Pelham Wodehouse - The Girl on the Boat

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The Girl on the Boat: краткое содержание, описание и аннотация

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WHAT THIS STORY IS ABOUT It was Sam Marlowe's fate to fall in love with a girl on the R.M.S. "Atlantic" (New York to Southampton) who had ideals. She was looking for a man just like Sir Galahad, and refused to be put off with any inferior substitute. A lucky accident on the first day of the voyage placed Sam for the moment in the Galahad class, but he could not stay the pace.
He follows Billie Bennett "around," scheming, blundering and hoping, so does the parrot faced young man Bream Mortimer, Sam's rival.
There is a somewhat hectic series of events at Windles, a country house in Hampshire, where Billie's ideals still block the way and Sam comes on in spite of everything.
Then comes the moment when Billie.... It is a Wodehouse novel in every sense of the term.

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"Have some barley-water," he urged. "Try a little barley-water."

It was all he had to offer her except the medicine which, by the doctor's instructions, he took three times a day in a quarter of a glass of water.

"Go away!" sobbed Jane Hubbard.

The unreasonableness of this struck Eustace.

"But I can't. I'm in bed. Where could I go?"

"I hate you!"

"Oh, don't say that!"

"You're still in love with her!"

"Nonsense! I never was in love with her."

"Then why were you going to marry her?"

"Oh, I don't know. It seemed a good idea at the time."

"Oh! Oh! Oh!"

Eustace bent a little further over the end of the bed and patted her hair.

"Do have some barley-water," he said. "Just a sip!"

"You are in love with her!" sobbed Jane.

"I'm not ! I love you !"

"You don't!"

"Pardon me !" said Eustace firmly. "I've loved you ever since you gave me that extraordinary drink with Worcester sauce in it on the boat."

"They why didn't you say so before?"

"I hadn't the nerve. You always seemed so—I don't know how to put it—I always seemed such a worm. I was just trying to get the courage to propose when I caught the mumps, and that seemed to me to finish it. No girl could love a man with three times the proper amount of face."

"As if that could make any difference! What does your outside matter? I have seen your inside!"

"I beg your pardon?"

"I mean...."

Eustace fondled her back hair.

"Jane! Queen of my soul! Do you really love me?"

"I've loved you ever since we met on the Subway." She raised a tear-stained face. "If only I could be sure that you really loved me!"

"I can prove it!" said Eustace proudly. "You know how scared I am of my mother. Well, for your sake I overcame my fear, and did something which, if she ever found out about it, would make her sorer than a sunburned neck! This house. She absolutely refused to let it to old Bennett and old Mortimer. They kept after her about it, but she wouldn't hear of it. Well, you told me on the boat that Wilhelmina Bennett had invited you to spend the summer with her, and I knew that, if they didn't come to Windles, they would take some other place, and that meant I wouldn't see you. So I hunted up old Mortimer, and let it to him on the quiet, without telling my mother anything about it!"

"Why, you darling angel child," cried Jane Hubbard joyfully. "Did you really do that for my sake? Now I know you love me!"

"Of course, if mother ever got to hear of it...!"

Jane Hubbard pushed him gently into the nest of bedclothes, and tucked him in with strong, calm hands. She was a very different person from the girl who so short a while before had sobbed on the carpet. Love is a wonderful thing.

"You mustn't excite yourself," she said. "You'll be getting a temperature. Lie down and try to get to sleep." She kissed his bulbous face. "You have made me so happy, Eustace darling."

"That's good," said Eustace cordially. "But it's going to be an awful jar for mother!"

"Don't you worry about that. I'll break the news to your mother. I'm sure she will be quite reasonable about it."

Eustace opened his mouth to speak, then closed it again.

"Lie back quite comfortably, and don't worry," said Jane Hubbard. "I'm going to my room to get a book to read you to sleep. I shan't be five minutes. And forget about your mother. I'll look after her."

