. And as though she understood and was rather amused at the way in which the newspaper people tried to keep back the real facts of the case from her.

And now she was scornfully entertained at the behaviour of everybody in the war crisis.

She confided various secrets of state to the elder of the younger Britlings—preferably when his father was within earshot.

"None of these things they are saying about the war," she said, "really matter in the slightest degree. It is all about a spoilt carpet and nothing else in the world—a madman and a spoilt carpet. If people had paid the slightest attention to common sense none of this war would have happened. The thing was perfectly well known. He was a delicate child, difficult to rear and given to screaming fits. Consequently he was never crossed, allowed to do everything. Nobody but his grandmother had the slightest influence with him. And she prevented him spoiling this carpet as completely as he wished to do. The story is perfectly well known. It was at Windsor—at the age of eight. After that he had but one thought: war with England....

"Everybody seemed surprised," she said suddenly at tea to Mr. Carmine. "I at least am not surprised. I am only surprised it did not come sooner. If any one had asked me I could have told them, three years, five years ago."

The day was one of flying rumours, Germany was said to have declared war on Italy, and to have invaded Holland as well as Belgium.

"They'll declare war against the moon next!" said Aunt Wilshire.

"And send a lot of Zeppelins," said the smallest boy. "Herr Heinrich told us they can fly thousands of miles."

"He will go on declaring war until there is nothing left to declare war against. That is exactly what he has always done. Once started he cannot desist. Often he has had to be removed from the dinner-table for fear of injury. Now , it is ultimatums."

She was much pleased by a headline in the Daily Express that streamed right across the page: "The Mad Dog of Europe." Nothing else, she said, had come so near her feelings about the war.

"Mark my words," said Aunt Wilshire in her most impressive tones. "He is insane. It will be proved to be so. He will end his days in an asylum—as a lunatic. I have felt it myself for years and said so in private.... Knowing what I did.... To such friends as I could trust not to misunderstand me.... Now at least I can speak out.

"With his moustaches turned up!" exclaimed Aunt Wilshire after an interval of accumulation.... "They say he has completely lost the use of the joint in his left arm, he carries it stiff like a Punch and Judy—and he wants to conquer Europe.... While his grandmother lived there was some one to keep him in order. He stood in Awe of her. He hated her, but he did not dare defy her. Even his uncle had some influence. Now, nothing restrains him.

"A double-headed mad dog," said Aunt Wilshire. "Him and his eagles!... A man like that ought never to have been allowed to make a war.... Not even a little war.... If he had been put under restraint when I said so, none of these things would have happened. But, of course I am nobody.... It was not considered worth attending to."

§ 10

One remarkable aspect of the English attitude towards the war was the disposition to treat it as a monstrous joke. It is a disposition traceable in a vast proportion of the British literature of the time. In spite of violence, cruelty, injustice, and the vast destruction and still vaster dangers of the struggles, that disposition held. The English mind refused flatly to see anything magnificent or terrible in the German attack, or to regard the German Emperor or the Crown Prince as anything more than figures of fun. From first to last their conception of the enemy was an overstrenuous, foolish man, red with effort, with protruding eyes and a forced frightfulness of demeanour. That he might be tremendously lethal did not in the least obscure the fact that he was essentially ridiculous. And if as the war went on the joke grew grimmer, still it remained a joke. The German might make a desert of the world; that could not alter the British conviction that he was making a fool of himself.

And this disposition kept coming to the surface throughout the afternoon, now in a casual allusion, now in some deliberate jest. The small boys had discovered the goose step, and it filled their little souls with amazement and delight. That human beings should consent to those ridiculous paces seemed to them almost incredibly funny. They tried it themselves, and then set out upon a goose-step propaganda. Letty and Cissie had come up to the Dower House for tea and news, and they were enrolled with Teddy and Hugh. The six of them, chuckling and swaying, marched, in vast scissor strides across the lawn. "Left," cried Hugh. "Left."

"Toes out more," said Mr. Lawrence Carmine.

"Keep stiffer," said the youngest Britling.

"Watch the Zeppelins and look proud," said Hugh. "With the chest out. Zo! "

Mrs. Britling was so much amused that she went in for her camera, and took a snapshot of the detachment. It was a very successful snapshot, and a year later Mr. Britling was to find a print of it among his papers, and recall the sunshine and the merriment....

§ 11

That night brought the British declaration of war against Germany. To nearly every Englishman that came as a matter of course, and it is one of the most wonderful facts in history that the Germans were surprised by it. When Mr. Britling, as a sample Englishman, had said that there would never be war between Germany and England, he had always meant that it was inconceivable to him that Germany should ever attack Belgium or France. If Germany had been content to fight a merely defensive war upon her western frontier and let Belgium alone, there would scarcely have been such a thing as a war party in Great Britain. But the attack upon Belgium, the westward thrust, made the whole nation flame unanimously into war. It settled a question that was in open debate up to the very outbreak of the conflict. Up to the last the English had cherished the idea that in Germany, just as in England, the mass of people were kindly, pacific, and detached. That had been the English mistake. Germany was really and truly what Germany had been professing to be for forty years, a War State. With a sigh—and a long-forgotten thrill—England roused herself to fight. Even now she still roused herself sluggishly. It was going to be an immense thing, but just how immense it was going to be no one in England had yet imagined.

Countless men that day whom Fate had marked for death and wounds stared open-mouthed at the news, and smiled with the excitement of the headlines, not dreaming that any of these things would come within three hundred miles of them. What was war to Matching's Easy—to all the Matching's Easies great and small that make up England? The last home that was ever burnt by an enemy within a hundred miles of Matching's Easy was burnt by the Danes rather more than a thousand years ago.... And the last trace of those particular Danes in England were certain horny scraps of indurated skin under the heads of the nails in the door of St. Clement Danes in London....

Now again, England was to fight in a war which was to light fires in England and bring death to English people on English soil. There were inconceivable ideas in August, 1914. Such things must happen before they can be comprehended as possible.

§ 12

This story is essentially the history of the opening and of the realisation of the Great War as it happened to one small group of people in Essex, and more particularly as it happened to one human brain. It came at first to all these people in a spectacular manner, as a thing happening dramatically and internationally, as a show, as something in the newspapers, something in the character of an historical epoch rather than a personal experience; only by slow degrees did it and its consequences invade the common texture of English life. If this story could be represented by sketches or pictures the central figure would be Mr. Britling, now sitting at his desk by day or by night and writing first at his tract "And Now War Ends" and then at other things, now walking about his garden or in Claverings park or going to and fro in London, in his club reading the ticker or in his hall reading the newspaper, with ideas and impressions continually clustering, expanding, developing more and more abundantly in his mind, arranging themselves, reacting upon one another, building themselves into generalisations and conclusions....

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