Philippa Gregory - The Boleyn Inheritance

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Three Women Who Share One Fate: The Boleyn Inheritance.
Anne of Cleves: She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses.
Katherine Howard: She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love – but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe.
Jane Rochford: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.
The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life – the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

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“I am queen,” I say, rather nettled. “I should think I matter more than anyone.”

“You are the fifth queen,” she points out, quite unmoved by my irritation. “And to be honest, there has been none worth the name of queen since the first one.”

“Well, I am the queen now,” I say stoutly. “And that is all that matters.”

“Queen of the day,” she says, going behind me to spread out the little train of my nightshift. It, too, is heavy with seed pearls; it is the most gorgeous of gowns. “A mayfly queen, God save your little majesty.”

Jane Boleyn, Oatlands Palace,

July 30, 1540

The king, having won his rose without a thorn, is determined to keep her close. Half the court don’t even know that the wedding has taken place, left behind at Westminster, out of touch with everything that is happening here. This is the king’s private circle, his new wife, her family, and only his most trusted friends and advisors; I am among them.

Once again I have proved my loyalty; once again I am the confidante who will tell everything. Once again I can be put into the queen’s chamber, into her most secret heart; I can be put there and trusted to betray. I have been trusted friend to Queen Katherine, Queen Anne, Queen Jane, and then Queen Anne; and I have seen all of them fall from favor or die during my service. If I were a superstitious woman, I would think of myself as a plague wind that blows death warmly, with affection, like the breath of a whisper.

So I am not superstitious, and I don’t trouble myself to think of the part I have played in these deaths and shames and disgraces. I have done my duty by the king and by my family. I have done my duty even when it cost me everything: my own true love and my honor. Why, my own husband… but there is no point in thinking of George tonight. He would be pleased anyway: another Howard girl on the throne of England, a Boleyn in the most favored place. He was the most ambitious of us all. He would be the first to say that it was worth any lie to get a place at court, to join the king’s most favored circle. He would be the first to understand that there are times when the truth is a luxury that a courtier cannot afford.

I think he would be surprised how far the king has gone, how easily he steps from power, to great power, into absolute power. George was not a fool; I think if he were here now he would be warning that the king without any bridle on his will is not a great king (as we assure him) but a monster. I think when George died, he knew that the king had stretched to the limits of tyranny and would go further.

As seems to be the pattern for the king’s weddings, this one is followed by a round of executions. The king settles his scores with old enemies and those who favored the previous wife. The death of the Earl of Hungerford and his foolish soothsayer seems to put away the whisper of witchcraft. He was accused of all sorts of necromancy and wild sexual misdoings. A couple of Papists are to die for their part in the Lisle plot, the Princess Mary’s tutor among them. That will sadden her and serve as a warning for her, too. The friendship of Anne of Cleves has given her no protection; she is friendless again, and she is in danger again. All Papists and Papist sympathizers are in danger. She had better be warned. The Howards are back in power, and they support the king, who is making a clean sweep of his old enemies to mark his happiness with the new Howard girl. He also kills a handful of Lutherans: a warning to Anne of Cleves and those who thought that she would lead him to reform. When she kneels to pray at her bedside at Richmond Palace tonight, she will know that she has been spared by a hairsbreadth. He will want her to live the rest of her life in fear.

Katherine, I notice, kneels to pray but does not close her eyes; I would swear she does not say so much as a Hail Mary. She clasps her long white fingers together as she kneels and draws breath, but there is no thought of God in her mind. No thought of anything at all, would be my bet. There is never much in that pretty head. If she is praying for anything, it is for sables like Queen Anne had for her betrothal.

Of course she is too young to be a good queen. She is too young to be anything but a silly girl. She knows nothing of charity to the poor, nothing of the duties of her great position, nothing about running a great household, let alone running a country. When I think that Queen Katherine was named regent and commanded England, I could laugh out loud. This child could not command a pet dove. But she is pleasant and agreeable to the king. The duke her uncle has coached her pretty well in obedience and politeness, and it is my task to watch for the rest. She dances very prettily for the king, and she sits quietly beside him while he talks to men old enough to be her grandfather. She smiles when he addresses a remark to her, and she lets him pinch her cheek or hug her waist without grimace. At dinner the other night he could not keep his hands off her breasts, and she blushed but did not pull away when he pawed at her before all the company. She has been raised in a hard school; the duchess is known for a heavy hand with her girls. The duke will have threatened her with the axe if she does not obey the king in thought and word and deed. And, to do her justice, she is a sweet thing anyway; she is glad of the king’s presents, and glad to be queen. It is easy for her to be pretty and pleasing to him. He does not ask for much now. He does not want a wife of high intelligence and moral purpose like Queen Katherine. Nor one with a wit of fire like Anne. He just wants to enjoy her slim young body and get a baby on her.

It is as well the court is not here, in these early days of their marriage. Her family and those who profit from the marriage can look away from him pulling her about, her little hand lost in his grip, her determined smile when he stumbles on his bad leg, her rosy blush of embarrassment when his hand wanders to her crotch under the dinner table. Anyone who was not profiting from this mismatch wedding would find it disturbing to see such a pretty child dished up for such an old man. Anyone speaking honestly would call it a sort of rape.

Fortunate, then, that there is no one here who would ever speak honestly.

Anne, Richmond Palace,

August 6, 1540

He is to visit me for dinner. Why, I cannot think. The royal groom of the household came yesterday and told my steward that the king would have the pleasure of dining with me today. I asked those ladies who are still with me if anyone had any news from the court, and one of them said that she had heard that the king was at Oatlands Palace, all but alone, hunting to take his mind off the terrible betrayal of Thomas Cromwell.

One of them asked me if I thought the king was coming to beg my pardon and to ask me to come back to him.

“Is it possible?” I ask her.

“If he was mistaken? If the inquiry was mistaken?” she asks. “Why else would he come and see you, so soon after the end of the marriage? If he still wants to end the marriage, why would he dine with you?”

I go outside to the beautiful gardens and walk a little way, my head buzzing with thoughts. It does not seem possible that he should want to take me back, but there is no doubt that if he has changed his mind he can take me back, just as easily as he could put me aside.

I wonder if it would be possible for me to refuse to go back to him. I would want to return to the court and to be restored to my position, of course. But there is a freedom to being a single woman that I might learn to enjoy. I have never in my life before been Anne of Cleves, Anne by myself, not a sister, not a daughter, not a wife, but Anne: pleasing myself. I swore if I was spared death, then I would live my life, my own life, not a life commanded by others. I order dresses in colors that I think suit me; I don’t have to observe my brother’s code of modesty, nor the court fashions. I order dinner at the time and with the food that I like; I don’t have to sit down in front of two hundred people who watch every single thing I do. When I want to ride out, I can go as far and as fast as I like; I don’t have to consider my brother’s fears or my husband’s competitive spirit. If I call for musicians in the evening, I can dance with my ladies or hear them sing; we don’t always have to follow the king’s tastes. We don’t have to marvel at his compositions. I can pray to a god of my own faith in the words that I choose. I can become myself, I can be: me.

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