Eustace closed his eyes. After all, this girl had fought lions, tigers, pumas, cannibals, and alligators in her time with a good deal of success. There might be a sporting chance of victory for her when she moved a step up in the animal kingdom and tackled his mother. He was not unduly optimistic, for he thought she was going out of her class; but he felt faintly hopeful. He allowed himself to drift into pleasant meditation.

There was a scrambling sound outside the door. The handle turned.

"Hullo! Back already?" said Eustace, opening his eyes.

The next moment he opened them wider. His mouth gaped slowly like a hole in a sliding cliff. Mrs. Horace Hignett was standing at his bedside.

§ 3

In the moment which elapsed before either of the two could calm their agitated brains to speech, Eustace became aware, as never before, of the truth of that well-known line—"Peace, perfect peace, with loved ones far away." There was certainly little hope of peace with loved ones in his bedroom. Dully, he realised that in a few minutes Jane Hubbard would be returning with her book, but his imagination refused to envisage the scene which would then occur.

"Eustace!"

Mrs. Hignett gasped, hand on heart.

"Eustace!" For the first time Mrs. Hignett seemed to become aware that it was a changed face that confronted hers. "Good gracious! How stout you've grown!"

"It's mumps."

"Mumps!"

"Yes, I've got mumps."

Mrs. Hignett's mind was too fully occupied with other matters to allow her to dwell on this subject.

"Eustace, there are men in the house!"

This fact was just what Eustace had been wondering how to break to her.

"I know," he said uneasily.

"You know!" Mrs. Hignett stared. "Did you hear them?"

"Hear them?" said Eustace, puzzled.

"The drawing-room window was left open, and there are two burglars in the hall!"

"Oh, I say, no! That's rather rotten!" said Eustace.

"I saw them and heard them! I—oh!" Mrs. Hignett's sentence trailed off into a suppressed shriek, as the door opened and Jane Hubbard came in.

Jane Hubbard was a girl who by nature and training was well adapted to bear shocks. Her guiding motto in life was that helpful line of Horace— Aequam memento rebus in arduis servare mentem . (For the benefit of those who have not, like myself, enjoyed an expensive classical education,—memento—Take my tip—servare—preserve—aequam—an unruffled—mentem—mind—rebus in arduis—in every crisis). She had only been out of the room a few minutes, and in that brief period a middle-aged lady of commanding aspect had apparently come up through a trap. It would have been enough to upset most girls, but Jane Hubbard bore it calmly. All through her vivid life her bedroom had been a sort of cosy corner for murderers, alligators, tarantulas, scorpions, and every variety of snake, so she accepted the middle-aged lady without comment.

"Good evening," she said placidly.

Mrs. Hignett, having rallied from her moment of weakness, glared at the new arrival dumbly. She could not place Jane. From the airy way in which she had strolled into the room, she appeared to be some sort of a nurse; but she wore no nurse's uniform.

"Who are you?" she asked stiffly.

"Who are you ?" asked Jane.

"I," said Mrs. Hignett portentously, "am the owner of this house, and I should be glad to know what you are doing in it. I am Mrs. Horace Hignett."

A charming smile spread itself over Jane's finely-cut face.

"I'm so glad to meet you," she said. "I have heard so much about you."

"Indeed?" said Mrs. Hignett coldly. "And now I should like to hear a little about you."

"I've read all your books," said Jane. "I think they're wonderful."

In spite of herself, in spite of a feeling that this young woman was straying from the point, Mrs. Hignett could not check a slight influx of amiability. She was an authoress who received a good deal of incense from admirers, but she could always do with a bit more. Besides, most of the incense came by post. Living a quiet and retired life in the country, it was rarely that she got it handed to her face to face. She melted quite perceptibly. She did not cease to look like a basilisk, but she began to look like a basilisk who has had a good lunch.

"My favourite," said Jane, who for a week had been sitting daily in a chair in the drawing-room adjoining the table on which the authoress's complete works were assembled, "is 'The Spreading Light.' I do like 'The Spreading Light!'"

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