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Pelham Wodehouse: A Wodehouse Miscellany

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You would hardly credit the agony it gives me to allude, even in passing, to the above musical mélange, but one must be honest to one's public. In case there may be any who dissent from my opinion, I append a supplementary list of those entitled to honorable mention: 1. The third sheep from the O. P. side in The Wanderer. 2. The trick lamp in Magic. 3. The pink pajamas in You're in Love . 4. The knife in The Thirteenth Chair. 5. The Confused Noise Without in The Great Divide. 6. Jack Merritt's hair in Oh, Boy!

There were few discoveries among the dramatists. Of the older playwrights, Barrie produced a new one and an ancient one, but the Shakespeare boom, so strong last year, petered out. There seems no doubt that the man, in spite of a flashy start, had not the stuff. I understand that some of his things are doing fairly well on the road. Clare Kummer, whose "Dearie" I have so frequently sung in my bath, to the annoyance of all, suddenly turned right round, dropped song-writing, and ripped a couple of hot ones right over the plate. Mr. Somerset Maugham succeeded in shocking Broadway so that the sidewalks were filled with blushing ticket-speculators.

Most of the critics have done good work during this season. As for myself, I have guided the public mind in this magazine soundly and with few errors. If it were not for the fact that nearly all the plays I praised died before my review appeared, while the ones I said would not run a week are still packing them in, I could look back to a flawless season.

As you can see, I have had a very pleasant theatrical season. The weather was uniformly fine on the nights when I went to the theatre. I was particularly fortunate in having neighbors at most of the plays who were not afflicted with coughs or a desire to explain the plot to their wives. I have shaken hands with A. L. Erlanger and been nodded to on the street by Lee Shubert. I have broadened my mind by travel on the road with a theatrical company, with the result that, if you want to get me out of New York, you will have to use dynamite.

Take it for all in all, a most satisfactory season, full of pregnant possibilities‒and all that sort of thing.

POEMS

DAMON AND PYTHIAS

A Romance

Since Earth was first created,
Since Time began to fly,
No friends were e'er so mated,
So firm as JONES and I.
Since primal Man was fashioned
To people ice and stones,
No pair, I ween, had ever been S
uch chums as I and JONES.

In fair and foulest weather,
Beginning when but boys,
We faced our woes together,
We shared each other's joys.
Together, sad or merry,
We acted hand in glove,
Until‒'twas careless, very‒
I chanced to fall in love.

The lady's points to touch on,
Her name was JULIA WHITE,
Her lineage high, her scutcheon
Untarnished; manners, bright;
Complexion, soft and creamy;
Her hair, of golden hue;
Her eyes, in aspect, dreamy,
In colour, greyish blue.

For her I sighed, I panted;
I saw her in my dreams;
I vowed, protested, ranted;
I sent her chocolate creams.
Until methought one morning
I seemed to hear a voice,
A still, small voice of warning.
"Does JONES approve your choice?"

To JONES of my affection
I spoke that very night.
If he had no objection,
I said I'd wed Miss WHITE.
I asked him for his blessing,
But, turning rather blue,
He said: "It's most distressing,
But I adore her, too."

"Then, JONES," I answered, sobbing,
"My wooing's at an end,
I couldn't think of robbing
My best, my only friend.
The notion makes me furious‒
I'd much prefer to die."
"Perhaps you'll think it curious,"
Said JONES, "but so should I."

Nor he nor I would falter
In our resolve one jot.
I bade him seek the altar,
He vowed that he would not.
"She's yours, old fellow.
Make her As happy as you can."
"Not so," said I, "you take her‒
You are the lucky man."

At length‒the situation
Had lasted now a year‒
I had an inspiration,
Which seemed to make things clear.
"Supposing," I suggested,
"We ask Miss WHITE to choose?
I should be interested
To hear her private views.

"Perhaps she has a preference‒
I own it sounds absurd‒
But I submit, with deference,
That she might well be heard.
In clear, commercial diction
The case in point we'll state,
Disclose the cause of friction,
And leave the rest to Fate."

We did, and on the morrow
The postman brought us news.
Miss WHITE expressed her sorrow
At having to refuse.
Of all her many reasons
This seemed to me the pith:
Six months before (or rather more)
She'd married Mr. SMITH.

THE HAUNTED TRAM

Ghosts of The Towers, The Grange, The Court,
Ghosts of the Castle Keep.
Ghosts of the finicking, "high-life" sort
Are growing a trifle cheap.
But here is a spook of another stamp,
No thin, theatrical sham,
But a spectre who fears not dirt nor damp:
He rides on a London tram.

By the curious glance of a mortal eye
He is not seen. He's heard.
His steps go a-creeping, creeping by,
He speaks but a single word.
You may hear his feet: you may hear them plain,
For‒it's odd in a ghost‒they crunch.
You may hear the whirr of his rattling chain,
And the ting of his ringing punch.

The gathering shadows of night fall fast;
The lamps in the street are lit;
To the roof have the eerie footsteps passed,
Where the outside passengers sit.
To the passenger's side has the spectre paced;
For a moment he halts, they say,
Then a ring from the punch at the unseen waist,
And the footsteps pass away.

That is the tale of the haunted car;
And if on that car you ride
You won't, believe me, have journeyed far
Ere the spectre seeks your side.
Ay, all unseen by your seat he'll stand,
And (unless it's a wig) your hair
Will rise at the touch of his icy hand,
And the sound of his whispered "Fare!"

At the end of the trip, when you're getting down
(And you'll probably simply fly!)
Just give the conductor half-a-crown,
Ask who is the ghost and why.
And the man will explain with bated breath
(And point you a moral) thus:
"'E's a pore young bloke wot wos crushed to death
By people as fought As they didn't ought
For seats on a crowded bus."

STORIES

WHEN PAPA SWORE IN HINDUSTANI

"Sylvia!"

"Yes, papa."

"That infernal dog of yours‒‒"

"Oh, papa!"

"Yes, that infernal dog of yours has been at my carnations again!"

Colonel Reynolds, V.C., glared sternly across the table at Miss Sylvia Reynolds, and Miss Sylvia Reynolds looked in a deprecatory manner back at Colonel Reynolds, V.C.; while the dog in question‒a foppish pug‒happening to meet the colonel's eye in transit, crawled unostentatiously under the sideboard, and began to wrestle with a bad conscience.

"Oh, naughty Tommy!" said Miss Reynolds mildly, in the direction of the sideboard.

"Yes, my dear," assented the colonel; "and if you could convey to him the information that if he does it once more‒yes, just once more!‒I shall shoot him on the spot you would be doing him a kindness." And the colonel bit a large crescent out of his toast, with all the energy and conviction of a man who has thoroughly made up his mind. "At six o'clock this morning," continued he, in a voice of gentle melancholy, "I happened to look out of my bedroom window, and saw him. He had then destroyed two of my best plants, and was commencing on a third, with every appearance of self-satisfaction. I threw two large brushes and a boot at him."

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