James Salter - All That Is

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All That Is: краткое содержание, описание и аннотация

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A literary event—a major new novel, his first work of fiction in seven years, from the universally acclaimed master and PEN/Faulkner winner: a sweeping, seductive love story set in post-World War II America that tells of one man’s great passions and regrets over the course of his lifetime. From his experiences as a young naval officer in battles off Okinawa, Philip Bowman returns to America and finds a position as a book editor. It is a time when publishing is still largely a private affair—a scattered family of small houses here and in Europe—a time of gatherings in fabled apartments and conversations that continue long into the night. In this world of dinners, deals, and literary careers, Bowman finds that he fits in perfectly. But despite his success, what eludes him is love. His first marriage goes bad, another fails to happen, and finally he meets a woman who enthralls him—before setting him on a course he could never have imagined for himself.
Romantic and haunting,
explores a life unfolding in a world on the brink of change. It is a dazzling, sometimes devastating labyrinth of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive.

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The bookshop was in his image. There was only a small display window, and the shop was narrow in front, squeezed by an adjoining stairway to the apartments above, but it widened in back to the size of a room that was filled from top to bottom with shelves of books any of which Edward Heiman could put his hand on without hesitation, as if he had originally placed it there himself. His recommendations could be relied on. His customers were largely known to him, if not by face, then by name, although people unfamiliar to him also came in and lingered. He had grown up a block or two away on Park Avenue where he still lived, and it was to the disappointment of the family that he’d become a bookseller. Best-sellers were displayed on a pedestal in front though sharing the space with lesser-known books.

He did much of his business by telephone. Customers would call and order books they had heard of, and they would be delivered that day to the apartment, sometimes including a title or two of his choosing that could be returned. His idea of what was worthwhile was not without its own cachet, worthy books that had eluded the critics—all but the most perceptive—and when opened had a seductive power of information or intellect or style. Women particularly liked his advice and found him sympathetic although his manners made him seem almost shy. He had a fondness for women who wore masculine clothes, he had once remarked to Bowman—Japanese women especially. He liked women writers, even those whose reputation was based on second-rate or even political work. Men had had all the advantage for centuries, he felt, and now women were having their turn. The excesses were to be expected.

“Clarissa,” he said in his quiet voice. “That’s a terrifying book. It deserves response. We don’t sell many copies of Clarissa , of course, but that doesn’t mean much. Whitman gave away more copies of Leaves of Grass than he sold, which I could do with any number of books here. We’re not selling much John Marquand or Louis Bromfield either, but that’s a different matter.”

He was married although his wife never came around. Someone described her as very attractive. Not in the physical sense. It was her entire person.

A woman as unique, then, as her husband with something like his tastes or perhaps with tastes of her own. He lived in the world of books. She was not that interested in books, she preferred clothes and certain friendships. There were too many books altogether—you might read one once in a while… Edward Heiman was perhaps like Liebling or Lampedusa in his own Sicily. Their wives were off somewhere.

Bowman continued walking. It was a part of the city he liked, a comfortable, well-off part where eccentricities could be paid for. The white brick building where the old writer, Swangren, had lived was only a few blocks away, and Gavril Aronsky’s chaotic apartment was nearby. The Savior had been a notorious book, half a million copies sold at least. Baum had never uttered a word of regret for not having published it. Aronsky had written four or five more books, but his reputation had gradually become thinner and thinner. As he aged, he had become thinner also until he finally looked like a starving bird. When someone mentioned The Savior , Baum had remarked merely,

“Yes, I know the book.”

In Clarke’s a soft feeling of reminiscence came over him. The bar was almost empty at that hour of the afternoon. The crowds had gone back to their offices. There were a few drinkers down near the front window where the sunlight prevented you from seeing them clearly. He was remembering Vivian and her friend, Louise. Also George Amussen and his lasting disapproval. His two daughters had shared his love of horses and had each married the wrong man. The thing about Vivian was that she was—Bowman hadn’t really understood it at the time—so ineradicably part of it, the drinking, the big houses, and cars with mud-crusted boots and bags of dog food lying in back, the self-approval and money. All of it had seemed inessential, even amusing.

He ordered a beer. He felt himself floating in time. He could see himself in the mirror behind the bar, shadowed and silvery, as he had seen himself years before when he had just come to the city, young and ambitious with the dream of finding his place there and all that implied. He studied himself in the mirror. He was midway or a little past that depending on where you began counting. His real life had begun at eighteen, the life he now stood at the summit of.

22. SAPORE DI MARE

Christine was in the city less often, but she and Bowman were like a married couple who were together on the weekends. Her life was really in the country, which seemed somehow right for her. She had friends, many of them his friends, and she was good company. She had made almost four thousand dollars commission on the house. She offered to help with the mortgage by making the payments for a while since she was really living there.

Sometime around Thanksgiving she went to look at a house that was under construction in Wainscott and met the contractor who was inside cutting some floorboards. He stopped and turned off the saw. He asked if he could show her the house. He was building it to sell it, and when he did would probably build or remodel another. He’d have to see how it went. They walked around. She was in heels and had to be careful going up the unfinished stairs. Houses always looked wonderful before the walls went up. He had an easy, persuasive way of talking and asked if she could have lunch with him sometime to talk about the business of selling the house. It was casual—he didn’t say more than that.

His name was Ken Rochet. They had lunch in a restaurant across from the harbor where it was a little noisy, but they were able to talk. He’d come from the site. There was even a bit of sawdust on his hands. He was wearing a blue polo shirt. He seemed at home in the world. He worked, read, cooked, and lived with women, though none of that was known to her. She was drawn to him as she’d once been drawn to her husband, irresistibly, without consent. There was something in her that turned towards such men. It was beyond anything she might explain. It was the blue shirt faded from countless washings that seduced her. He knew more about real estate than it had seemed, but still she was able to advise him. He watched her go to the ladies’ room and then come back. She was wearing a print dress. She looked to him like a glorious feathered bird and he a fox.

He had a hardness she liked. He was husky and played second base on the local softball team. At his favorite bars and restaurants the hostesses knew him. She didn’t want to meet him in places where her car might be noticed, and they went instead to a restaurant never very crowded and sat drinking and talking at the bar with their cars parked near each other amid the trees. Evening fell and on into the dark. Her chin was in the palm of her hand and her slender fingers outstretched. He told her about his brother with whom he had been in a terrible accident. His brother had been in the passenger seat. He was brain-dead on arrival at the hospital—this was in Providence—but they kept him on life support for three days. His wife finally agreed that it was hopeless, but she wanted to keep him breathing until they could take some semen from him—they had no children and she wanted a child.

“What finally happened?”

“I’ll tell you sometime,” he said.

“Tell me now.”

“They used mine. She did.”

“So you’re a father.”

“I guess technically,” he said.

“It’s not so technical.”

That first night, as it happened, Christine’s car wouldn’t start when she was leaving. It was Bowman’s old car—he’d had it for more than ten years.

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