Herbert Wells - The Wife of Sir Isaac Harman

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Sir Isaac made a pathetic appearance before the court, and Lady Harman was shocked to see how worn he was with distress at her scandalous behaviour. He looked a broken man. That curious sense of personal responsibility, which had slumbered throughout the Black Strand struggle, came back to her in a flood, and she had to grip the edge of the dock tightly to maintain her self-control. Unaccustomed as he was to public speaking, Sir Isaac said in a low, sorrow-laden voice, he had provided himself with a written statement dissociating himself from the views his wife's rash action might seem to imply, and expressing his own opinions upon woman's suffrage and the relations of the sexes generally, with especial reference to contemporary literature. He had been writing it most of the night. He was not, however, permitted to read this, and he then made an unstudied appeal for the consideration and mercy of the court. He said Lady Harman had always been a good mother and a faithful wife; she had been influenced by misleading people and bad books and publications, the true significance of which she did not understand, and if only the court would regard this first offence leniently he was ready to take his wife away and give any guarantee that might be specified that it should not recur. The magistrate was sympathetic and kindly, but he pointed out that this window-breaking had to be stamped out, and that it could only be stamped out by refusing any such exception as Sir Isaac desired. And so Sir Isaac left the court widowed for a month, a married man without a wife, and terribly distressed.

All this and more one might tell in detail, and how she went to her cell, and the long tedium of her imprisonment, and how deeply Snagsby felt the disgrace, and how Miss Alimony claimed her as a convert to the magic of her persuasions, and many such matters—there is no real restraint upon a novelist fully resolved to be English and Gothic and unclassical except obscure and inexplicable instincts. But these obscure and inexplicable instincts are at times imperative, and on this occasion they insist that here must come a break, a pause, in the presence of this radiating gap in the Postmaster-General's glass, and the phenomenon of this gentle and beautiful lady, the mother of four children, grasping in her gloved hand, and with a certain amateurishness, a lumpish poker-end of iron.

We make the pause by ending the chapter here and by resuming the story at a fresh point—with an account of various curious phases in the mental development of Mr. Brumley.

CHAPTER THE NINTH

MR. BRUMLEY IS TROUBLED BY DIFFICULT IDEAS

§1

Then as that picture of a post office pane, smashed and with a large hole knocked clean through it, fades at last upon the reader's consciousness, let another and a kindred spectacle replace it. It is the carefully cleaned and cherished window of Mr. Brumley's mind, square and tidy and as it were "frosted" against an excess of light, and in that also we have now to record the most jagged all and devastating fractures.

Little did Mr. Brumley reckon when first he looked up from his laces at Black Strand, how completely that pretty young woman in the dark furs was destined to shatter all the assumptions that had served his life.

But you have already had occasion to remark a change in Mr. Brumley's bearing and attitude that carries him far from the kindly and humorous conservatism of his earlier work. You have shared Lady Harman's astonishment at the ardour of his few stolen words in the garden, an astonishment that not only grew but flowered in the silences of her captivity, and you know something of the romantic impulses, more at least than she did, that gave his appearance at the little local railway station so belated and so disreputable a flavour. In the chilly ill-flavoured solitude of her prison cell and with a mind quickened by meagre and distasteful fare, Lady Harman had ample leisure to reflect upon many things, she had already fully acquainted herself with the greater proportion of Mr. Brumley's published works, and she found the utmost difficulty in reconciling the flushed impassioned quality of his few words of appeal, with the moral assumptions of his published opinions. On the whole she was inclined to think that her memory had a little distorted what he had said. In this however she was mistaken; Mr. Brumley had really been proposing an elopement and he was now entirely preoccupied with the idea of rescuing, obtaining and possessing Lady Harman for himself as soon as the law released her.

One may doubt whether this extensive change from a humorous conservatism to a primitive and dangerous romanticism is to be ascribed entirely to the personal charm, great as it no doubt was, of Lady Harman; rather did her tall soft dark presence come to release a long accumulating store of discontent and unrest beneath the polished surfaces of Mr. Brumley's mind. Things had been stirring in him for some time; the latter Euphemia books had lacked much of the freshness of their precursors and he had found it increasingly hard, he knew not why, to keep up the lightness, the geniality, the friendly badinage of successful and accepted things, the sunny disregard of the grim and unamiable aspects of existence, that were the essential merits of that Optimistic Period of our literature in which Mr. Brumley had begun his career. With every justification in the world Mr. Brumley had set out to be an optimist, even in the Granta his work had been distinguished by its gay yet steadfast superficiality, and his early success, his rapid popularity, had done much to turn this early disposition into a professional attitude. He had determined that for all his life he would write for comfortable untroubled people in the character of a light-spirited, comfortable, untroubled person, and that each year should have its book of connubial humour, its travel in picturesque places, its fun and its sunshine, like roses budding in succession on a stem. He did his utmost to conceal from himself the melancholy realization that the third and the fourth roses were far less wonderful than the first and the second, and that by continuing the descending series a rose might be attained at last that was almost unattractive, but he was already beginning to suspect that he was getting less animated and a little irritable when Euphemia very gently and gracefully but very firmly and rather enigmatically died, and after an interval of tender and tenderly expressed regrets he found himself, in spite of the most strenuous efforts to keep bright and kindly and optimistic in the best style, dull and getting duller—he could disguise the thing no longer. And he weighed more. Six—eight—eleven pounds more. He took a flat in London, dined and lunched out lightly but frequently, sought the sympathetic friendship of several charming ladies, and involved himself deeply in the affairs of the Academic Committee. Indeed he made a quite valiant struggle to feel that optimism was just where it always had been and everything all right and very bright with him and with the world about him. He did not go under without a struggle. But as Max Beerbohm's caricature—the 1908 one I mean—brought out all too plainly, there was in his very animation, something of the alert liveliness of the hunted man. Do what he would he had a terrible irrational feeling that things, as yet scarce imagined things, were after him and would have him. Even as he makes his point, even as he gesticulates airily, with his rather distinctively North European nose Beerbohmically enlarged and his sensitive nostril in the air, he seems to be looking at something he does not want to look at, something conceivably pursuing, out of the corner of his eye.

The thing that was assailing Mr. Brumley and making his old established humour and tenderness seem dull and opaque and giving this new uneasy quality to his expression was of course precisely the thing that Sir Isaac meant when he talked about "idees" and their disturbing influence upon all the once assured tranquillities and predominances of Putney life. It was criticism breaking bounds.

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