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Pearl Buck: The Mother

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Pearl Buck The Mother

The Mother: краткое содержание, описание и аннотация

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“Buck has never done better work than this. By a great gift of intuition she has entered into the mind, heart and spirit of the Chinese peasant woman and revealed the permanent values of life.” — Dickensian in its epic sweep, one of Buck’s finest novels centers on an unnamed peasant woman in pre-revolutionary China. Without warning, her restless husband abandons her. Shamed by the experience, she is left to work the land, raise their three children on her own, and care for her aging mother-in-law. To save face with her neighbors, she pretends her husband is traveling, and sends letters to herself signed in his name. Surrounded by poverty, despair, and a growing web of lies meant to protect the family, her children grow up and enter society with only the support of their mother’s unbreakable will. An unforgettable story of one woman’s strength and a remarkable fable about the role of mothers, this novel is a powerful achievement by a master of twentieth-century fiction.

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She flew back at him then as ever she did, for they were both young and full of temper and passion, and she cried at him, “And shall I not have a little something for my pains? Do you go loaded many months to your work as I must do, and do you have the pains of birth? No, when you come home you rest, but when I go home there is the food to cook and a child to care for and an old woman to coax and coddle and tend for this and that—”

So they quarreled heartily for a while and neither was the victor and neither vanquished, they were so well matched. But still this one quarrel did not need to last long; her breasts soon went dry, for she conceived as easily as a sound and cleanly beast does. Even now was her milk dry again, though one child she dropped too soon last summer when she fell and caught herself upon the point of the plough. … Well, children must make shift now as best they could, and if they wept they must weep, and it was true that she could not run to give them suck, and they must wait and suit their hunger to her coming. So she said, but the truth was her heart was softer than her speech, and she still made haste if her children called to her.

When the cauldron boiled a while and the smoke was mingled with the smell of the fragrant rice, she went and found a bowl and first she poured it full for the old woman. She set it on the table in the larger room where they all lived, and then she led her there, scarcely heeding her gabbling voice, “—and if you mix pease with the rice it does make such a fine full taste as ever was—” And the old woman seated herself and seized the bowl in her two chill dry hands and fell silent, suddenly trembling with greediness for the food, so that the water ran from the corners of her wrinkled mouth, and she fretted, “Where is the spoon — I cannot find my spoon—”

The mother put the porcelain spoon into the fumbling old hand and she went out and this time she found two small tin bowls and filled them and she found two small pairs of bamboo chopsticks, and she took one bowl to the girl first because she was still weeping and rubbing her eyes. The child sat in the dust of the threshing-floor, and what with her tears and what with her grimy fists, her face was caked with mud and tears. Now the mother lifted her to her feet and wiped her face somewhat with the palm of her rough dark hand, and then lifting the edge of the patched coat the child wore, she wiped her eyes. But she was gentle enough, for it was true the child’s eyes were red and tender and the edges of the lids turned out and raw, and when the child turned her head wincing and whimpering, the mother let be in pity, troubled for the moment with the child’s pain. She set the bowl then upon a rude and unpainted table that stood outside the door of the house and she said to the child in her loud, kind voice, “Come — eat!”

The girl went unsteadily and stood clinging to the table, her red-rimmed eyes half closed against the piercing gold of the evening sun, and then stretched her hands toward the bowl. The mother cried, “Take heed — it is hot!”

And the girl hesitated and began to blow her little shallow breaths upon the food to cool it. But the mother continued to gaze upon her, still troubled as she gazed, and she muttered to herself, “When he takes that next load of rice straw to the city I will ask him to go to a medicine shop and buy some balm for sore eyes.”

Now the boy was complaining because she had not set his bowl down on the table, too, and so she went and fetched it and set it down and for a time there was silence.

