V Alexander - The Taster

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The Taster: краткое содержание, описание и аннотация

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Amid the turbulence of World War II, a young German woman finds a precarious haven closer to the source of danger than she ever imagined—one that will propel her through the extremes of privilege and terror under Hitler’s dictatorship…
In early 1943, Magda Ritter’s parents send her to relatives in Bavaria, hoping to keep her safe from the Allied bombs strafing Berlin. Young German women are expected to do their duty—working for the Reich or marrying to produce strong, healthy children. After an interview with the civil service, Magda is assigned to the Berghof, Hitler’s mountain retreat. Only after weeks of training does she learn her assignment: she will be one of several young women tasting the Führer’s food, offering herself in sacrifice to keep him from being poisoned.
Perched high in the Bavarian Alps, the Berghof seems worlds away from the realities of battle. Though terrified at first, Magda gradually becomes used to her dangerous occupation—though she knows better than to voice her misgivings about the war. But her love for a conspirator within the SS, and her growing awareness of the Reich’s atrocities, draw Magda into a plot that will test her wits and loyalty in a quest for safety, freedom, and ultimately, vengeance.
Vividly written and ambitious in scope, The Taster examines the harrowing moral dilemmas of war in an emotional story filled with acts of extraordinary courage.

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Karl and I sat near the rear in plush high-back chairs. They were somewhat stiff, and I wondered if they’d be uncomfortable to sit in through an entire movie. When the alley went dark, Karl reached across and touched my hand. Warmth spread through my fingers and up into my arm. The shock touched my heart and I struggled to catch a breath.

“Is something wrong?” Karl asked.

“No,” I whispered. “I tasted tonight for the first time. Perhaps it’s a reaction to the food.”

Karl twisted in his seat and took my hands. “If you’re sick, I will get the Führer’s personal physician.”

I leaned back. “Please, Karl, I’m fine. Let’s enjoy the movie.”

He nodded and relaxed somewhat. The lights flickered, the music swelled from the speakers and we turned our attention to the film. I made sure to keep his hand in mine. He squeezed my fingers as Scarlett teased the Tarleton twins. I had the same reaction when, later in the film, Scarlett kissed Rhett Butler.

About one in the morning, a telephone call interrupted the film. We were only about two-thirds of the way through, but the picture was finished for the evening. Those who wanted to see the ending would have to wait for another time. Karl escorted me back to my room, kissed my hand and disappeared down the hall. I got into bed and dreamed that night of making love to him.

* * *

Over the days, my fear of tasting lessened. One afternoon, I called my parents for the first time since arriving at the Berghof and told them I was working with Hitler. The Reich had informed them previously of my service. However, I did not tell them what I was doing. I could tell my father was not pleased with my new position because his silence gave away his thoughts. I also knew someone, probably an SS man, was listening to our conversation. I suspected my father did as well.

My mother was more effusive and pressed me about my job. I told her I was in service to the Führer and left it at that. It was best not to give either of them any more information. When I hung up, it struck me how much I lived in a world of distrust and fear. Perhaps my father’s cold replies amplified what I was feeling. At the Berghof, we lived in a monastic world: secluded, insular, broken off from the realities of the war. Hitler and his generals bore the psychological brunt of the fighting. We never saw or heard the reported rages, or experienced the tensions that apparently permeated this mountain retreat. We only heard rumors. We could either choose to believe or not. I didn’t like feeling this way because I wanted the world to be “normal.” After the conversation with my parents, I realized how far and how fast I’d slipped away from the everyday. I wondered whether everyone in Hitler’s service felt the same. I was being seduced by the singular drama in which we played. We were all Marie Antoinette asking the world to eat cake while the earth burned to ashes around us.

After about two weeks, I finally tasted a meal without some degree of shaking. Ursula and the cooks had teased me, so unmercifully, in fact, that eventually I forced myself to relax. They assured me that no poisons would get by them. The “last meal” became a joke around the kitchen. Despite their assurances, I still suffered from a nervous stomach now and then.

