Vilhelm Moberg - Unto A Good Land

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Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish pioneers in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels. Moberg's extensive research in the papers of Swedish emigrants in archival collections, including the Minnesota Historical Society, enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These new editions contain introductions written by Roger McKnight, Gustavus Adolphus College, and restore Moberg's bibliography not included in earlier English editions.Book 2 opens in the summer of 1850 as the emigrants disembark in New York City. Their journey to a new home in Minnesota Territory takes them by riverboat, steam wagon, Great Lakes steamship, and oxcart to Chisago County."It's important to have Moberg's Emigrant Novels available for another generation of readers."-Bruce Karstadt, American Swedish Institute

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“Is the beast bound?” asked Arvid.

He looked toward the tent where a crowd of people thronged; he was not as anxious as his comrade to see the man-eating snake. From the very beginning, he had been worried about American reptiles; in his nightmares, America had been filled with hungry, hissing snakes, a veritable snake nest. He now wondered if it could be healthy to look at a snake that big. For himself, a snake five, six feet long would satisfy him, he wasn’t so interested in snakes. Perhaps they could see part of the snake, maybe its tail; that might be cheaper.

Robert said it didn’t matter, since they had not even one cent. He suddenly felt depressed and disappointed. All day long he had seen beautiful things for sale, and it had bothered him that he was unable to buy anything; now he actually suffered from having to leave the tent with the large snake.

Truly, on this, the most beautiful street in the world, there was everything one might strive for in this world, all one’s heart might desire was here. And Robert felt that the street would have been still more beautiful had he a purse full of American money.

But the very thing he lacked, he had come here to earn; he had come to America to be free — but in order to be free, he must first become rich.

— 4—

The humming in Robert’s left ear suddenly began again, so intensely that it drowned all the street sounds. It was an echo from that box on the ear received at home in Sweden many years ago; it was a reminder of the servant law—”suitable chastisement.” This his master had given him for laziness in service. The windy weather at sea had worsened his ear injury, and again a yellow, malodorous fluid ran from it. The humming sound, which sometimes increased to a roar, was constantly and depressingly with him. It had followed him from Sweden to North America, he could not lose it. Something was hurt inside the ear.

The hum carried with it a memory from his farm-hand service, a memory which troubled him day and night, year after year. Because of this memory he did not wish to serve as farm hand ever again; he did not wish ever to have a master; he wanted to be free.

He had tried to reconcile himself to the throbbing, had tried to make friends with the sound; it was a voice in there, wishing him well, comforting him when something went wrong, warning him when danger lurked. He had noticed that the hum began when something was happening to him, or about to happen; perhaps his friend in the left ear now wanted to comfort him because he had been unable to see the forty-foot, man-eating snake. .

Suddenly the sound was drowned by a loud outcry from Arvid: “Look, Robert! Look over there!”

“What is it?”

“A corpse! Look!”

“What?”

“Can’t you see — there’s a man lying there dead!”

They crossed the street and saw a man lying stretched in the gutter on his back; he was half naked, dressed only in a pair of worn-out pants which hardly covered his legs. His upper body was black with dirt or paint, but the skin of his face was white; he was not a Negro. His eyes were closed and his mouth open, disclosing toothless gums.

Arvid bent down over the body, bustling and excited: “He’s dead! The man is dead! Stone dead!”

Robert, too, looked closer. The man’s chest did not heave, his mouth did not move, he did not seem to breathe. With his foot he lightly touched the foot of the man; he did not move. “I believe he is dead.”

Here a corpse was lying in the street, and people went by without noticing. Living people passed by the dead man, stepped over his outstretched legs, but no one paid any attention, no one noticed he was dead. It was extraordinary. Robert thought this must be because of the great size of the population: there were so many living people jostling each other here in America that no one could pay attention to the dead ones, who were so silent and so still. He and Arvid noticed the body because they were new in the country and not accustomed to seeing corpses lying about.

They looked at each other in consternation: What should they do? Perhaps they should report their discovery, but how? They probably ought to call the police, but they did not know where the police were, and they could not talk, could not ask. Robert remembered there was a sentence in his language book to be used when calling the police. But that was in case of attack on the street. . And he couldn’t remember the sentence, anyway, either in Swedish or English. And the police might wonder about them, perhaps even suspect them of having murdered the man lying there in the gutter. It seemed he had only lately died, the corpse was still warm, and it didn’t smell as might be expected in this heat. Perhaps the man had been murdered. Yes, Robert was sure they would be suspected. And they couldn’t say a word, couldn’t deny it, couldn’t defend themselves. No doubt they would be put in prison for murder. It would be best to forget about calling the police. They might stop a passer-by and point to the corpse, and then let him fetch the police. But in that case they might be held as witnesses. It would be best just to walk on and let the dead one lie there.

“We’ll pretend we haven’t seen anything,” advised Robert. “Come, let’s go!”

But Arvid remained leaning over the man. He had made a new discovery: “He smells of brännvin!”

He poked the man carefully between his naked ribs: “Yes, I believe he is—”

Next moment Arvid jumped backward with an outcry: the man had suddenly risen from the ground like a Jack-in-the-box. In front of them stood a heavy-set giant, a living man, swiftly resurrected and roaring furiously.

At this threatening apparition Robert crouched in fright, and Arvid, in his backward jump, almost landed on top of him. They grasped each other’s hands.

Arvid never had time to finish his sentence that he thought the man was alive. Nor did he need to: they could see it — they heard it; they saw and heard a furious, insulted giant standing on his feet, though a little shaky. He took a few steps toward them, and from his enormous, red throat flowed a stream of words which the boys did not think were of a friendly kind. A few words Robert thought he understood: Damned — thieves — bastards. Never in their lives had they heard such terrifying sounds come from a human throat.

The passers-by stopped in the street, people began to gather around them, attracted by the resurrected one’s roaring. The boys held each other’s hands as they backed away. The man so suddenly sprung from the ground spurted spit and fury, he bent forward as though ready to spring at them; something gleamed in his right hand, it flashed in the sun.

Arvid cried out at the top of his voice: “A knife! He’ll stab us — Run, run!’’

The boys took to their heels and ran. They ran into the middle of the street, still gripping each other’s hands, down the street the same way they had come; they ran until they lost their breath and felt a burning in their lungs; they ran past riders and wagons, carts and carriages, horses and asses, they slid between animals and vehicles, they ran for their lives — to get away from the man who sprang at them with a flashing knife in his hand, from the dead man who had come back to life. They had no trouble finding their way, they knew it — all the way down the broad street, the whole length of Broadway, until it ended, then a turn to the left where they would see the harbor and the ships.

During their race they josded people, and angry voices were heard from the crowd. At last Robert held Arvid back: they must slow their pace and be more careful or people would become suspicious of them.

As they reached the market place they stopped for a moment and looked back, puffing and breathless. No one was following them, they were saved. And they resumed their leisurely walk, protected and hidden by the crowd.

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