“That would be because I am so much older,” she said. Cosmo discovered in her delicately modelled face, with all its grace and freshness of youth, an interrogative profundity of expression, the impress of the problems of life and the conflicts of the soul. The great light of day treated her kindly. Bathed in the sunshine entering through the four windows, she appeared to him wonderful in the glow of her complexion, in the harmony of her form, and the composed nobility of her attitude. He felt this wonderfulness of her whole person in some sort physically, and thought that he had looked at her too long. He glanced aside and met the dark girl’s round unwinking stare of a cat ready to fly at one. She had not moved a hair’s breadth, and Cosmo felt reluctant to take his eyes off her, exactly as though she had been a fierce cat. He heard the voice of the Countess de Montevesso, and had to turn to her.
“Well, wait a few days before you write home about … Genoa.”
“I had a mind to begin a letter yesterday,” he said.
“What? Already! only a few hours after your arrival!”
“Yes. Henrietta is very anxious to hear everything relating to the Emperor Napoleon.”
Madame de Montevesso was genuinely surprised. Her voice lost its equable charm while she asked what on earth could he have had to tell of Napoleon that he could not have written to her from Paris.
“Yes. He is in everybody’s thoughts and on everybody’s lips there,” he said. “Whenever three people come together he is the presence that is with them. But last night … ”
He was on the point of telling her of his adventure on the tower when she struck in:
“The Congress will put an end to all that presently.” It checked Cosmo’s expansiveness and he said instead:
“It’s very possible. But last night on arriving here I experienced a curious sensation of his nearness. I went down in the evening to look at the Port.”
“He isn’t certainly very far from here. And what are your feelings about him?”
“Oh,” he rejoined lightly, “as about everything else in the world—contradictory.”
Madame de Montevesso rose suddenly, saying:
“I won’t ask you then as to your feelings about myself.” Cosmo stood up hastily. He was a little the taller of the two, but their faces were nearly on a level. “I should like you to make up your mind about me before you take up your traveller’s pen,” continued Adèle. “Come again this evening. There will be a few people here; and, as you have said, when a few people come together just now Napoleon is always with them, an unseen presence. But you will see my father. Do you remember him at all?”
Cosmo assured her that he remembered the Marquis d’Armand perfectly. He was on the point of making his parting bow, when Madame de Montevesso with the two words “ à l’Anglaise ” put out her hand. He took it and forgot himself in the unexpected sensation of this contact. He was in no haste to release it, when to his extreme surprise, with a slight movement of her eyes towards the girl at the writing–table, Madame de Montevesso said:
“Did you ever see anything like that?”
Cosmo was taken completely aback. He dropped her hand. He did not know what to say, and even if it was proper for him to smile. Madame de Montevesso continued in a voice betraying no sentiment of any kind. “I can never be sure of my privacy now. Do you understand that I am her aunt? She wanders all over this palazzo very much like a domestic animal, only more observant, and she is by no means an idiot. Luckily she knows no language but Italian.”
They had been moving slowly towards the other end of the room, but now Madame de Montevesso stopped and returned Cosmo’s parting bow with a slight inclination of her head. Before passing round the screen between him and the door Cosmo glanced back. The girl on the chair had not stirred.
He had half a hope that the mulatto maid would be waiting for him. But he saw no one. As he crossed the courtyard he might have thought himself leaving an uninhabited house. But the streets through which he made his way to his inn were thronged with people. The day was quite warm. Already on the edge of the pavements, here and there, there was a display of flowers for sale; and at every turn he saw more people who seemed care–free, and the women with their silken shoes and the lace scarves on their heads appeared to him quite charming. The piazza was a scene of constant movement. Here and there a group stood still conversing in low voices but with expressive gestures. As he approached his hotel he caught an evanescent sight of the man he had met on the tower. His cap was unmistakable. Cosmo mended his pace, but the man had disappeared; and after looking in all directions Cosmo went up the steps of the inn. In his room he found Spire folding methodically some clothes.
“I saw that man,” said Cosmo, handing him his hat.
“Was he following you, sir?” asked Spire.
“No, I saw his back quite near this house.”
“I shouldn’t wonder if he were coming here,” opined Spire.
“In any case I wouldn’t have spoken to him in the piazza,” said Cosmo.
“Much better not, sir,” said the servant.
“After all,” said Cosmo, “I don’t know that I have anything to say to him.”
From these words Spire concluded that his master had found something more interesting to occupy his mind. While he went on with his work he talked to Cosmo, who had thrown himself into an arm–chair, of some repairs needed to the carriage, and also informed him that the English doctor had left a message asking whether Mr. Latham would do him the honour to take his mid–day meal with him at the same table as last night. After a slight hesitation Cosmo assented, and Spire, saying that he would go and tell them downstairs, left the room.
In the solitude favourable to concentration of thought, Cosmo discovered that he could not think connectedly either of the fair curls of the Countess de Montevesso or of the vague story of her marriage. Strictly speaking, he knew nothing of it; and this ignorance interfered with the process of consecutive thinking; but he formed some images and even came to the verge of that state in which one sees visions. The obscurity of her past helped the freedom of his fancies. He had an intuitive conviction that he had seen her in the fullest brilliance of her beauty and of the charm of her mind. A woman like that was a great power, he reflected; and then it occurred to him that, marvellous as she was, she was not her own mistress.
Some church clock striking loudly the hour roused him up, but before he went downstairs he paced the floor to and fro several times. And when he forced himself out of that empty room it was with a profound disgust of all he was going to see and hear, a momentary repulsion towards the claims of the world, like a man tearing himself away from the side of a beloved mistress.
Returning that evening to the Palazzo Brignoli, Cosmo found the lantern under the vaulted roof lighted. There was also a porter in gold–laced livery and a cocked hat, who saluted him, and in the white ante–room with red benches along the walls two lackeys made ready to divest him of his cloak. But a man in sombre garments detained Cosmo, saying that he was the ambassador’s valet, and led him away along a very badly lighted inner corridor. He explained that His Excellency the Ambassador wished to see Monsieur Latham for a few moments in private before Monsieur Latham joined the general company. The ambassador’s cabinet into which he introduced Cosmo was lighted by a pair of candelabras. Cosmo was told that His Excellency was finishing dressing, and then the man disappeared. Cosmo noticed that there were several doors besides the one by which he had entered, which was the least conspicuous of them all, and in fact so inconspicuous, corresponding exactly to a painted panel, that it might have been called a secret door. Other doors were framed in costly woods, lining the considerable thicknesses of the walls. One of them opened without noise, and Cosmo saw enter a man somewhat taller than he had expected to see, with a white head, in a coat with softly gleaming embroideries and a broad ribbon across his breast. He advanced, opening his arms wide, and Cosmo, who noticed that one of the hands was holding a snuff–box, submitted with good grace to the embrace of the Marquis d’Armand, whose lips touched his cheeks one after another, and whose hands then rested at arm’s–length on his shoulder for a moment.
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