Pelham Wodehouse - Three Men and a Maid

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"Oh, that lady," said Sam. "That was Miss Milliken's sister."

"Indeed? I didn't know Miss Milliken had a sister."

"No?" said Sam.

"She is not very like her in appearance."

"No. This one is the beauty of the family, I believe. A very bright, intelligent girl. I was telling her about your revolver just before you came in, and she was most interested. It's a pity you haven't got it with you now, to show to her."

"Oh, but I have! I have, Mr. Samuel!" said Peters, opening a small handbag and taking out a hymn-book, half a pound of mixed chocolates, a tongue sandwich, and the pistol, in the order named. "I was on my way to the Rupert Street range for a little practice. I should be glad to show it to her."

"Well, wait here a minute or two," said Sam, "I'll have finished talking business in a moment,"

He returned to the inner office.

"Well?" cried Billie.

"Eh? Oh, he's gone," said Sam. "I persuaded him to go away. He was a little excited, poor fellow. And now let us return to what we were talking about. You say…." He broke off with an exclamation, and glanced at his watch. "Good Heavens! I had no idea of the time. I promised to run up and see a man in one of the offices in the next court. He wants to consult me on some difficulty which has arisen with one of his clients. Rightly or wrongly he values my advice. Can you spare me for a short while? I shan't be more than ten minutes."

"Certainly."

"Here is something you may care to look at while I'm gone. I don't know if you have read it? Widgery on Nisi Prius Evidence. Most interesting."

He went out. Jno. Peters looked up from his Home Whispers .

"You can go in now," said Sam.

"Certainly, Mr. Samuel, certainly."

Sam took up the copy of Home Whispers , and sat down with his feet on the desk. He turned to the serial story and began to read the synopsis.

In the inner room, Billie, who had rejected the mental refreshment offered by Widgery, and was engaged in making a tour of the office, looking at the portraits of whiskered men whom she took correctly to be the Thorpes, Prescotts, Winslows and Applebys mentioned on the contents-bill outside, was surprised to hear the door open at her back. She had not expected Sam to return so instantaneously.

Nor had he done so. It was not Sam who entered. It was a man of repellent aspect whom she recognised instantly, for Jno. Peters was one of those men who, once seen, are not easily forgotten. He was smiling, a cruel, cunning smile—at least, she thought he was; Mr. Peters himself was under the impression that his face was wreathed in a benevolent simper; and in his hand he bore the largest pistol ever seen outside a motion picture studio.

"How do you do, Miss Milliken?" he said.

CHAPTER TWELVE

Billie had been standing near the wall, inspecting a portrait of the late Mr. Josiah Appleby, of which the kindest thing one can say is that one hopes it did not do him justice. She now shrank back against this wall, as if she were trying to get through it. The edge of the portrait's frame tilted her hat out of the straight, but in this supreme moment she did not even notice it.

"Er—how do you do?" she said.

If she had not been an exceedingly pretty girl, one would have said that she spoke squeakily. The fighting spirit of the Bennetts, though it was considerable fighting spirit, had not risen to this emergency. It had ebbed out of her, leaving in its place a cold panic. She had seen this sort of thing in the movies—there was one series of pictures, The Dangers of Diana, where something of the kind had happened to the heroine in every reel—but she had not anticipated that it would ever happen to her: and consequently she had not thought out any plan for coping with such a situation. A grave error. In this world one should be prepared for everything, or where is one? The best she could do was to stand and stare at the intruder. It would have done Sam Marlowe good—he had now finished the synopsis and was skimming through the current instalment—if he could have known how she yearned for his return.

"I've brought the revolver," said Mr. Peters.

"So—so I see!" said Billie.

Mr. Peters nursed the weapon affectionately in his hand. He was rather a shy man with women as a rule, but what Sam had told him about her being interested in his revolver had made his heart warm to this girl.

"I was just on my way to have a little practice at the range," he said. "Then I thought I might as well look in here."

"I suppose—I suppose you're a good shot?" quavered Billie.

"I seldom miss," said Jno. Peters.

Billie shuddered. Then, reflecting that the longer she engaged this maniac in conversation, the more hope there was of Sam coming back in time to save her, she essayed further small-talk.

"It's—it's very ugly!"

"Oh, no!" said Mr. Peters, hurt.

Billie perceived that she had said the wrong thing.

"Very deadly-looking, I meant," she corrected herself hastily.

"It may have deadly work to do, Miss Milliken," said Mr. Peters.

Conversation languished again. Billie had no further remarks to make of immediate interest, and Mr. Peters was struggling with a return of the deplorable shyness which so handicapped him in his dealings with the other sex. After a few moments, he pulled himself together again, and, as his first act was to replace the pistol in the pocket of his coat, Billie became conscious of a faint stirring of relief.

"The great thing," said Jno. Peters, "is to learn to draw quickly. Like this!" he added, producing the revolver with something of the smoothness and rapidity with which Billie, in happier moments, had seen conjurers take a bowl of gold fish out of a tall hat. "Everything depends on getting the first shot! The first shot, Miss Milliken, is vital."

Suddenly Billie had an inspiration. It was hopeless she knew, to try to convince this poor demented creature, obsessed with his idee fixe , that she was not Miss Milliken. Denial would be a waste of time, and might even infuriate him into precipitating the tragedy. It was imperative that she should humour him. And, while she was humouring him, it suddenly occurred to her, why not do it thoroughly.

"Mr. Peters," she cried, "you are quite mistaken!"

"I beg your pardon," said Jno. Peters, with not a little asperity. "Nothing of the kind!"

"You are!"

"I assure you I am not. Quickness in the draw is essential."

"You have been misinformed."

"Well, I had it direct from the man at the Rupert Street range," said Mr. Peters stiffly. "And if you had ever seen a picture called Two-Gun Thomas…."

"Mr. Peters!" cried Billie desperately. He was making her head swim with his meaningless ravings. "Mr. Peters, hear me! I am not married to a man at Ealing West!"

Mr. Peters betrayed no excitement at the information. This girl seemed for some reason to consider her situation an extraordinary one, but many women, he was aware, were in a similar position. In fact, he could not at the moment think of any of his feminine acquaintances who were married to men at Ealing West.

"Indeed?" he said politely.

"Won't you believe me?" exclaimed Billie wildly.

"Why, certainly, certainly," said Jno. Peters.

"Thank God!" said Billie. "I'm not even engaged! It's all been a terrible mistake!"

When two people in a small room are speaking on two distinct and different subjects and neither knows what on earth the other is driving at, there is bound to be a certain amount of mental confusion: but at this point Jno. Peters, though still not wholly equal to the intellectual pressure of the conversation, began to see a faint shimmer of light behind the clouds. In a nebulous kind of way he began to understand that the girl had come to consult the firm about a breach-of-promise action. Some unknown man at Ealing West had been trifling with her heart—hardened lawyer's clerk as he was, that poignant cry "I'm not engaged!" had touched Mr. Peters—and she wished to start proceedings. Mr. Peters felt almost in his depth again. He put the revolver in his pocket, and drew out a note-book.

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