Peter Ackroyd - The house of Doctor Dee

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This novel centres on the famous 16th-century alchemist and astrologer John Dee. Reputedly a black magician, he was imprisoned by Queen Mary for allegedly attempting to kill her through sorcery. When Matthew Palmer inherits an old house in Clerkenwell, he feels that he has become part of its past.

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So together we walked over to the pit and covered the circle of bones with dry earth; then I poured more soil upon the spot, and stamped it down with my foot. I had already taken out the two halves of the glass tube, and now I carried them down Cloak Lane and into the churchyard of St James. I would have been happy to linger among the graves, but there were two old men sitting apart on fragments of the stone wall there; it was as if they were waiting for resurrection. I did not want to disturb them and so, on an impulse, I climbed the steps towards the front porch; the great wooden door was unlocked, and I entered the cool darkness of the church. I was still holding the glass, and as soon as I saw the baptismal font by a side altar I knew what I should do. I went over and filled both pieces with holy water; the water seemed warm to my touch, and I placed the halves of the glass tube against the small altar. Then I crept down the aisle, and sat in one of the wooden pews. I do not know if I tried to pray — there was nothing I really wished to pray for — but I remember kneeling down and putting my face in my hands. Somehow I wanted to lose myself, and so be at peace. But as I knelt there in the silence I knew there could be no rest for me here: my god dwelt where my love was, and my love was for the past. If I had any deity, it was contained within time itself. That was all I could worship and reverence — that passage of the generations which, as a researcher, I tried to enter. There was nothing for me in this place.

It was midday by the time I returned to Cloak Lane, and the gardener had gone. I hurried along the path, taking care not to look at the mound of freshly dug earth, and opened the door as quickly as I could: I did not want to admit to myself that I was afraid to enter the old house, now that I had found the notes in my father's handwriting. If I once entertained that fear, where might it lead? I might find myself permanently estranged or excluded from what was, after all, my inheritance.

Once again I was surprised by the silence of the house, and I could hear myself breathing as I sat down on the stairs. I was about to climb up to my bedroom, when I heard the low murmur or whisper of water. Was this what John Dee had heard, as the stream of the Fleet flowed down in his garden towards the Thames? Then I realized that the sound was coming from within the house. I could still hear my own breathing as I hurried into the kitchen, but nothing was wrong: I had left the tap running in the sink, and the water was flowing down the drain to the pipes beneath the earth. It was such a clear stream, too. It sparkled in the light of the sun coming through the window, and for a moment I closed my eyes in peace. When I opened them, the water was gone. The current had been stopped. And what was this? I recalled leaving my breakfast cup and plate in the sink, but now I could see them gleaming upon the shelf. I must have cleaned and dried them in some reverie, and it occurred to me that there might have been other occasions when I wandered through this house like a sleepwalker. I went up to my own room and noticed, with some surprise, that the bed had been made; as far as I was aware, I had left it in a state of disarray that morning. After a moment I realized that a small carpet had been laid across the carefully folded sheets. It was then I telephoned Daniel Moore.

He arrived soon after, and listened very quietly as I tried to explain everything that seemed to have happened within the house. For some reason I did not mention the notes about the homunculus, perhaps because it was too ridiculous a fantasy to entertain. But I did mention John Dee, and then for no particular reason started laughing. Daniel got up quickly from his chair, and went over to the window. 'Summer will be coming to an end shortly,' he said, rubbing his hands with satisfaction. 'No more late nights.'

I was about to ask him about his strange knowledge of the house — how he had found the recess under the stairs and how he knew about the sealed window — when the telephone rang. It was my mother and, before I could say anything, she began apologizing for her behaviour two days before. She would have called earlier, she said, but she had been ill ever since. 'I was coming down with something, Matty. I just wasn't myself. I wasn't myself at all.'

'How are your eyes?'

'My eyes?'

'Are you still seeing things?'

'Oh no. Of course not. I'm not seeing anything now.'

'It must have been the house, I suppose.' I was eager to have her opinion on this place. 'Did you like it?'

'How could I like it, Matthew, when I felt so ill?' Her curt manner had re-emerged, but then she apologized again and rang off.

When I came back into the room, Daniel was still looking out of the window and he started to whistle. Then he returned to his chair and leaned over to me, his hands clasped in front of him as if he were praying very earnestly. 'Let's put it this way, Matthew. Aren't we being a little too theatrical? Do you really believe that someone, or something, is living here with you?'

'But what about the dishes, and the carpet on the bed?'

'Perhaps we were doing a little sweeping, or dusting, and left it there by accident.' His hands were still clasped tightly in front of him. 'Haven't we been rather absent-minded recently?'

'Well…'

'I'm telling you, Matthew, that nothing out of the ordinary has happened here.' I suppose I was reassured by what he said, although the alternative — that something 'out of the ordinary' had occurred in this house — was too disagreeable to consider. 'Let's stick to what is known rather than what is unknown,' he was saying now. 'Tell me exactly what you found out yesterday.'

'Only that John Dee paid rates here in 1563 and that, according to Margaret Lucas, he was a black magician.'

'Oh, she always has something fanciful to say.'

'You asked me the other day how far I wanted to take this research.' I felt very tired and had the most peculiar sensation of hearing myself speaking from a distance, as if I were somewhere else within the room. 'I want to know everything, Daniel. I won't find any rest until I do. How does that poem go? "And yet can I not hide me in no dark place".'

He looked at me oddly for a moment, as if I had spoken out of turn. 'I suppose it is the right thing to do.'

'It's the only thing to do. It's my responsibility.'

'You make it sound as if you belong to the house.'

'I feel as if I belong to something. Don't you feel it, too?' It occurred to me suddenly that I might hang the carpets on the walls, so that the polished stone of the floor could reflect their colours. 'And don't you think there's a kind of duty involved? When you come to a place like this? I owe it to the house. I owe it to myself.'

'And to John Dee?'

'Of course. In a sense he's my ancestor now.'

I closed my eyes; I must have been more tired than I knew, because at once I found myself dreaming of the churchyard I had just visited. There was a tramp and a dog walking towards me. But I could only have slept for a moment because now, when I awoke, I could hear Daniel talking as if there had been no interval at all. 'In that case,' he was saying, 'John Dee may be waiting for us somewhere. Where shall we begin?'

*

Once upon a time I was afraid of libraries. Those shelves of books formed a world which had, almost literally, turned its back upon me; the smell of dust and wood, and faded pages, induced in me a sense of melancholy loss. Yet I began to repair my life when I became a researcher and entered the past: then one book led to another book, one document to another document, one theme to another theme, and I was led down a sweet labyrinth of learning in which I could lose myself. It has been said that books talk to one another when no one is present to hear them speak, but I know better than that: they are forever engaged in an act of silent communion which, if we are fortunate, we can overhear. I soon came to recognize the people who also understood this. They were the ones who always relaxed as they walked among the shelves, as if they were being comforted and protected by a thousand invisible presences. They seem to be talking to themselves but, no, they are talking to the books. And so I am a subscriber to the English History Library in Carver's Square, which, of all London libraries, is the most curious and dilapidated; the passages are narrow, the stairs circuitous, and the general atmosphere one of benign decay. The books here are often piled up on the floors, while the shelves can hardly bear the weight of the volumes which have been deposited on them over the years. Yet, somewhere among this ruin, I hoped to find John Dee.

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