Pelham Wodehouse - Something New

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Early work follows Ashe Marson into the drafty halls of Blandings Castle, where he will try to make "something new" of his life by purloining a rare Egyptian scarab — all for the best motives, of course. The resultant hilarious romp through a stately English country home also introduces other characters who recur throughout the Blandings Castle Saga.

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Baxter, then, as he bicycled to Market Blandings for tobacco, had good reason to brood. Having bought his tobacco and observed the life and thought of the town for half an hour—it was market day and the normal stagnation of the place was temporarily relieved and brightened by pigs that eluded their keepers, and a bull calf which caught a stout farmer at the psychological moment when he was tying his shoe lace and lifted him six feet—he made his way to the Emsworth Arms, the most respectable of the eleven inns the citizens of Market Blandings contrived in some miraculous way to support.

In English country towns, if the public houses do not actually outnumber the inhabitants, they all do an excellent trade. It is only when they are two to one that hard times hit them and set the innkeepers to blaming the government.

It was not the busy bar, full to overflowing with honest British yeomen—many of them in a similar condition—that Baxter sought. His goal was the genteel dining-room on the first floor, where a bald and shuffling waiter, own cousin to a tortoise, served luncheon to those desiring it. Lack of sleep had reduced Baxter to a condition where the presence and chatter of the house party were insupportable. It was his purpose to lunch at the Emsworth Arms and take a nap in an armchair afterward.

He had relied on having the room to himself, for Market Blandings did not lunch to a great extent; but to his annoyance and disappointment the room was already occupied by a man in brown tweeds.

Occupied is the correct word, for at first sight this man seemed to fill the room. Never since almost forgotten days when he used to frequent circuses and side shows, had Baxter seen a fellow human being so extraordinarily obese. He was a man about fifty years old, gray-haired, of a mauve complexion, and his general appearance suggested joviality.

To Baxter's chagrin, this person engaged him in conversation directly he took his seat at the table. There was only one table in the room, as is customary in English inns, and it had the disadvantage that it collected those seated at it into one party. It was impossible for Baxter to withdraw into himself and ignore this person's advances.

It is doubtful whether he could have done it, however, had they been separated by yards of floor, for the fat man was not only naturally talkative but, as appeared from his opening remarks, speech had been dammed up within him for some time by lack of a suitable victim.

"Morning!" he began; "nice day. Good for the farmers. I'll move up to your end of the table if I may, sir. Waiter, bring my beef to this gentleman's end of the table."

He creaked into a chair at Baxter's side and resumed:

"Infernally quiet place, this, sir. I haven't found a soul to speak to since I arrived yesterday afternoon except deaf-and-dumb rustics. Are you making a long stay here?"

"I live outside the town."

"I pity you. Wouldn't care to do it myself. Had to come here on business and shan't be sorry when it's finished. I give you my word I couldn't sleep a wink last night because of the quiet. I was just dropping off when a beast of a bird outside the window gave a chirrup, and it brought me up with a jerk as though somebody had fired a gun. There's a damned cat somewhere near my room that mews. I lie in bed waiting for the next mew, all worked up.

"Heaven save me from the country! It may be all right for you, if you've got a comfortable home and a pal or two to chat with after dinner; but you've no conception what it's like in this infernal town—I suppose it calls itself a town. What a hole! There's a church down the street. I'm told it's Norman or something. Anyway, it's old. I'm not much of a man for churches as a rule, but I went and took a look at it.

"Then somebody told me there was a fine view from the end of High Street; so I went and took a look at that. And now, so far as I can make out, I've done the sights and exhausted every possibility of entertainment the town has to provide—unless there's another church. I'm so reduced that I'll go and see the Methodist Chapel, if there is one."

Fresh air, want of sleep and the closeness of the dining-room combined to make Baxter drowsy. He ate his lunch in a torpor, hardly replying to his companion's remarks, who, for his part, did not seem to wish or to expect replies. It was enough for him to be talking.

"What do people do with themselves in a place like this? When they want amusement, I mean. I suppose it's different if you've been brought up to it. Like being born color-blind or something. You don't notice. It's the visitor who suffers. They've no enterprise in this sort of place. There's a bit of land just outside here that would make a sweet steeplechase course; natural barriers; everything. It hasn't occurred to 'em to do anything with it. It makes you despair of your species—that sort of thing. Now if I—"

Baxter dozed. With his fork still impaling a piece of cold beef, he dropped into that half-awake, half-asleep state which is Nature's daytime substitute for the true slumber of the night. The fat man, either not noticing or not caring, talked on. His voice was a steady drone, lulling Baxter to rest.

Suddenly there was a break. Baxter sat up, blinking. He had a curious impression that his companion had said "Hello, Freddie!" and that the door had just opened and closed.

"Eh?" he said.

"Yes?" said the fat man.

"What did you say?"

"I was speaking of—"

"I thought you said, 'Hello, Freddie!'"

His companion eyed him indulgently.

"I thought you were dropping off when I looked at you. You've been dreaming. What should I say, 'Hello, Freddie!' for?"

The conundrum was unanswerable. Baxter did not attempt to answer it. But there remained at the back of his mind a quaint idea that he had caught sight, as he woke, of the Honorable Frederick Threepwood, his face warningly contorted, vanishing through the doorway. Yet what could the Honorable Freddie be doing at the Emsworth Arms?

A solution of the difficulty occurred to him: he had dreamed he had seen Freddie and that had suggested the words which, reason pointed out, his companion could hardly have spoken. Even if the Honorable Freddie should enter the room, this fat man, who was apparently a drummer of some kind, would certainly not know who he was, nor would he address him so familiarly.

Yes, that must be the explanation. After all, the quaintest things happened in dreams. Last night, when he had fallen asleep in his chair, he had dreamed that he was sitting in a glass case in the museum, making faces at Lord Emsworth, Mr. Peters, and Beach, the butler, who were trying to steal him, under the impression that he was a scarab of the reign of Cheops of the Fourth Dynasty—a thing he would never have done when awake. Yes; he must certainly have been dreaming.

In the bedroom into which he had dashed to hide himself, on discovering that the dining-room was in possession of the Efficient Baxter, the Honorable Freddie sat on a rickety chair, scowling. He elaborated a favorite dictum of his:

"You can't take a step anywhere without stumbling over that damn feller, Baxter!"

He wondered whether Baxter had seen him. He wondered whether Baxter had recognized him. He wondered whether Baxter had heard R. Jones say, "Hello, Freddie!"

He wondered, if such should be the case, whether R. Jones' presence of mind and native resource had been equal to explaining away the remark.

CHAPTER VIII

"'Put the butter or drippings in a kettle on the range, and when hot add the onions and fry them; add the veal and cook until brown. Add the water, cover closely, and cook very slowly until the meat is tender; then add the seasoning and place the potatoes on top of the meat. Cover and cook until the potatoes are tender, but not falling to pieces.'"

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