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Anna Kavan: Asylum Piece

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Anna Kavan Asylum Piece

Asylum Piece: краткое содержание, описание и аннотация

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This collection of stories, mostly interlinked and largely autobiographical, chart the descent of the narrator from the onset of neurosis to final incarceration in a Swiss clinic. The sense of paranoia, of persecution by a foe or force that is never given a name, evokes by Kafka, a writer with whom Kavan is often compared, although her deeply personal, restrained, and almost foreign —accented style has no true model. The same characters who recur throughout — the protagonist's unhelpful "adviser," the friend and lover who abandons her at the clinic, and an assortment of deluded companions — are sketched without a trace of the rage, self-pity, or sentiment that have marked more recent accounts of mental instability.

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I cannot hope that the horror of that moment will ever leave me. I opened my mouth, but for several seconds I was not able to utter a sound. Just as I felt myself about to call out to the prisoner, soldiers appeared and hustled me away. They spoke roughly and threateningly, jostling me and twisting my arms as they dragged me into the presence of their superior officer. I was commanded to produce my passport. Falteringly, in the foreign language, I started to frame an inquiry about what I had seen. But then I looked at the revolvers, the rubber truncheons, the callous, stupid faces of the young soldiers, the inaccessible officer in his belted tunic; I thought of the massive walls, the bars, and my courage failed me. After all, what could I hope to do, an insignificant foreigner, and a woman at that, against such terrifying and strongly established force? And how would I help the prisoner by myself becoming imprisoned?

At last, after much questioning, I was allowed to go. Two guards escorted me to the station and stood on the platform until the train carried me away. What else could I have done? It was so dark in the underground cell: I can only pray that my eyes were deceiving me.

GOING UP IN THE WORLD

In the low-lying streets near the river where I live there is fog all through the winter. When I go to bed at night it is so cold that the pillow freezes my cheek. For a long time I have been lonely, cold and miserable. It is months since I have seen the sun. Suddenly, one morning, all this becomes intolerable to me. It seems that I can no longer bear the cold, the loneliness, the eternal fog — no, not even for another hour — and I decide to visit my Patrons and ask them to help me. It is a desperate resolve, but once I have made it I am filled with optimism. Perhaps I deliberately trick myself with false hopes as I put on my best dress and carefully make up my face.

At the last moment, just as I am ready to start, I remember that I ought to take a present with me. I have no money with which to buy a gift worthy of such great people: is there anything in the house that will do? In a panic I hurry from room to room, as if expecting to discover some valuable object, the existence of which I have overlooked all the time I’ve been living here. Of course there is nothing suitable. Some apples on the kitchen shelf catch my eye because even in this gloomy half-light their cheeks show up yellow and red. I hastily fetch a cloth and polish four of the yellowest apples until they shine. Then I line a small basket with fresh paper, arrange the apples inside, and set out. On my way I tell myself that the simple fruit may please palates which have grown too accustomed to the flavour of hot-house peaches and grapes.

Soon I am in a lift, being whirled up towards the skies. A man-servant in white stockings and purple knee-breeches shows me into a magnificent room. Here one is above the fog, the sun is shining outside the windows draped in soft veils of net, or, if it is not, it makes no difference, for the room is full of artificial sunshine from the concealed lights. The floor is covered by a carpet softer than moss, there are chairs and great sofas upholstered in delicate brocade, beautiful flowers are arranged in vases some of which are shaped like shells and some like antique urns.

My Patrons are not present and I am in no hurry to meet them. I am happy just to be in this warm room with its sunny, flower-scented air through which one almost expects to see butterflies flitting. After the foggy gloom to which I have grown accustomed it is like being transported to summer, to paradise.

Before very long my Patron appears. He is tall and fine looking as such an important man ought to be. Everything about his appearance is perfect: his shoes gleam like chestnuts, his shirt is of finest silk, he wears a red carnation in his buttonhole and in his breast-pocket is a handkerchief bearing a monogram embroidered by holy women. He greets me with charming courtesy and we sit talking for a while on general topics. He addresses me as an equal. I begin to feel quite elated at such a promising start. Surely everything is going to turn out as I wish.

The door opens and my Patroness enters. We both rise to meet her. She is dressed in deep blue velvet, and on her hat perches a small bird as vivid and rare as a jewel. There are pearls round her neck and diamonds on her smooth hands. She speaks to me with rather stilted brightness, smiling with narrow lips that do not unclose easily. Diffidently I offer my humble present, which is graciously accepted and then laid aside. My spirits fall somewhat. We sit down again in our cushioned seats and for a few minutes continue to maintain polite conversation. There comes a pause. I realize that the preliminaries are over and that it is time for me to state the object of my visit.

‘I am freezing with cold and loneliness down there in the fog!’ I exclaim in a voice that stammers with its own urgency; ‘please be kind to me. Let me share a little of your sunshine and warmth. I won’t be any trouble to you.’

My companions glance at one another. A look of the deepest significance passes between them. I do not understand what the look means, but it makes me uneasy. It seems that they have already considered my petition and come to an understanding about it between themselves.

My Patron leans back in his chair and places the tips of his long fingers together. His cuff-links glitter, his hair shines like silk.

‘We must treat this question objectively,’ he begins. His voice has a reasonable, impartial sound, and I start to feel hopeful again. But as he goes on talking I perceive that the air of consideration which has impressed me so favourably is really nothing but a part of his perfect ensemble, and no more to be relied upon than the flower in his buttonhole. In fact, he is not to be trusted.

‘Don’t think that I am accusing you,’ he says, ‘or setting myself up as your judge, but you must admit that your conduct towards us in the past has been far from satisfactory.’

He looks again at my Patroness who nods her head. The little bird in her hat seems to wink at me with its brilliant, blind eyes.

‘Yes,’ says she, ‘you have caused us a great deal of sorrow and anxiety by your bad behaviour. You have never consulted our wishes about anything but have obstinately gone your own way. It is only when you are in trouble that you come here asking us to look after you.’

‘But you don’t understand,’ I cry, and I am ashamed to feel tears in my eyes. ‘It’s a matter of life and death this time. Please don’t bring the past up against me now; I’m sorry if I’ve offended you; but you have everything and you can afford to be generous. It can’t mean very much to you. But, oh, if only you knew how I long to live in the sunshine again!’

My heart falls into my boots while I am speaking. I am plunged into despair because I see that neither of my hearers is capable of comprehending my appeal. I doubt if they are even listening to me. They do not know what fog is like; it is only a word to them. They do not know what it means to be sad and alone in a cold room where the sun never shines.

‘We don’t intend to be hard on you,’ my Patron remarks, crossing his knees. ‘No one will ever be able to say that we have not treated you with patience and forbearance. We will do our best to forget and forgive. But you, on your side, must promise to turn over a new leaf, to make a dean break with the past and give up your rebellious ways.’

His voice goes on, but now I am the one who is not listening. I have heard enough to fill me with hopeless disappointment. It is useless for me to attempt any further approach to people who are utterly inaccessible, utterly out of sympathy with me. Almost at my last gasp, I come to throw myself on their mercy, and a lecture is all they can find for me in their empty hearts. I sigh and undo my coat, which no one has invited me to remove, and in which I am now uncomfortably warm. My eyes glance sadly about the handsome room, in the golden, flowery atmosphere of which butterflies might be floating. Through a glaze of tears I catch sight of my yellow apples pushed into a corner behind an enormous box of liqueur chocolates. I feel remorseful because I have brought them here only to be abandoned to indignity. Perhaps the valet or the chambermaid will take a bite out of one of them before they are thrown into the dustbin.

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