Александр Дюма - The Conspirators

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Dumas manages to jam enough action and storyline into the novel to make it worth the read. Despite being a weaker work in Dumas’ bibliography, it displays the craftsmanship in blending action and suspense that were so common to his novels.

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"But then," asked D'Harmental, "how was the secret betrayed?"

"Oh! by an unforeseen circumstance," replied Brigaud, in that strange manner which caused one to doubt if he was in jest or earnest. "All went off capitally, as you know, till the end of the cantata, and the proof is, that having only heard it once, you are able to remember it from one end to the other. At the moment the galley which brought us from the pavilion of Aurora touched the shore, whether from emotion at having sung for the first time in public, or that she recognized among Madame de Maine's suite some one she had not expected to see there, for some unknown reason, however, the poor Goddess of Night uttered a cry and fainted in the arms of the Hours, her companions. All promises and oaths were at once forgotten; her veil was removed to throw water in her face, so that when I came up, while you were going away with her highness, I was much astonished to find, instead of Mademoiselle Berry, your pretty neighbor. I questioned Mademoiselle de Launay, and as it was impossible any longer to keep the incognito, she told me what had passed, under the seal of secrecy, which I have betrayed for you only, my dear pupil, because, I do not know why, I can refuse you nothing."

"And this indisposition?" asked D'Harmental with uneasiness.

"Oh! it was nothing; a mere momentary emotion which had no bad consequences, since, in spite of all they could say to the contrary, Bathilde would not remain another hour at Sceaux, but insisted on returning, so that they put a carriage at her disposal, and she ought to have been home an hour before us."

"Then you are sure she is at home? Thanks, abbe, that is all I wished to know."

"And now," said Brigaud, "I may go, may I not? You have no more need of me, now that you know all you wish to know."

"I do not say so, my dear Brigaud; on the contrary, stop, you will give me great pleasure."

"No, I thank you; I have got some business of my own to transact in the town, and will leave you to your reflections, my dear pupil."

"When shall I see you again?" asked D'Harmental, mechanically.

"Most likely to–morrow," answered the abbe.

"Adieu till to–morrow, then."

"Till to–morrow."

So saying, the abbe turned round, laughing his peculiar laugh, and reached the door while D'Harmental was reopening his window, determined to remain there till the next day, if necessary, and only desiring, as a reward for this long watch, to catch a single glimpse of Bathilde.

The poor gentleman was in love over head and ears.

Chapter XXV

A Pretext

At a few minutes past four D'Harmental saw Buvat turning the corner of the Rue du Temps–Perdu. The chevalier thought he could recognize in the worthy writer an air of greater haste than usual, and instead of holding his stick perpendicularly, as a bourgeois always does when he is walking, he held it horizontally, like a runner. As to that air of majesty which had so struck Monsieur Boniface, it had entirely vanished, and had given place to a slight expression of uneasiness. He could not be mistaken. Buvat would not return so quickly if he was not uneasy about Bathilde. Bathilde, then, was suffering.

The chevalier followed Buvat with his eyes till the moment when he disappeared in his own door. D'Harmental, with reason, imagined that Buvat would go into Bathilde's room, instead of mounting to his own, and he hoped that Buvat would open the window to admit the last rays of the sun, which had been caressing it all day.

But D'Harmental was wrong; Buvat contented himself with raising the curtain, and pressing his good round face against the window, and drumming on the panes with his hands; but even this apparition was of short duration, for he turned round suddenly, as a man does when any one calls him, and let fall the muslin curtain behind him and disappeared. D'Harmental presumed that his disappearance was caused by some appeal to his appetite, and this reminded him, that in his preoccupation about the obstinacy of that unlucky window in refusing to open, he had forgotten his own breakfast, which, it must be confessed, to the shame of his sensibility, was a very great infraction on his habits. Now, however, as there was no chance that the window would open while his neighbors were at dinner, the chevalier determined to profit by the interval by dining himself; consequently he rang for the porter, and ordered him to get from the confectioner the fattest pullet, and from the fruiterer the finest fruit that he could find. As to wine, he had still got some bottles of that which the Abbe Brigaud had sent him.

D'Harmental ate with a certain remorse. He could not understand how he could be at the same time so tormented, and have such a good appetite. Luckily he remembered reading in the works of some moralist or other that sorrow sharpened hunger wonderfully. This maxim set his conscience at rest, and the result was, that the unfortunate pullet was eaten up to the very bones.

Although the act of dining was very natural, and by no means reprehensible, D'Harmental shut the window, leaving, however, a corner of the curtain raised; and, thanks to this precaution, he saw Buvat—who had doubtless finished his repast—appear at the window of his terrace. As we have said, the weather was splendid, and Buvat seemed disposed to profit by it; but as he belonged to that class of beings who enjoy nothing alone, he turned round, with a gesture, which D'Harmental took to be an invitation to Bathilde—who had doubtless followed him into his room—to come on to the terrace to him; consequently he hoped for an instant that Bathilde would appear, and he rose with a beating heart; but he was mistaken. However tempting might be the beautiful evening, and however pressing the invitations of Buvat, both were useless; but it was not thus with Mirza, who, jumping out of the window without being invited, began to bound joyously about the terrace, holding in her mouth a purple ribbon, which she caused to flutter like a streamer, and which D'Harmental recognized as the one which had fastened his neighbor's veil on the preceding night. Apparently, Buvat recognized it also, for he started off in pursuit of Mirza as fast as his little legs would allow him; a pursuit which would doubtless have been indefinitely prolonged, if Mirza had not had the imprudence to take refuge in the arbor. Buvat pursued, and an instant afterward D'Harmental saw him return with the ribbon in his hand, and after smoothing it on his knee, he folded it up, and went in, probably to deposit it in a place of safety.

THE CHEVALIER SET MIRZA TO EAT SUGAR.

This was the moment that the chevalier had waited for; he opened his window and watched. In a minute he saw Mirza put her head out of the arbor, look about her, and jump on to the terrace; then D'Harmental called her in the most caressing and seductive tone possible. Mirza trembled at the sound of his voice, then directed her eyes toward him. At the first look she recognized the man of the bits of sugar—gave a little growl of joy—then, with a rapid gastronomic instinct, she darted through Buvat's window with a single bound, and disappeared.

D'Harmental lowered his head, and, almost at the same instant, saw Mirza coming across the street like a flash of lightning; and before he had time to shut his window, she was already scratching at the door. Luckily for D'Harmental, Mirza had the memory of sugar as strongly developed as he had that of sounds.

It will be easily understood that the chevalier did not make the charming little creature wait; and she darted into the room, bounding, and giving the most unequivocal signs of her joy at his unexpected return. As to D'Harmental, he was almost as happy as if he had seen Bathilde. Mirza was something to the young girl; she was her dearly loved greyhound, so caressed and kissed by her—who laid his head on her knees during the day, and slept on the foot of her bed during the night. The chevalier set Mirza to eat sugar, and sat down; and letting his heart speak, and his pen flow, wrote the following letter:

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