Pelham Wodehouse - My Man Jeeves

"We must hurry up, Jimmy," I said. "The kid's uncle may arrive any day now and take him away."

"And we haven't an understudy," said Jimmy. "There's something in that. We must work! My goodness, that kid's a bad study. I've known deaf-mutes who would have learned the part quicker."

I will say this for the kid, though: he was a trier. Failure didn't discourage him. Whenever there was any kind of sweet near he had a dash at his line, and kept on saying something till he got what he was after. His only fault was his uncertainty. Personally, I would have been prepared to risk it, and start the performance at the first opportunity, but Jimmy said no.

"We're not nearly ready," said Jimmy. "To-day, for instance, he said 'Kick Freddie.' That's not going to win any girl's heart. And she might do it, too. No; we must postpone production awhile yet."

But, by George, we didn't. The curtain went up the very next afternoon.

It was nobody's fault—certainly not mine. It was just Fate. Freddie had settled down at the piano, and I was leading the kid out of the house to exercise it, when, just as we'd got out to the veranda, along came the girl Angela on her way to the beach. The kid set up his usual yell at the sight of her, and she stopped at the foot of the steps.

"Hello, baby!" she said. "Good morning," she said to me. "May I come up?"

She didn't wait for an answer. She just came. She seemed to be that sort of girl. She came up on the veranda and started fussing over the kid. And six feet away, mind you, Freddie smiting the piano in the sitting-room. It was a dash disturbing situation, don't you know. At any minute Freddie might take it into his head to come out on to the veranda, and we hadn't even begun to rehearse him in his part.

I tried to break up the scene.

"We were just going down to the beach," I said.

"Yes?" said the girl. She listened for a moment. "So you're having your piano tuned?" she said. "My aunt has been trying to find a tuner for ours. Do you mind if I go in and tell this man to come on to us when he's finished here?"

"Er—not yet!" I said. "Not yet, if you don't mind. He can't bear to be disturbed when he's working. It's the artistic temperament. I'll tell him later."

"Very well," she said, getting up to go. "Ask him to call at Pine Bungalow. West is the name. Oh, he seems to have stopped. I suppose he will be out in a minute now. I'll wait."

"Don't you think—shouldn't we be going on to the beach?" I said.

She had started talking to the kid and didn't hear. She was feeling in her pocket for something.

"The beach," I babbled.

"See what I've brought for you, baby," she said. And, by George, don't you know, she held up in front of the kid's bulging eyes a chunk of toffee about the size of the Automobile Club.

That finished it. We had just been having a long rehearsal, and the kid was all worked up in his part. He got it right first time.

"Kiss Fweddie!" he shouted.

And the front door opened, and Freddie came out on to the veranda, for all the world as if he had been taking a cue.

He looked at the girl, and the girl looked at him. I looked at the ground, and the kid looked at the toffee.

"Kiss Fweddie!" he yelled. "Kiss Fweddie!"

The girl was still holding up the toffee, and the kid did what Jimmy Pinkerton would have called "business of outstretched hands" towards it.

"Kiss Fweddie!" he shrieked.

"What does this mean?" said the girl, turning to me.

"You'd better give it to him, don't you know," I said. "He'll go on till you do."

She gave the kid his toffee, and he subsided. Poor old Freddie still stood there gaping, without a word.

"What does it mean?" said the girl again. Her face was pink, and her eyes were sparkling in the sort of way, don't you know, that makes a fellow feel as if he hadn't any bones in him, if you know what I mean. Did you ever tread on your partner's dress at a dance and tear it, and see her smile at you like an angel and say: " Please don't apologize. It's nothing," and then suddenly meet her clear blue eyes and feel as if you had stepped on the teeth of a rake and had the handle jump up and hit you in the face? Well, that's how Freddie's Angela looked.

" Well? " she said, and her teeth gave a little click.

I gulped. Then I said it was nothing. Then I said it was nothing much. Then I said, "Oh, well, it was this way." And, after a few brief remarks about Jimmy Pinkerton, I told her all about it. And all the while Idiot Freddie stood there gaping, without a word.

And the girl didn't speak, either. She just stood listening.

And then she began to laugh. I never heard a girl laugh so much. She leaned against the side of the veranda and shrieked. And all the while Freddie, the World's Champion Chump, stood there, saying nothing.

Well I sidled towards the steps. I had said all I had to say, and it seemed to me that about here the stage-direction "exit" was written in my part. I gave poor old Freddie up in despair. If only he had said a word, it might have been all right. But there he stood, speechless. What can a fellow do with a fellow like that?

Just out of sight of the house I met Jimmy Pinkerton.

"Hello, Reggie!" he said. "I was just coming to you. Where's the kid? We must have a big rehearsal to-day."

"No good," I said sadly. "It's all over. The thing's finished. Poor dear old Freddie has made an ass of himself and killed the whole show."

"Tell me," said Jimmy.

I told him.

"Fluffed in his lines, did he?" said Jimmy, nodding thoughtfully. "It's always the way with these amateurs. We must go back at once. Things look bad, but it may not be too late," he said as we started. "Even now a few well-chosen words from a man of the world, and——"

"Great Scot!" I cried. "Look!"

In front of the cottage stood six children, a nurse, and the fellow from the grocer's staring. From the windows of the houses opposite projected about four hundred heads of both sexes, staring. Down the road came galloping five more children, a dog, three men, and a boy, about to stare. And on our porch, as unconscious of the spectators as if they had been alone in the Sahara, stood Freddie and Angela, clasped in each other's arms.

Dear old Freddie may have been fluffy in his lines, but, by George, his business had certainly gone with a bang!

I think one of the rummiest affairs I was ever mixed up with, in the course of a lifetime devoted to butting into other people's business, was that affair of George Lattaker at Monte Carlo. I wouldn't bore you, don't you know, for the world, but I think you ought to hear about it.

We had come to Monte Carlo on the yacht Circe , belonging to an old sportsman of the name of Marshall. Among those present were myself, my man Voules, a Mrs. Vanderley, her daughter Stella, Mrs. Vanderley's maid Pilbeam and George.

George was a dear old pal of mine. In fact, it was I who had worked him into the party. You see, George was due to meet his Uncle Augustus, who was scheduled, George having just reached his twenty-fifth birthday, to hand over to him a legacy left by one of George's aunts, for which he had been trustee. The aunt had died when George was quite a kid. It was a date that George had been looking forward to; for, though he had a sort of income—an income, after-all, is only an income, whereas a chunk of o' goblins is a pile. George's uncle was in Monte Carlo, and had written George that he would come to London and unbelt; but it struck me that a far better plan was for George to go to his uncle at Monte Carlo instead. Kill two birds with one stone, don't you know. Fix up his affairs and have a pleasant holiday simultaneously. So George had tagged along, and at the time when the trouble started we were anchored in Monaco Harbour, and Uncle Augustus was due next day.