Pelham Wodehouse - Indiscretions of Archie

"HE made me do it!" said Washy, with the stern joy a sixteen-year-old boy feels when he sees somebody on to whose shoulders he can shift trouble from his own. "That's the fellow who took me to the place!"

"What are you talking about, Washington?"

"I'm telling you! He got me into the thing."

"Do you mean this—this—" Mrs. McCall shuddered. "Are you referring to this pie-eating contest?"

"You bet I am!"

"Is this true?" Mrs. McCall glared stonily at Archie, "Was it you who lured my poor boy into that—that—"

"Oh, absolutely. The fact is, don't you know, a dear old pal of mine who runs a tobacco shop on Sixth Avenue was rather in the soup. He had backed a chappie against the champion, and the chappie was converted by one of your lectures and swore off pie at the eleventh hour. Dashed hard luck on the poor chap, don't you know! And then I got the idea that our little friend here was the one to step in and save the situash, so I broached the matter to him. And I'll tell you one thing," said Archie, handsomely, "I don't know what sort of a capacity the original chappie had, but I'll bet he wasn't in your son's class. Your son has to be seen to be believed! Absolutely! You ought to be proud of him!" He turned in friendly fashion to Washy. "Rummy we should meet again like this! Never dreamed I should find you here. And, by Jove, it's absolutely marvellous how fit you look after yesterday. I had a sort of idea you would be groaning on a bed of sickness and all that."

There was a strange gurgling sound in the background. It resembled something getting up steam. And this, curiously enough, is precisely what it was. The thing that was getting up steam was Mr. Lindsay McCall.

The first effect of the Washy revelations on Mr. McCall had been merely to stun him. It was not until the arrival of Archie that he had had leisure to think; but since Archie's entrance he had been thinking rapidly and deeply.

For many years Mr. McCall had been in a state of suppressed revolution. He had smouldered, but had not dared to blaze. But this startling upheaval of his fellow-sufferer, Washy, had acted upon him like a high explosive. There was a strange gleam in his eye, a gleam of determination. He was breathing hard.

"Washy!"

His voice had lost its deprecating mildness. It rang strong and clear.

"Yes, pop?"

"How many pies did you eat yesterday?"

Washy considered.

"A good few."

"How many? Twenty?"

"More than that. I lost count. A good few."

"And you feel as well as ever?"

"I feel fine."

Mr. McCall dropped his glasses. He glowered for a moment at the breakfast table. His eye took in the Health Bread, the imitation coffee-pot, the cereal, the nut-butter. Then with a swift movement he seized the cloth, jerked it forcibly, and brought the entire contents rattling and crashing to the floor.

"Lindsay!"

Mr. McCall met his wife's eye with quiet determination. It was plain that something had happened in the hinterland of Mr. McCall's soul.

"Cora," he said, resolutely, "I have come to a decision. I've been letting you run things your own way a little too long in this family. I'm going to assert myself. For one thing, I've had all I want of this food-reform foolery. Look at Washy! Yesterday that boy seems to have consumed anything from a couple of hundredweight to a ton of pie, and he has thriven on it! Thriven! I don't want to hurt your feelings, Cora, but Washington and I have drunk our last cup of anti-caffeine! If you care to go on with the stuff, that's your look-out. But Washy and I are through."

He silenced his wife with a masterful gesture and turned to Archie. "And there's another thing. I never liked the idea of that lawsuit, but I let you talk me into it. Now I'm going to do things my way. Mr. Moffam, I'm glad you looked in this morning. I'll do just what you want. Take me to Dan Brewster now, and let's call the thing off, and shake hands on it."

"Are you mad, Lindsay?"

It was Cora Bates McCall's last shot. Mr. McCall paid no attention to it. He was shaking hands with Archie.

"I consider you, Mr. Moffam," he said, "the most sensible young man I have ever met!"

Archie blushed modestly.

"Awfully good of you, old bean," he said. "I wonder if you'd mind telling my jolly old father-in-law that? It'll be a bit of news for him!"

Archie Moffam's connection with that devastatingly popular ballad, "Mother's Knee," was one to which he always looked back later with a certain pride. "Mother's Knee," it will be remembered, went through the world like a pestilence. Scots elders hummed it on their way to kirk; cannibals crooned it to their offspring in the jungles of Borneo; it was a best-seller among the Bolshevists. In the United States alone three million copies were disposed of. For a man who has not accomplished anything outstandingly great in his life, it is something to have been in a sense responsible for a song like that; and, though there were moments when Archie experienced some of the emotions of a man who has punched a hole in the dam of one of the larger reservoirs, he never really regretted his share in the launching of the thing.

It seems almost bizarre now to think that there was a time when even one person in the world had not heard "Mother's Knee"; but it came fresh to Archie one afternoon some weeks after the episode of Washy, in his suite at the Hotel Cosmopolis, where he was cementing with cigarettes and pleasant conversation his renewed friendship with Wilson Hymack, whom he had first met in the neighbourhood of Armentieres during the war.

"What are you doing these days?" enquired Wilson Hymack.

"Me?" said Archie. "Well, as a matter of fact, there is what you might call a sort of species of lull in my activities at the moment. But my jolly old father-in-law is bustling about, running up a new hotel a bit farther down-town, and the scheme is for me to be manager when it's finished. From what I have seen in this place, it's a simple sort of job, and I fancy I shall be somewhat hot stuff. How are you filling in the long hours?"

"I'm in my uncle's office, darn it!"

"Starting at the bottom and learning the business and all that? A noble pursuit, no doubt, but I'm bound to say it would give me the pip in no uncertain manner."

"It gives me," said Wilson Hymack, "a pain in the thorax. I want to be a composer."

"A composer, eh?"

Archie felt that he should have guessed this. The chappie had a distinctly artistic look. He wore a bow-tie and all that sort of thing. His trousers bagged at the knees, and his hair, which during the martial epoch of his career had been pruned to the roots, fell about his ears in luxuriant disarray.

"Say! Do you want to hear the best thing I've ever done?"

"Indubitably," said Archie, politely. "Carry on, old bird!"

"I wrote the lyric as well as the melody," said Wilson Hymack, who had already seated himself at the piano. "It's got the greatest title you ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to Mother's Knee.' How's that? Poor, eh?"

Archie expelled a smoke-ring doubtfully.

"Isn't it a little stale?"

"Stale? What do you mean, stale? There's always room for another song boosting Mother."

"Oh, is it boosting Mother?" Archie's face cleared. "I thought it was a hit at the short skirts. Why, of course, that makes all the difference. In that case, I see no reason why it should not be ripe, fruity, and pretty well all to the mustard. Let's have it."

Wilson Hymack pushed as much of his hair out of his eyes as he could reach with one hand, cleared his throat, looked dreamily over the top of the piano at a photograph of Archie's father-in-law, Mr. Daniel Brewster, played a prelude, and began to sing in a weak, high, composer's voice. All composers sing exactly alike, and they have to be heard to be believed.