Captain Weber and I spoke often when we passed each other in the halls and sometimes we enjoyed leisurely conversations in the kitchen. Cook raised as much of a fuss as she could, but it was Karl’s right to oversee as he saw fit. One night he suggested we go to the Theater Hall for an impromptu dance. I, of course, accepted with Ursula’s urging.

Karl called for me at my room and accompanied me up the slope to the Hall. The air was fresh, the night chilly, as we walked. A small dance floor had been formed by pushing chairs aside to the walls. The lamps were dimmed, barely enough to light the room. Records, mostly waltzes, crackled out of an old table phonograph. The music flowed into the room from a gold-colored, blossom-shaped speaker. Two other couples were dancing. A few of the men, lacking women, danced together, not touching each other except for their hands. They shot looks of envy our way when Karl pulled me close and swung me into a waltz. We flowed naturally into each other.

The night melted into stars and warmth. I loved being next to Karl and, judging by the content smile on his face, he loved me as well. We danced for several hours, hardly saying a word. If love was an energy, a force, it passed between us that night. When I finally left his arms, my body tingled.

As we were leaving the Hall, we heard a cough. Karl grabbed my hand tightly and guided me out of the building. I looked back. The Colonel walked out of the shadows, cigarette in hand, the smoke drifting through the dim light. His gaze followed us as we left.

“How long has he been watching us?” I asked Karl.

He did not look back. “All evening,” he said.

* * *

One afternoon in late May, I accompanied Karl and Ursula on a trip to the Teahouse. It was my first visit. I had seen it once from the terrace that ran along the north and west sides of the Berghof. I sneaked a peek at its round turret rising through the trees below when no one was about but an SS guard enjoying the air. He recognized me and didn’t mind that I shared the view.

The mountains to the north were often misty and veiled in clouds, but the first day I saw the Teahouse the sky was crisp and blue. Looking out upon the scenery, I realized why Hitler had chosen this particular spot as his own. He’d purchased the property—claimed it, some had said—and begun renovations a short time later. The view gave its owner the psychological superiority of one who might believe he was a god. To look upon the magnificent rocky peaks was to feel on top of the world while those below were mere specks, dirt beneath his feet. Hitler was indeed master of all he surveyed.

Karl, Ursula and I set off to the Teahouse shortly after one o’clock. The blue sky above the Berghof held today as well, but a band of high clouds was approaching from the northeast. We walked down the driveway and then cut off on a trail that descended through the forest by way of a wooded path. At one magnificent bend, rails of hewn logs kept the walker from tumbling over the precipice of the Berchtesgaden valley. A long bench had been constructed there so Hitler could ponder the magnificent view to the north. Karl told us that Eva and her friends liked to use the rails as a kind of gymnastic bar, balancing upon them and pointing their legs over the cliff, at least for the sake of photographs. She was always posing and using her new film camera, he said. Hitler was often uncomfortable with her filming, but grudgingly obliged her hobby.

The Teahouse, less than a kilometer from the Berghof, soon came into view. It was like a miniature castle planted on a rocky hillside. The path ended at stone steps to its door. Karl had a key because the kitchen staff was so often called to serve there.

“I really shouldn’t be doing this, but I want you to see it,” he said. “It’s quite charming. Hitler relaxes here and invites others to join him. He’ll be down later.”

Karl opened the door and Ursula and I peered inside. A round table decorated with flowers and set with silk tablecloths, sparkling china and polished silver sat near the middle of the room. Plush armchairs decorated in an abstract floral pattern of swirling bellflowers added to the medieval atmosphere of the turret. A kitchen and offices lay behind this large circular room. We stepped inside and Karl urged me to sit in one of the chairs. I did and luxuriated in its soft cushions.

“That’s where he sits,” Karl said.

I jumped out of the chair.

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