Pelham Wodehouse: The Clicking of Cuthbert

I have not the pleasure of an intimate acquaintance with Grace Forrester. I have seen her in the distance, watering the flowers in her garden, and on these occasions her stance struck me as graceful. And once, at a picnic, I observed her killing wasps with a teaspoon, and was impressed by the freedom of the wrist-action of her back-swing. Beyond this, I can say little. But she must have been attractive, for there can be no doubt of the earnestness with which both Peter and James fell in love with her. I doubt if either slept a wink the night of the dance at which it was their privilege first to meet her.

The next afternoon, happening to encounter Peter in the bunker near the eleventh green, James said:

"That was a nice girl, that Miss What's-her-name."

And Peter, pausing for a moment from his trench-digging, replied:

"Yes."

And then James, with a pang, knew that he had a rival, for he had not mentioned Miss Forrester's name, and yet Peter had divined that it was to her that he had referred.

Love is a fever which, so to speak, drives off without wasting time on the address. On the very next morning after the conversation which I have related, James Todd rang Peter Willard up on the 'phone and cancelled their golf engagements for the day, on the plea of a sprained wrist. Peter, acknowledging the cancellation, stated that he himself had been on the point of ringing James up to say that he would be unable to play owing to a slight headache. They met at tea-time at Miss Forrester's house. James asked how Peter's headache was, and Peter said it was a little better. Peter inquired after James's sprained wrist, and was told it seemed on the mend. Miss Forrester dispensed tea and conversation to both impartially.

They walked home together. After an awkward silence of twenty minutes, James said:

"There is something about the atmosphere—the aura, shall I say?—that emanates from a good woman that makes a man feel that life has a new, a different meaning."

Peter replied:

"Yes."

When they reached James's door, James said:

"I won't ask you in tonight, old man. You want to go home and rest and cure that headache."

"Yes," said Peter.

There was another silence. Peter was thinking that, only a couple of days before, James had told him that he had a copy of Sandy MacBean's "How to Become a Scratch Man Your First Season by Studying Photographs" coming by parcel-post from town, and they had arranged to read it aloud together. By now, thought Peter, it must be lying on his friend's table. The thought saddened him. And James, guessing what was in Peter's mind, was saddened too. But he did not waver. He was in no mood to read MacBean's masterpiece that night. In the twenty minutes of silence after leaving Miss Forrester he had realized that "Grace" rhymes with "face", and he wanted to sit alone in his study and write poetry. The two men parted with a distant nod. I beg your pardon? Yes, you are right. Two distant nods. It was always a failing of mine to count the score erroneously.

It is not my purpose to weary you by a minute recital of the happenings of each day that went by. On the surface, the lives of these two men seemed unchanged. They still played golf together, and during the round achieved towards each other a manner that, superficially, retained all its ancient cheeriness and affection. If—I should say—when, James topped his drive, Peter never failed to say "Hard luck!" And when—or, rather, if Peter managed not to top his, James invariably said "Great!" But things were not the same, and they knew it.

It so happened, as it sometimes will on these occasions, for Fate is a dramatist who gets his best effects with a small cast, that Peter Willard and James Todd were the only visible aspirants for the hand of Miss Forrester. Right at the beginning young Freddie Woosley had seemed attracted by the girl, and had called once or twice with flowers and chocolates, but Freddie's affections never centred themselves on one object for more than a few days, and he had dropped out after the first week. From that time on it became clear to all of us that, if Grace Forrester intended to marry anyone in the place, it would be either James or Peter; and a good deal of interest was taken in the matter by the local sportsmen. So little was known of the form of the two men, neither having figured as principal in a love-affair before, that even money was the best you could get, and the market was sluggish. I think my own flutter of twelve golf-balls, taken up by Percival Brown, was the most substantial of any of the wagers. I selected James as the winner. Why, I can hardly say, unless that he had an aunt who contributed occasional stories to the "Woman's Sphere". These things sometimes weigh with a girl. On the other hand, George Lucas, who had half-a-dozen of ginger-ale on Peter, based his calculations on the fact that James wore knickerbockers on the links, and that no girl could possibly love a man with calves like that. In short, you see, we really had nothing to go on.

Nor had James and Peter. The girl seemed to like them both equally. They never saw her except in each other's company. And it was not until one day when Grace Forrester was knitting a sweater that there seemed a chance of getting a clue to her hidden feelings.

When the news began to spread through the place that Grace was knitting this sweater there was a big sensation. The thing seemed to us practically to amount to a declaration.

That was the view that James Todd and Peter Willard took of it, and they used to call on Grace, watch her knitting, and come away with their heads full of complicated calculations. The whole thing hung on one point—to wit, what size the sweater was going to be. If it was large, then it must be for Peter; if small, then James was the lucky man. Neither dared to make open inquiries, but it began to seem almost impossible to find out the truth without them. No masculine eye can reckon up purls and plains and estimate the size of chest which the garment is destined to cover. Moreover, with amateur knitters there must always be allowed a margin for involuntary error. There were many cases during the war where our girls sent sweaters to their sweethearts which would have induced strangulation in their young brothers. The amateur sweater of those days was, in fact, practically tantamount to German propaganda.

Peter and James were accordingly baffled. One evening the sweater would look small, and James would come away jubilant; the next it would have swollen over a vast area, and Peter would walk home singing. The suspense of the two men can readily be imagined. On the one hand, they wanted to know their fate; on the other, they fully realized that whoever the sweater was for would have to wear it. And, as it was a vivid pink and would probably not fit by a mile, their hearts quailed at the prospect.

In all affairs of human tension there must come a breaking point. It came one night as the two men were walking home.

"Peter," said James, stopping in mid-stride. He mopped his forehead. His manner had been feverish all the evening.

"Yes?" said Peter.

"I can't stand this any longer. I haven't had a good night's rest for weeks. We must find out definitely which of us is to have that sweater."

"Let's go back and ask her," said Peter.

So they turned back and rang the bell and went into the house and presented themselves before Miss Forrester.

"Lovely evening," said James, to break the ice.

"Superb," said Peter.

"Delightful," said Miss Forrester, looking a little surprised at finding the troupe playing a return date without having booked it in advance.

"To settle a bet," said James, "will you please tell us who—I should say, whom—you are knitting that sweater for?"

"It is not a sweater," replied Miss Forrester, with a womanly candour that well became her. "It is a sock. And it is for my cousin Juliet's youngest son, Willie."