Philippa Gregory - The Boleyn Inheritance

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Three Women Who Share One Fate: The Boleyn Inheritance.
Anne of Cleves: She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses.
Katherine Howard: She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love – but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe.
Jane Rochford: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.
The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life – the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

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Little Katherine Howard came in and said that they were all ridiculous and that the good butter of England had made me gain a little weight and they were blind if they did not see how well it suits me. I was so grateful to her for that. She is a foolish, frivolous little thing, but she has the cleverness of a stupid girl, since, like any stupid girl, she thinks about only one thing, and so she has become very expert in that. And the one thing that she thinks about? All the time, every moment of every day, Kitty Howard thinks about Kitty Howard.

We surrender other pleasures for the time of Lent. There are no court entertainments of the merry kind, though there are readings of holy texts after dinner, and the singing of psalms. There are no masquings nor mumming and no jousts of course. I am greatly relieved by this because, best of all, it means that there is no possibility of the king coming in disguised. The memory of our first disastrous meeting still lingers with me, and I fear it stays with him, too. It was not that I did not recognize him that was so offensive; it was the blatant fact that at first sight I was utterly repelled by him. Never since that day, by word, deed, or even look, have I let him know that I find him so unpleasant: fat, very old, and the stink of him turns my stomach. But however much I hold my breath and smile, it is too late to make amends. My face, when he tried to kiss me, told him everything in that moment. The way I pushed him off me, the way I spat the taste of him from my mouth! I still bow my head and flush hot at the terrible embarrassment. All this has left an impression with him that no later good manners can erase. He saw the truth of my view of him in that one swift glimpse, and – what is worse – he saw himself through my eyes: fat, old, disgusting. Sometimes I fear his vanity will never recover from this blow. And since his vanity is damaged I think his potency has gone with it. I am certain that his manhood was destroyed by my spit on the floor, and there is nothing I can do to recall it.

And that is another thing we give up for Lent. Thank God. I shall look forward to this time every year. For various blessed feast days and forty wonderful days every year of my married life, there will be forty nights when the king will not come to my chamber; when I will not smile at his entrance, and try to arrange myself in such a way that it is easy for him to lever his great bulk above me, and try to show my willingness but not wantonness in a bed that stinks of the festering wound of his leg, in half-darkness, with a man who cannot do the task.

The burden of this insulting misery night after night is utterly defeating me; it is humbling me to dust. I wake every morning in despair; I feel humiliated, though the failure is all his. I lie awake in the night and hear him fart and groan with the pain of his swollen belly, and I wish myself away, almost anywhere rather than in his bed. I shall be so glad to be spared, for these forty days, the terrible ordeal of his attempt and his failing and my lying awake and knowing that tomorrow night he will try again, but still he will not be able to do it, and that each time he fails he blames me a little more and likes me even less.

At least we can have this time when we are allowed a little peace. I need not worry how I should help him. He need not work above me like a great heaving boar. He will not come to my room; I can sleep in sheets that smell of lavender instead of pus.

But I know that this time will end. Easter will come with the celebrations; my coronation, which was planned for February and put off for our grand entrance into London, will now take place in May. I must take this time as a welcome rest from the presence of my husband, but I must use this time to make sure that when he comes back to my chamber we can deal better together. I must find a way to help him to come to my bed, and for me to help him to do the act.

Thomas Cromwell must be the man to help me. Kitty Howard’s advice is what I should have expected of her: the seductive skills of a naughty girl. How she must have behaved before she was taken into my rooms I dare not imagine. When I am a little more settled myself, I shall have to talk to her. A girl – a child – such as her should not know how to drop a shift and smile over a naked shoulder. She must have been very badly guarded and very ill advised. The ladies of my court must be as above criticism as myself. I shall have to tell her that whatever flirtatious tricks she knows she must put them aside. And she cannot teach them to me. I cannot have a shadow of suspicion over my behavior. A queen has died in this country for less.

I wait for the dinner to end and for the king to leave his place and walk between the tables, greeting men and women as he goes. He is affable tonight, his leg must be less painful. It is often hard to tell what ails him, for he is bad-tempered for so many different reasons, and if I inquire after the wrong cause, that can give offense, too.

As I see him walk away I look down the hall and catch Thomas Cromwell’s eye. I crook my finger and he comes to me, and I rise and take his arm and let him lead me away from the dining table and to a window overlooking the river, as if we are admiring the view and the icy night with a dozen sparkling stars.

“I need help, Master Secretary,” I say.

“Anything,” he says. He is smiling, but his face is strained.

“I cannot please the king,” I say in the words I have rehearsed. “Help me.”

At once, he looks quite sick with discomfort. He glances around him as if he would shout for help for himself. I am ashamed to be speaking so to a man, but I have to get good advice from somewhere. I cannot trust my women, and to speak to my advisors from Cleves, even Lotte, would be to alert my mother and brother whose servants they are. But this is not a true marriage; this is not a marriage in deeds as well as words. And if it is not a marriage, then I have failed in my duty to the king, to the people of England, and to myself. I have to make this marriage a real one. I have to do it. And if this man can tell me what is wrong, then he must do so.

“These are… private matters,” he says, his hand half covering his mouth as if to stop any words coming out. He is pulling at his lip.

“No. This is the king,” I say. “This is England. Duty, not private.”

“You should be advised by your women, by your Mistress of Maids.”

“You made the wedding,” I say, groping for words. “Help me make it true.”

“I am not responsible…”

“Be my friend.”

He glances around as if he would like to run away, but I will not release him.

“These are early days.”

I shake my head. “Fifty-two days.” Who has counted the days more carefully than me?

“Has he explained his dislike of you?” he demands suddenly. The English is too fast for me, and I don’t understand the words.

“Explained?”

Cromwell makes a little noise of irritation at my stupidity and glances around as if he would summon one of my countrymen to translate. Then he checks himself as he remembers that this must be a complete secret.

“What is wrong with you?” he says very simply and very quietly, his mouth to my ear.

I realize that my face is stunned, and quickly I turn to the window before the court can see my shock and distress.

“It is me?” I demand. “He says it is me?”

His little dark eyes are anguished. He cannot answer me for shame, and that is how I know. It is not that the king is old or tired or sick. It is that he does not like me, that he does not desire me, perhaps even that I disgust him. And I guess from Thomas Cromwell’s scrunched-up, worried little face that the king has already discussed his repulsion with this nasty little man.

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