Kathleen Kent - The Outcasts

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The Outcasts: краткое содержание, описание и аннотация

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A taut, thrilling adventure story about buried treasure, a manhunt, and a woman determined to make a new life for herself in the old west. It’s the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she’d been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate’s buried treasure.
Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who—if anyone—will survive when their paths finally cross?
As Lucinda and Nate’s stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

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Nate ground his teeth and continued on his way, red-faced and angry. “Yeah,” he said, waving that he got the joke and muttering, “Thank you, you sons-a-bitches.”

As he approached Canal Street, he saw a large group of men gathered in a ring and the big bay’s head and neck jerking wildly above the crowd. He ran the last block and heard someone yelling and hurling challenges from somewhere inside the ring.

He pushed himself to the front, his hand on the grip of the Dance, and saw a man with one hand on the horse’s reins, the other curled into a fist.

“I am brother to the snapping turtle!” the man roared. “I’m the spawn of the alligator mother and the panther father.”

He was large, built like a laborer, and Nate could smell the whiskey vapors rolling from the man’s lips even though he was six feet away.

“I’m the bayou bully. I wear the red feather.” The roaring man pointed to a denuded turkey feather stuck into the band of his hat as if to a medal. “And this my horse now.”

“Hey!” Nate shouted. He yanked the pistol from his belt and held it at his side. “That’s my horse.”

The man turned his walleyes on Nate. “Say you. ” He swept a large skinning knife from its sheath, staggering with the motion, and jabbed crazily at the air in front of Nate’s face. The crowd kept expanding, more people running through the streets to join the circle, and Nate noticed for the first time how wide the avenue was, four times the width of a normal city street.

Nate ducked his head but held out a placating hand. “Did you try to get on him?”

The man blinked, his feet shuffling for balance. His knife hand slowed and then paused.

Nate asked him again, “Did you try and get on him?”

There was a gap of silence wherein Nate could almost hear the groaning path of the man’s thoughts. Someone in the crowd coughed once, as though to hasten the confrontation, and the man reared back, blinded by this unconsidered question.

He nodded slowly and Nate asked, “What happened?”

The knife began to waver and the man dropped it to his side. He rubbed his shoulder and said, “The beast bit me!”

Nate made a show of returning his gun to his belt, then he stepped forward calmly and eased the reins from the man’s hand before he could gather his thoughts enough to strike. “He won’t bite me.”

Nate fitted the Whitworth into its leather case and, after draping the reins over the bay’s neck, legged himself fluidly onto the saddle and then sat quietly, the horse now complacent.

The man’s eyes widened as though to an astonishing thought. He said, “That’s your horse.”

“It is,” Nate said, giving a tell with his eyes that he was ready to be on his way, and the man stepped back and faced the crowd. “Back away, all you bastards!” he yelled. “All you sons of whores and alley dogs. This man’s riding his horse. And I will personally gut anyone who tries to take it from him…”

The man’s voice continued as Nate headed down Canal Street, and when he turned to look back, the crowd had begun dispersing and the turkey-feather man was grinning and waving to him in a friendly fashion with his knife.

He found his way to St. Charles Avenue and squinted up at the three-story buildings—some new, some with decayed brick- and ironwork—housing the gambling palaces. Men and boys stood in the doorways calling out to him to come in and try his luck.

One barefoot boy trotted alongside him, his head not even reaching the horse’s withers. “We got faro on the first floor,” the boy said. “Roulette on the second, keno on the third. You don’t like that, we got poker. You don’t like that, we got ladies.” The boy reached for Nate’s stirrup and yanked it to make him stop. “Come on, mister, we got split-tail, all ages.”

Nate reined the bay to a stop and regarded the boy. “How old are you?”

The boy crossed his arms. “Twelve,” he said. “You like boys better?”

Nate thought to plant his boot in the boy’s chest and send him ass-first into the street, but instead he asked him where the Buffalo House was. The boy agreed to take him there for a dollar.

The steamer captain had told Nate to go to this place first, as it had housed and succored every gambling man and trickster in New Orleans at one time or another. Nate had been told to talk little, to watch and listen, and, last, to find a seat with his back to a corner.

He tied his horse to a tether ring, walked inside carrying the Whitworth, and ordered a beer at the bar. The palace was spacious, paneled in wood, with mirrors covering the wall in front of him. He scanned the reflected room behind him and saw that even at that early hour, there were twenty or so men seated at drinking or gaming tables, a few girls in shortened frocks sitting with them. The barkeep handed him a beer and a card on which was printed: The Buffalo House, in the only locality where decent folk do not live. The back listed the games of chance offered and the names of the women available for “social discourse.”

The barkeep looked him over, pointed to a large clock on the wall, and said, “You got one half hour before you order another one. Or…” He finished the sentence by indicating the door.

Nate took his beer, sat at a corner table with the rifle propped next to him, and watched the faro dealer pretending not to observe him. He drank slowly and let his eyes drift over the customers. He set the beer down when he felt his hand shaking, still unnerved by the skinning knife carving the air in front of his face.

Soon one of the girls approached carrying a glass of what looked to be whiskey. She set it down on the table and gestured to a gray-haired man seated at the opposite end of the room.

“From Mr. Gorman.” She smiled at Nate but wandered away when he chose to ignore her.

Gorman lifted his own drink and smiled benignly. The man seated next to Gorman was younger and swarthy, with heavy brilliantine in his hair. Nate raised the glass in turn but set it down without tasting it. It had a burned-sugar smell that suggested the liquor was something other than whiskey.

A shout in the street pulled his attention to the open door and when he looked back, the gray-haired man was standing next to the table.

“You don’t like our good old Nongela?” Gorman asked.

Nate looked at the glass and back up at the man. “Mr. Gorman, I don’t usually drink whiskey this time of day. But I thank you.”

“Call me Sam. May I?” He sat in the chair opposite and leaned his elbows on the table in a friendly way. He crooked a thumb over his shoulder. “My partner and I have a bet going. Pierre thinks you’re a policeman. A marshal, perhaps. We both agree on your not being from here.”

Nate’s eyes flicked over Gorman’s shoulder, but no one, including Pierre, seemed to have any interest in their conversation.

Gorman waited for a response and, not getting one, continued. “I thought you were a cowboy. But what cowboy carries an English-made Whitworth? They’re quite rare, aren’t they?”

Nate moved the rifle closer to his chair.

Gorman smiled again cordially as though he hadn’t seen Nate drop his right hand off the table and onto his belt. “How far away would you say you could hit a target? Six hundred yards? Eight hundred yards?”

“Mr. Gorman,” Nate said. “I thank you for the drink, but I’m waiting for someone.”

“Someone?” Gorman looked at the serving girl.

Nate shook his head, pushed the beer away, and began to stand.

Gorman held out a restraining hand. “You have an honest face, Mr. …?”

Nate picked up the rifle and stood holding it in the crook of his arm. After a moment he said, “Cannon.”

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