Philippa Gregory - The Boleyn Inheritance

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Three Women Who Share One Fate: The Boleyn Inheritance.
Anne of Cleves: She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses.
Katherine Howard: She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love – but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe.
Jane Rochford: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.
The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life – the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

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“Go at once, and get to the duke before he sees the king,” I say again. “Our lord must not meet the king without warning.”

The man bows; he leaves the room at once, without saying good-bye to his drinking companions. By his swift stride he is clearly completely sober.

I go to my own room. My bedfellow for tonight, one of the other ladies-in-waiting, is already asleep, her arm outflung to my side of the bed. Gently, I lift it and slide in between the warm sheets. I don’t sleep at once, I lie in the silence and listen to her breathing beside me. I am thinking about the poor young woman Lady Anne and the innocence of her face and the directness of her gaze. I am wondering if Lady Browne could possibly be right and this young woman could be in danger of her life simply by being the wife that the king does not want.

Surely not. Lady Browne is exaggerating for certain. This young woman is the daughter of a German duke; she has a powerful brother who will protect her. The king needs her alliance. But then I remember that this brother let her come to England without the one piece of paper that would secure her marriage, and I wonder that he should be so careless with her, to send her such a long way into such a bear pit with no protector.

Anne, on the road to Dartford,

New Year’s Day 1540

Nothing could be worse, I feel such a fool. I am so glad to be traveling today, seated uncomfortably in the rolling litter, but at least alone. At least I don’t have to face any sympathetic, secretly laughing faces, all buzzing with the disaster of my first meeting with the king.

But truly, how should I be blamed? He has a portrait of me; Hans Holbein himself humbled me to the ground with his unsmiling stare, so that the king had my portrait to scrutinize and criticize and study, he has a very good idea of who I am. But I have no picture of him except the picture in my mind that everyone has: of the young prince who came to his throne a golden youth of eighteen, the handsomest prince in the world. I knew well enough that he is all but fifty now. I knew that I was not marrying a handsome boy, not even a handsome prince. I knew I was marrying a king in his prime, even an aging man. But I did not know what he was like. I had seen no new portrait of him to consider. And I was not expecting… that.

Not that he is so bad, perhaps. I can see the man he once was. He has broad shoulders, handsome in a man at any age. He still rides, they tell me, he still hunts except when some wound in his leg is troubling him, he is still active. He runs his country himself, he has not handed over power to more vigorous advisors; he has all his wits about him, as far as one can tell. But he has small, piggy eyes and a small, spoiled mouth, in a great ball of a moon face swelling with fat. His teeth must be very bad, for his breath is very foul. When he grabbed me and kissed me, the stink of him was truly awful. When he fell back from me, he looked like a spoiled child, ready to cry. But, I must be fair, that was a bad moment for both of us. I daresay, as I thrust him away from me, that I did not appear at my best either.

I wish to God I had not spat.

This is a bad beginning. A bad and undignified beginning. Really, he should not have come on me unprepared and without warning. All very well for them to tell me now that he loves disguising and masquing and pretending to be an ordinary man so that people can discover him with delight. They never told me this before. On the contrary, every day it has been dinned into my head that the English court is formal, that things must be done in a certain way, that I have to learn orders of precedence, that I must never be faulted by calling a junior member of a family to my side before a senior member, that these things matter to the English more than life itself. Every day before I left Cleves, my mother reminded me that the Queen of England must be above reproach, must be a woman of utter royal dignity and coldness, must never be familiar, must never be light, must never be overly friendly. Every day she told me that the life of a Queen of England depends on her unblemished reputation. She threatened me with the same fate as Anne Boleyn if I was loose and warm and amorous like her.

So why should I ever dream that some fat old drunk would come up and kiss me? How would I ever dream that I am supposed to let an ugly old man kiss me without introduction or warning?

Still, I wish to God that I had not spat out the foul taste of him.

Anyway, perhaps it is not so bad. This morning he has sent me a present, a gift of rich sables, very expensive and very high quality. Little Katherine Howard, who is so sweet that she mistook the king for a stranger and greeted him kindly, has had a brooch of gold from him. Sir Anthony Browne brought the gifts this morning with a pretty speech, and he told me that the king has gone ahead to prepare for our official meeting, which will happen at a place called Blackheath, outside the City of London. My ladies say that there will be no surprises between now and then, so I need not be on my guard. They say that this disguising is a favorite game of the king’s and once we are married I must be prepared for him to come wearing a false beard or a big hat and ask me to dance, and we will all pretend not to know him. I smile and say how charming, though in truth I am thinking: how odd, and how childlike, and really, how very vain of him, how foolishly vain to hope that people will fall in love with him on sight as a common man, when he looks as he does now. Perhaps when he was young and handsome he could go about in disguise and people would welcome him for his good looks and charm; but surely, for many years now, many years, people must have only pretended to admire him? But I don’t speak my thoughts. It is better that I say nothing now, having spoiled the game once already.

The girl who saved the day by greeting him so politely, little Katherine Howard, is one of my new maids-in-waiting. I call her to me in the bustle of departing this morning, and I thank her, as best I can manage in English, for her help.

She dips a little curtsy, and speaks to me in a rattle of English.

“She says that she is delighted to serve you,” my translator, Lotte, tells me. “And that she has not been to court before, so she did not recognize the king either.”

“Why then did she speak to a stranger who had come without invitation?” I ask, puzzled. “Surely, she should have ignored him? Such a rude man, pushing his way in?”

Lotte turns this into English, and I see the girl look at me as if there is more that divides us than language, as if we are in different worlds, as if I come from the snows and fly on white wings.

“Was?” I ask in German. I spread out my hands to her and raise my eyebrows. “What?”

She steps a little closer, she whispers in Lotte’s ear without ever taking her eyes from my face. She is such a pretty little thing, like a doll, and so earnest that I cannot help smiling.

Lotte turns to me, she is near to laughing. “She says that of course she knew it was the king. Who else would be able to get into the chamber past the guards? Who else is so tall and fat? But the game of the court is to pretend not to know him, and to address him only because he is such a handsome stranger. She says she may be only fourteen, and her grandmother says she is a dolt; but already she knows that every man in England loves to be admired, indeed, the older they are the vainer they get, and, surely, men are not so different in Cleves?”

I laugh at her, and at myself. “No,” I say. “Tell her that men are not so different in Cleves, but that this woman of Cleves is clearly a fool and I shall be guided by her in future even if she is only fourteen, whatever her grandmother calls her.”

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