Then the mother felt herself too weary for a while even to eat and she gave a great sigh and went and fetched the little bamboo stool and set it by the door and sat down to rest. She drew in her breath deeply and smoothed back her rough sun-browned hair with her two hands and looked about her. The low hills that circled about this valley where their land lay grew slowly black against a pale yellow sky, and in the heart of this valley, in the small hamlet, fires were lit for the evening meal and smoke began to rise languidly into the still windless air. The mother watched it and was filled with content. Of the six or seven houses which made up the hamlet there was not one, she thought suddenly, in which the mother did better for her children than did she for hers. Some there were who were richer; that wife of the innkeeper, doubtless, had some silver and to spare, for she wore two silver rings upon her hands and rings in her ears such as the young mother used to long for in her girlhood and never had. Well, even so, she had liefer see her own spare silver go into the good flesh the children wore upon their bones. The gossip said the innkeeper gave his children but the meats the guests left in their bowls. But the mother gave her own children good rice that they grew upon their land, and if the girl’s eyes were well there would be nothing wrong with them at all; sound and well grown were they, and the boy big enough for seven or eight. Yes, she had sound children always, and if that one had not come too soon, and died when it had breathed but once, it would have been a fair boy by now, too, and trying to walk soon.

She sighed again. Well, here was this new one coming in a month or two, and it was enough to think about. But she was glad. Yes, she was glad and best content when she was big with child and when she was full with life. …

Someone came out of the door across the street of the little hamlet, and out of the smoking doorway she could see her husband’s cousin’s wife, and she called, “Ah, you are cooking, too! I am but just finished!”

“Yes — yes—” came the other’s voice, carelessly cheerful. “And I was just saying, I dare swear you are finished, you are so forward with your work.”

But the mother called back loudly and courteously, “No — no — it is only that my children grow hungry betimes!”

“Truly a very able, forward woman!” cried the cousin’s wife again and went within once more, carrying the grass she had come to fetch. The mother sat on a while in the evening twilight, her face half smiling. It was true she could rightly be proud, proud of her own strength, proud of her children, proud of that man of hers. But even so there could not be peace for long. The boy thrust his bowl suddenly before her, “M-ma, more!”

She rose then to fill it for him again, and when she came out of the door the sun rested in a dip between the hills, on the edge of the very field where she had worked that day long. It rested there, caught seemingly for an instant between the hills, and hung motionless, huge and solidly gold, and then it went slipping slowly out of sight. Out of the immediate dusk she saw the man coming along a footpath, his hoe over his shoulder and caught under his raised arm as he came buttoning his coat. He walked light and lithe as a young male cat, and suddenly he broke into singing. He loved to sing, his voice high and quivering and clear, and many a song he knew, so that oftentimes upon a holiday he was asked to sing for all in the teashop and so pass the time away. He lowered his voice as he came to the house, and when at last he reached the threshold he was only singing a very little but still in that high, shaking, thrilling voice, his words set into some swift rhythm. He put his hoe against the wall, and the old woman, hearing him, woke out of a doze that had fallen on her after she had eaten and she began to speak as though she had not left off, “As I said, my son likes a little pease mixed in his rice and such a full sweet taste—”

The man laughed an easy idle laugh and went into the house, and out of the door his pleasant voice came, “Aye, old mother, and so I do!”

Outside the door the girl child, her bowl emptied, sat passive and filled and now that the sun was gone she opened her eyes a little and looked about her more easily and without complaining. The mother went into the kitchen again and brought out a steaming bowl of rice for the man. It was a large bowl of coarse blue and white pottery, and it was filled to the brim. Into it the mother had dropped an egg she had saved from the few fowls they kept and now the fresh white of the egg began to harden. When the man worked hard he must have a bit of meat or an egg. However they might quarrel, it was a pleasure to her to see him fed well, and all their quarreling, she thought to herself, was only of the lips. Well she loved to see him eat, even if sometimes she belabored him with her tongue for something. She called now to the old woman, “I have put a new-laid egg into your son’s rice! And he has cabbage, too.”

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