Джозеф Конрад - Suspense

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Conrad’s unfinished novel that he was working on before his death in 1924, in which he returns to one of his favorite subjects: the French Revolution. Unlike Duel, his character here is a young Englishman named Cosmo Latham, who visits Genoa during the days in which Napoleon was imprisoned on Elba, where a conspiratorial environment of diplomats and spies of all colors pivot around the spectral figure of the exiled emperor. Among the many people that Cosmo meets, there he meets Madame de Montevesso, a liberal aristocrat who has had the misfortune to marry an unscrupulous soldier. Conrad shows the mastery of his craft and the precision and richness of his writing-he considered this novel one of his greatest achievements- Suspense is a work that could have been a masterpiece had it not been for his sudden death.

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Dreamily Cosmo had lost control of the trend of his thoughts, as one does on the verge of sleep. He regained it with a slight start, and looked up at the round tower looming up bulky at the water’s edge. He was back again, having completed the cycle of his adventures and not knowing what would happen next. Everybody was silent. The two men at the thwarts had folded their arms and had let their chins sink on their breasts; while Attilio, sitting in the stern–sheets, held his head up in an immobility to which his open eyes lent an air of extreme vigilance. The waste of waters seemed to extend from the shores of Italy to the very confines of the universe, with nothing on it but the black spot of the galley which moved no more than the head of a rock. “We can’t stay here till daylight,” thought Cosmo.

That same thought was in Attilio’s mind. The race between his boat and the galley had been very close. It was very probable that had it not been for Cosmo volunteering to pull the third oar, it would have resulted in a dead–heat, which, of course, would have meant capture. As it was, Attilio had just escaped being seen by pulling short round the jetty instead of holding on into the open sea. It was a risky thing to do, but then, since he had jeopardised the success of his escape through his desire to get hold of Cosmo again, there was nothing before him but a choice of risks.

Attilio was a native of a tiny white townlet on the eastern shore of the Gulf of Genoa. His people were all small cultivators and fishermen. Their name was Pieschi, from whose blood came the well–known conspirator against the power of the Dorias and in the days of the Republic. Of this fact Attilio had heard only lately (Cantelucci had told him) with a certain satisfaction. In his early youth spent on the coast of the South American continent he had heard much talk of a subversive kind, and had become familiar with the idea of revolt looked upon as an assertion of manly dignity and the spiritual aim of life. He had come back to his country about six months before, and, beholding the aged faces of some of his people in the unchanged surroundings, it seemed to him that it was his own life that had been very long, though he was only about thirty. Being a relation of Cantelucci, he found himself very soon in touch with the humbler members of secret societies, survivals of the revolutionary epoch, stirred up by the downfall of the empire, and inspired by grandiose ideas, by the hatred of the Austrian invaders, bringing back with them the old tyrannical superstitions of religion and the oppression of privileged classes. Like the polite innkeeper he believed in the absolute equality of all men. He respected all religions, but despised the priests who preached submission, and perceived nothing extravagant in the formation of an Italian empire (of which he had the first hint from the irritable old cobbler, the uncle of Cecchina), since there was a great man—a great emperor—to put at its head, very close at hand. The great thing was to keep him safe from the attempts of all these kings and princes now engaged in plotting against his life in Vienna—till the hour of action came. No small task, for the world outside the ranks of the people was full of his enemies.

Attilio, still and silent by Cosmo’s side, was not reproaching himself for having gone in the evening to say good–bye to Cecchina. The girl herself had been surprised to see him, for they had said good–bye already in the afternoon. But this love–affair was not quite two months old, and he could not have been satisfied with a hurried wordless good–bye, snatched behind a half–closed door, with several people drinking at the long table in Cantelucci’s kitchen on one side, and a crabbed old woman rummaging noisily in a store–room at the end of the dark passage. Cecchina had, of course, reproached him for coming, but not very much. Neither of them dreamed of there being any danger in it. Then, straight out of her arms, as it were, he had stepped into that ambush! His presence of mind and his agility proved too much for the party of the stupid Barbone. It was only after he had given them the slip in the maze of small garden–plots at the back of the houses that he had time, while lying behind a low wall, to think over this unexpected trouble. He knew that the fellows who were after him belonged to the police, because they had called on the soldiers for assistance; but he concluded that he owed this surprise to some jealous admirer of Cecchina. It was easy enough for any base scoundrel to set the police after a man in these troubled times. It may even have been one of Cantelucci’s affiliated friends. His suspicions rested on the small employees who took their meals at the inn, and especially on a lanky scribe with a pointed nose like a rat, who had the habit of going in and out through the courier’s room, only, Attilio believed, in order to make eyes at Cecchina. That the ambush had been laid on the evening fixed for his departure was a mere coincidence.

The real danger of the position was in having the papers on him; but, anxious that his friends at the tower should not give him up, he came out of his hiding–place too soon. The soldiers had gone away, but the sbirri were still half–heartedly poking about in dark corners and caught sight of him. Another rush saved him for the moment. The position, he felt, was growing desperate. He dared not throw away the papers. The discovery of Cosmo sitting amongst the stones was an event so extraordinary in itself that it revolutionised his rational view of life as a whole in the way a miracle might have done. He felt suddenly an awed and confiding love for that marvellous person fate had thrown in his way. The pursuit was close. There was no time to explain. There was no need.

But directly he found himself safe in the boat, Attilio began to regret having parted with the papers. It was not much use proceeding on his mission without these documents entrusted to him by Cantelucci, acting on behalf of superior powers.

He asked himself what could have happened to Cosmo? Did the fellows arrest him on suspicion? That was not very likely, and at worst it would not mean more than a short detention. They would not dare to search him, surely. But even if they found the packet, Cosmo would declare it his own property, and object to its being opened. He had a complete confidence in Cosmo’s loyalty and, what was more, in that young Englishman’s power to have his own way. He had the manner for that, and the face for that. The face and bearing of a man with whom it was lucky to be associated in anything.

The galley being just then at the other end of her beat, Attilio saw his way clear to slip into the harbour. The state of perfect quietness over the whole extent of the harbour encouraged his native audacity. He began by pulling to the east side where the gendarmerie office was near the quay. Everything was quiet there. He made his men lie on their oars amongst the shadows of the anchored shipping and waited. Sleep, breathless sleep, reigned on shore and afloat. Attilio began to think that Cosmo could not have been discovered. If so, then he must be nearing Cantelucci’s inn by this time. He resolved then to board one of the empty coasters moored to the quay, wait for the morning, there and then go himself to the inn, where he could remain concealed till another departure could be arranged. He told his men to pull gently to the darkest part of the quay. And then he heard Cosmo’s mighty shout. He was nearly as confounded by it as the sbirri in the boat. That voice bursting out on the profound stillness seemed loud enough to wake up every sleeper in the town, to bring the stones rolling down the hillsides. And almost at once he thought: “What luck!” The luck of the Englishman’s amazing impudence; for what other man would have thought of doing that thing? He told his rowers to lay their oars in quietly and get hold of the boat–stretchers. The extremely feeble pulling of the old boatman gave the time for these preparations. He whispered his instructions: “We’ve got to get a foreign signore out of that boat. The others in her will be sbirri . Hit them hard.” Just before the boats came into contact he recognised Cosmo’s form standing up. It was then that he pronounced the words, “The man in the hat,” which were heard by Cosmo. Attilio ascribed it all to the luck that attended those who had anything to do with that Englishman. Even the very escape unseen from the harbour he ascribed not to Cosmo’s extra oar, but to Cosmo’s peculiar personality.

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