Herbert Wells - Tono Bungay

"How you must hate me! I made you wait. Well now—I suppose you have your revenge."

"REVENGE!" I echoed.

Then she would try over the aspects of our new separated lives.

"I ought to earn my own living," she would insist.

"I want to be quite independent. I've always hated London. Perhaps I shall try a poultry farm and bees. You won't mind at first my being a burden. Afterwards—"

"We've settled all that," I said.

"I suppose you will hate me anyhow..."

There were times when she seemed to regard our separation with absolute complacency, when she would plan all sorts of freedoms and characteristic interests.

"I shall go out a lot with Smithie," she said.

And once she said an ugly thing that I did indeed hate her for that I cannot even now quite forgive her.

"Your aunt will rejoice at all this. She never cared for me..."

Into my memory of these pains and stresses comes the figure of Smithie, full-charged with emotion, so breathless in the presence of the horrid villain of the piece that she could make no articulate sounds. She had long tearful confidences with Marion, I know, sympathetic close clingings. There were moments when only absolute speechlessness prevented her giving me a stupendous "talking-to"—I could see it in her eye. The wrong things she would have said! And I recall, too, Mrs. Ramboat's slow awakening to something in, the air, the growing expression of solicitude in her eye, only her well-trained fear of Marion keeping her from speech.

And at last through all this welter, like a thing fated and altogether beyond our control, parting came to Marion and me.

I hardened my heart, or I could not have gone. For at the last it came to Marion that she was parting from me for ever. That overbore all other things, had turned our last hour to anguish. She forgot for a time the prospect of moving into a new house, she forgot the outrage on her proprietorship and pride. For the first time in her life she really showed strong emotions in regard to me, for the first time, perhaps, they really came to her. She began to weep slow, reluctant tears. I came into her room, and found her asprawl on the bed, weeping.

"I didn't know," she cried. "Oh! I didn't understand!"

"I've been a fool. All my life is a wreck!

"I shall be alone!...MUTNEY! Mutney, don't leave me! Oh! Mutney! I didn't understand."

I had to harden my heart indeed, for it seemed to me at moments in those last hours together that at last, too late, the longed-for thing had happened and Marion had come alive. A new-born hunger for me lit her eyes.

"Don't leave me!" she said, "don't leave me!" She clung to me; she kissed me with tear-salt lips.

I was promised now and pledged, and I hardened my heart against this impossible dawn. Yet it seems to me that there were moments when it needed but a cry, but one word to have united us again for all our lives. Could we have united again? Would that passage have enlightened us for ever or should we have fallen back in a week or so into the old estrangement, the old temperamental opposition?

Of that there is now no telling. Our own resolve carried us on our predestined way. We behaved more and more like separating lovers, parting inexorably, but all the preparations we had set going worked on like a machine, and we made no attempt to stop them. My trunks and boxes went to the station. I packed my bag with Marion standing before me. We were like children who had hurt each other horribly in sheer stupidity, who didn't know now how to remedy it. We belonged to each other immensely—immensely. The cab came to the little iron gate.

"Good-bye!" I said.

"Good-bye."

For a moment we held one another in each other's arms and kissed—incredibly without malice. We heard our little servant in the passage going to open the door. For the last time we pressed ourselves to one another. We were not lovers nor enemies, but two human souls in a frank community of pain. I tore myself from her.

"Go away," I said to the servant, seeing that Marion had followed me down.

I felt her standing behind me as I spoke to the cab man.

I got into the cab, resolutely not looking back, and then as it started jumped up, craned out and looked at the door.

It was wide open, but she had disappeared....

I wonder—I suppose she ran upstairs.

So I parted from Marion at an extremity of perturbation and regret, and went, as I had promised and arranged, to Effie, who was waiting for me in apartments near Orpington. I remember her upon the station platform, a bright, flitting figure looking along the train for me, and our walk over the fields in the twilight. I had expected an immense sense of relief where at last the stresses of separation were over, but now I found I was beyond measure wretched and perplexed, full of the profoundest persuasion of irreparable error. The dusk and somber Marion were so alike, her sorrow seemed to be all about me. I had to hold myself to my own plans, to remember that I must keep faith with Effie, with Effie who had made no terms, exacted no guarantees, but flung herself into my hands.

We went across the evening fields in silence, towards a sky of deepening gold and purple, and Effie was close beside me always, very close, glancing up ever and again at my face.

Certainly she knew I grieved for Marion, that ours was now no joyful reunion. But she showed no resentment and no jealousy. Extraordinarily, she did not compete against Marion. Never once in all our time together did she say an adverse word of Marion....

She set herself presently to dispel the shadow that brooded over me with the same instinctive skill that some women will show with the trouble of a child. She made herself my glad and pretty slave and handmaid; she forced me at last to rejoice in her. Yet at the back of it all Marion remained, stupid and tearful and infinitely distressful, so that I was almost intolerably unhappy for her—for her and the dead body of my married love.

It is all, as I tell it now, unaccountable to me. I go back into these remote parts, these rarely visited uplands and lonely tares of memory, and it seems to me still a strange country. I had thought I might be going to some sensuous paradise with Effie, but desire which fills the universe before its satisfaction, vanishes utterly like the going of daylight—with achievement. All the facts and forms of life remain darkling and cold. It was an upland of melancholy questionings, a region from which I saw all the world at new angles and in new aspects; I had outflanked passion and romance.

I had come into a condition of vast perplexities. For the first time in my life, at least so it seems to me now in this retrospect, I looked at my existence as a whole.

Since this was nothing, what was I doing? What was I for?

I was going to and fro about Tono-Bungay—the business I had taken up to secure Marion and which held me now in spite of our intimate separation—and snatching odd week-ends and nights for Orpington, and all the while I struggled with these obstinate interrogations. I used to fall into musing in the trains, I became even a little inaccurate and forgetful about business things. I have the clearest memory of myself sitting thoughtful in the evening sunlight on a grassy hillside that looked toward Seven Oaks and commanded a wide sweep of country, and that I was thinking out my destiny. I could almost write my thought down now, I believe, as they came to me that afternoon. Effie, restless little cockney that she was, rustled and struggled in a hedgerow below, gathering flowers, discovering flowers she had never seen before. I had. I remember, a letter from Marion in my pocket. I had even made some tentatives for return, for a reconciliation; Heaven knows now how I had put it! but her cold, ill-written letter repelled me. I perceived I could never face that old inconclusive dullness of life again, that stagnant disappointment. That, anyhow, wasn't possible. But what was possible? I could see no way of honour or fine living before me at all.