William Vollmann - Europe Central

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Audacious. Wildly ambitious. Prolific. All describe William T. Vollmann, author of the seven-volume nonfiction work
and
and “Seven Dreams” sequence of novels, which the
hailed as “likely to become one of the masterpieces of the century.”
In
, Vollmann presents a mesmerizing series of intertwined paired stories that compare and contrast the moral decisions made by various figures — some famous, some infamous, some unknown — associated with the warring authoritarian cultures of Germany and the USSR in the twentieth century. He conjures up two generals, one Russian and one German, who collaborate with the enemy for different reasons and with different results. Another pairing tells of two heroes — a female Russian partisan martyred at the beginning of World War II and a young German man who joins the SS in order to reveal its secrets and halt its crimes. Several stories concern the complex and elusive Soviet composer Dmitri Shostakovich and the Stalinist assaults against his work and life; also explored are the fates of artists and poets such as Käthe Kollwitz, Anna Akhmatova, and the documentary filmmaker Roman Karmen.
is another high-wire act of fiction by a writer of prodigious talent.

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Meagan Atiyeh said nice things about the stories and encouraged me to keep working on them. I have the happiest memories of our time together. When she praised the stories, that meant the world to me. She kept me company in several European venues. I wish I could better express how kind and calm and steady she was, how pleasant it was for me to rush off another story to her, to share with her my latest Stalinist verbal tic, to search with her for old German newspapers or new Russian books. She will always be special to me.

Mandy Aftel, Jenny Ankeny, Amel Boussoualim, Moira Brown, Kate Danaher, Jake Dickinson, Takako Kawai, Paula Keyth, Mayumi Kobana, Mechelle Lee, William Linne, Larry McCafferey, Shannon Mullen, Lori Nelson, Ben Pax, Terrie Petree, Vanessa Renwick, Tom Robinson, Deborah Triesman and Becky Wilson were very supportive, both to this book and to me, during a difficult time.

I would like to thank Paul Slovak, Susan Golomb, Amira Pierce, Kim Goldstein and Sabine Hrechdakian for their work on Europe Central . And I am very lucky that Carla Bolte is the designer for this book. This fine, gentle, intelligent woman has also been a patient friend and confidante for a number of years. Carla, thank you so much for caring about me.

Lizzy Kate Gray expertly advised me on some matters of musical terminology and instrumentation connected with the Shostakovich stories. I will always be grateful to her for the times we listened together to the selections I was studying of the Seventh, the Eighth, the Fourteenth, Opus 110 and the Preludes and Fugues. Her father Gary and I had a nice chat about the pitch of World War II airplanes.

ALSO BY WILLIAM T VOLLMANN You Bright and Risen Angels The Rainbow Stories - фото 182

ALSO BY WILLIAM T. VOLLMANN

You Bright and Risen Angels

The Rainbow Stories

The Ice-Shirt

Thirteen Stories and Thirteen Epitaphs

Whores for Gloria

Fathers and Crows

Butterfly Stories

The Rifles

An Afghanistan Picture Show

The Atlas

The Royal Family

Argall

Rising Up and Rising Down

Copyright

VIKING

Published by the Penguin Group

Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. ■ Penguin Group (Canada), 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2 (a division of Pearson Penguin Canada Inc.) ■ Penguin Books Ltd, 80 Strand, London WC2R 0RL, England ■ Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) ■ Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) ■ Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India ■ Penguin Group (NZ), Cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd) ■ Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

First published in 2005 by Viking Penguin, a member of Penguin Group (USA) Inc.

Copyright © William T. Vollmann, 2005

All rights reserved

Portions of this work first appeared in Conjunctions, Grand Street, Film Comment, The New Yorker, The Paris Review, and Expelled from Eden: A William T. Vollmann Reader, edited by William T. Vollmann, Larry McCaffery, and Michael Hemmingson (Thunder’s Mouth Press, 2005).

PUBLISHER’S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Vollmann, William T.

Europe central / by William T. Vollmann. p. cm.

eISBN : 978-1-101-11819-1

1. Germany—Social life and customs—Fiction. 2. Soviet Union—Social life and customs—Fiction. I. Title.

PS3572.O395E97 2005

813’.54—dc22 2004061170

This book is printed on acid-free paper. картинка 183

Map by the author

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions and do not participate in or encourage electronic piracy of copyrightable materials. Your support of the author’s rights is appreciated.

http://us.penguingroup.com

Notes

1

If this organism does in fact reside in Moscow, then I presume that the cranial casing partakes of Soviet duralumin—an excellent variety, called kol’chugaliuminii, which was developed by Iu. G. Muzalevskii and S. M. Voronov.

2

Exegesis easily uncovers other ironies: The purple-cloaked priest, it is written, was as exasperated as his victims, because this marriage prevented him from renting the extra room of Lenin’s house which the bride and her mother would now occupy. (Had she remained unmarried, Krupskaya would have been remanded to the locality of Ufa.) And perhaps he scented the godlessness of the convict spouses. What must he have made of Krupskaya’s abashedness, Lenin’s sarcastic smiles? How might he have proceeded, had he understood that this church of his, by sealing the union of these two helpmeets, was hastening its own destruction, and his?

3

Upon his own escape from Siberia to England in 1902, Trotsky had likewise found them working in separate quarters. “Nadyezhda Konstantinovna Krupskaya… was at the very centre of all the organization work,” he writes in his memoirs. “In her room there was always a smell of burned paper from the secret letters she heated over the fire to read.”

4

Blind faith, one might say. In Siberia she went literally and mysteriously blind for three years, but upon her blindness was engraved the secret alphabet of her cause. Under the influence of the terrorist Spiridovna, she swore to be patient, and someday to execute justice. And then, as if by magic, the world revealed itself once more to her sight.

5

Arguably Fanya Kaplan had, as exegetes like to say, “wrought better than she knew,” since the bullet remaining in Volodya’s neck proved to be a time bomb. Nearly three years later, the doctors finally decided to remove it, and although the operation was a success, scarcely two days later he suffered the first of the cerebral hemorrhages which were to carry him off.

6

Job 3:25.

7

Proverbs 16:33.

8

Literally, SHEKHINAH, the female aspect of Jehovah.

9

R. H. McNeal in his drily reliable Bride of the Revolution goes so far as to write that very likely Krupskaya lived out her life in the consoling belief that Fanya Kaplan was alive in jail.

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