Philippa Gregory - The White Queen

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BROTHER TURNS ON BROTHER to win the ultimate prize, the throne of England, in this dazzling account of the wars of the Plantagenets. They are the claimants and kings who ruled England before the Tudors, and now Philippa Gregory brings them to life through the dramatic and intimate stories of the secret players: the indomitable women, starting with Elizabeth Woodville, the White Queen.
The White Queen tells the story of a woman of extraordinary beauty and ambition who, catching the eye of the newly crowned boy king, marries him in secret and ascends to royalty. While Elizabeth rises to the demands of her exalted position and fights for the success of her family, her two sons become central figures in a mystery that has confounded historians for centuries: the missing princes in the Tower of London whose fate is still unknown. From her uniquely qualified perspective, Philippa Gregory explores this most famous unsolved mystery of English history, informed by impeccable research and framed by her inimitable storytelling skills.
With The White Queen, Philippa Gregory brings the artistry and intellect of a master writer and storyteller to a new era in history and begins what is sure to be another bestselling classic series from this beloved author.

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In January we celebrate the greatest marriage that England has ever seen when my little Richard is betrothed to the heiress Anne Mowbray. The four-year-old prince and the little girl are lifted onto the table at their wedding feast in their beautiful miniature clothes, and they hold hands like a pair of little dolls. They will live apart until they are old enough to marry, but it is a great thing to have secured such a fortune for my boy; he will be the richest prince England has ever seen.

But after Twelfth Night, Edward comes to me and says that his Privy Council are pressing him to make a final decision on the fate of his brother George.

“What do you think?” I ask. I have a sense of foreboding. I think of my three York boys: another Edward, Richard, and George. What if they were to turn against each other as these have done?

“I think I have to go ahead,” he says sadly. “The punishment for treason is death. I have no choice.”

SPRING 1478

“You cannot dream of executing him.” His mother sweeps past me into Edward’s privy chamber in her haste to speak to her son.

I rise and sweep her the smallest curtsey. “My Lady Mother,” I say.

“Mother, I don’t know what I should do.” Edward goes on one knee for her blessing and she rests her hand on his head absentmindedly, by rote. There is no tenderness in her for Edward; she is thinking of no one but George. She dips a tiny curtsey to me and turns back to Edward.

“He is your brother. Remember it.”

Edward shrugs, his face miserable.

“Actually, he himself says he is not,” I point out. “George claims that he is only Edward’s half brother since he says that Edward is a bastard to an English archer on you. He traduces you as well as us. He is generous in his slanders. He does not balk at libeling any of us. He calls me a witch, but he calls you a whore.”

“I don’t believe he says any such thing,” she declares roundly.

“Mother, he does,” Edward replies. “And he insults me and Elizabeth.”

She looks as if this is not such a bad thing.

“He undermines the House of York with his libels,” I say. “And he employed a wizard to ill-wish the king.”

“He is your brother; you will have to forgive him,” she declares to Edward.

“He is a traitor; he will have to die,” I say simply. “What else? Is it forgivable to plot the death of the king? Then why shouldn’t the defeated House of Lancaster do it? Why shouldn’t the spies from France? Why shouldn’t any scum from the highway come with a knife against your finest son?”

“George has been disappointed,” she says urgently to Edward, ignoring me. “If you had let him marry the Burgundy girl, as he wanted, or let him have the Scots princess, none of this would have happened.”

“I couldn’t trust him,” Edward says simply. “Mother, there is no doubt in my mind that if he had his own kingdom, he would invade mine. If he had a fortune, he would only use it to raise an army to take my throne.”

“He was born to greatness,” she says.

“He was born a third son,” Edward says, finally roused to tell her the truth. “He can only rule England if I die, and my son and heir dies too, then my second son Richard, and then my new son George. Is that what you would have preferred, Mother? Do you wish me dead, and my three precious sons too? Do you favor George so much? Do you ill-wish me as his hired wizard did? Will you order ground glass in my meat and foxglove powder in my wine?”

“No,” she says. “No, of course not. You are your father’s son and heir, and you won your throne. Your son must come after you. But George is my son. I feel for him.”

Edward grits his teeth on a hasty reply, and turns to the fireplace and stands in silence, his shoulders hunched. We all wait in silence until the king finally speaks. “All I can do for you and for him is to let him choose the means of his death. He has to die, but if he wants a French swordsman I will send for one. It doesn’t have to be the headsman for him. It can be poison if he wants it; he can take it in private. It can be a dagger on his dinner table, and he can do it himself. And it will be in private: there will be no crowd, not even witnesses. It can be in his room in the Tower if he wishes. He can put himself to bed and open his wrists. There can be nobody there but the priest, if he wishes.”

She gasps. She did not expect this. I am very still, watching them both. I did not think Edward would go so far.

He looks at her stricken face. “Mother, I am sorry for your loss.”

She is white. “You will forgive him.”

“You can see yourself that I cannot.”

“I command it. I am your mother. You will obey me.”

“I am the king. He cannot oppose me. He must die.”

She rounds on me. “This is your doing!”

I spread out my hands. “George has killed himself, Lady Mother. You cannot blame me, nor Edward. He leaves the king no choice. He is a traitor to our rule and a danger to us and our children. You know what must happen to claimants to the throne. This is the way of the House of York.”

She is silent. She walks to the window and leans her head against the thick glass. I look at her back and at the rigid set of her shoulders and wonder what it must be like to know that your son will die. I once promised her the pain of a mother who knows that she has lost her son. I see it now.

“I cannot bear it,” she says, her voice strained with grief. “This is my son, my dearest son. How can you take him from me? I would rather have died myself than see this day. This is my George, my most precious son. I cannot believe you would send him to his death!”

“I am sorry,” Edward says grimly. “But I can see no way out of this but his death.”

“He can choose the means?” she confirms. “You will not expose him to the headsman?”

“He can choose the means, but he has to die,” Edward says. “He has made it a matter of him or me. Of course he will have to die.”

She turns without another word and goes from the room. For a moment, for a moment only, I am sorry for her.

George, the fool, chooses a fool’s death.

“He wants to be drowned in a barrel of wine.” Anthony, my brother, comes from the Privy Council meeting to find me rocking in the chair in the nursery, my baby George in my arms, and wishing that it was all over and my little prince’s namesake was dead and gone.

“You are trying to be funny?”

“No, I think he is trying to be funny.”

“What does he mean?”

“I suppose what he says. He wants to be drowned in a barrel of wine.”

“He really said that? He really means it?”

“I have come from the Privy Council just now. He wants to drown in wine, if he has to die.”

“A sot’s death,” I say, hating the thought of it.

“I suppose that is his joke against his brother.”

I raise my baby to my shoulder and stroke his back as if I would shield him from the cruelty of the world.

“I can think of worse ways to die,” Anthony observes.

“I can think of better. I would rather be hanged than held down in wine.”

He shrugs his shoulders. “Perhaps he thinks he can make mock of Edward, and of the death sentence. Perhaps he thinks he will force Edward to forgive him rather than execute this drunkard’s end. Perhaps he thinks the Church will protest and cause a delay and he will get away.”

“Not this time,” I say. “His sot’s luck has run out; he might as well have a drunkard’s end. Where will they do it?”

“In his chamber, at the Tower of London.”

I shudder. “God forgive him,” I say quietly. “That is an awful way to die.”

The headsman does it, leaving his axe to one side but wearing his black mask over his face. He is a big man with strong big hands, and he takes his apprentice with him. The two of them roll a barrel of malmsey wine into George’s room, and George the fool makes a joke of it and laughs with his mouth open wide as if already gasping for air, as his face bleaches white with fear.

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