Alice Hoffman - The Museum of Extraordinary Things

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The Museum of Extraordinary Things: краткое содержание, описание и аннотация

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Mesmerizing and illuminating, Alice Hoffman’s
is the story of an electric and impassioned love between two vastly different souls in New York during the volatile first decades of the twentieth century.
Coralie Sardie is the daughter of the sinister impresario behind The Museum of Extraordinary Things, a Coney Island boardwalk freak show that thrills the masses. An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River.
The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie.
With its colorful crowds of bootleggers, heiresses, thugs, and idealists, New York itself becomes a riveting character as Hoffman weaves her trademark magic, romance, and masterful storytelling to unite Coralie and Eddie in a sizzling, tender, and moving story of young love in tumultuous times.
is Alice Hoffman at her most spellbinding.
http://www.youtube.com/watch?v=ed1ro2HWTyQ

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I swung my legs and shrugged. I didn’t know if I was old enough to discuss such matters. Maureen tenderly ran a hand through my long hair as she dropped her hard veneer.

“It’s what you least expect.”

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WHEN I TURNED ten my father called me to him. My birthday was in March, and I never knew what to expect from that month. Sometimes it snowed on my birthday, other times there’d be the green haze of spring. I don’t remember the weather on this particular occasion, during the year of 1903. I was too excited at having my father focus on me, a circumstance that was rare due to the hold his work had over him. Sometimes he labored in the cellar all night long and didn’t get to his bed until dawn. And so it was a special event for him to turn his attentions to me. When I approached him shyly, he told me that in good time every secret must be shared and every miracle called into question. He made a grand event of my entrance into the museum. We went onto the path outside so we might go through the front door, as customers did. My father wore a black coat with tails, very formal, and a top hat he’d brought from France. He had sharp all-seeing blue eyes and white hair and he spoke with an accent. He had set globes of electric lights outside the entranceway to the museum. Sphinx moths floated near, drawn to the bright flares, and I ignored an urge to catch one in my cupped hands. I was wearing my black dress and a strand of pearls my mother had left me. I treasured them, but now my father told me to remove the necklace. He said I should leave off my gloves as well, which surprised me. I didn’t like to look at my hands.

It was midnight, an hour when the neighborhood was quiet, as it was the off-season. In the summers there were crowds all night long, and great waves of excitement and noise in the air. But those hordes of pleasure seekers would not arrive until the end of May and would continue on until the new Mardi Gras celebration to be held in September, a wild gathering that would become a yearly event where those celebrating lost all control, and the police Strong-arm Squad would have to be called out to beat them back to their senses. The construction in Dreamland was going ahead full steam as the owners built more and more rides and exhibitions that would rival any entertainment palace in the world and be even more impressive than Luna Park. Unlike the other amusement parks, which some of the wealthier residents of the island called vulgar and pandering, this one would be as splendid as any entertainment found in the capitals of Europe, the buildings all starkly white, as if made for the angels. Because it would be west of us on Surf Avenue, my father feared it would put us out of business. At night we could hear the roaring of the lions and tigers in their cages, attractions being trained to be more like dogs or house cats than wild beasts. In this quiet time of the year, seagulls and terns gathered at twilight in huge calling flocks above the park. The steel skeletons of the rides still being constructed were silver in the dark. I imagined they shivered in anticipation of all they would become.

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My father opened the curtains made of heavy plum-colored damask that hung across the entranceway to the Museum of Extraordinary Things. He said I was the evening’s only guest, then bowed and gestured for me to step over the threshold. I went inside for the first time. Though I had managed to spy a few rows of the exhibits from occasionally sneaking a look, the contents of most had been a bit cloudy from my vantage point and I could never distinguish a green viper from a poisonous tree frog. Tonight the glass jars glittered. There was the sweet scent of camphor. I had looked forward to this day for so long, but now I was faint with nerves and could hardly take it all in.

There was a hired man who often came to care for the living beasts. I’d observed him arriving in a horse-drawn hansom carriage delivering crates of food for the mysterious inhabitants of the museum. A whirl of incredible creatures was before me as I stood there: a dragon lizard who flared his scarlet throat, an enormous tortoise who seemed like a monster of the deep, red-throated hummingbirds that were let out of their cages on leashes made of string. When I looked past this dizzying array, I spied my father’s birthday surprise decorated with blue silk ribbons and garlands of paper stars. It stood in a place of honor: a large tank of water. On the bottom there were shells gathered from all over the world, from the Indian Ocean to the China Sea. I did not need my father to tell me what would be displayed, for there was the sign he’d commissioned an expert craftsman to fashion out of chestnut wood and hand-paint in gold leaf.

THE HUMAN MERMAID

Beneath that title was carved one word alone, my name, Coralie.

I did not need further instructions. I understood that all of my life had been mere practice for this very moment. Without being asked, I slipped off my shoes.

I knew how to swim.

MARCH 1911

IF CORALIE SARDIE had lived another life, in another time and place, she might have become a champion swimmer, a lauded athlete with garlands crowning her head, surrounded by crowds who pleaded for her autograph after she crossed the Channel from England to France or circled Manhattan Island. Instead, she swam in the Hudson as dusk crossed the horizon, making certain to keep to the shadows. If she were a fish, she would have been an eel, a dark flash secreted within the even darker water, a lone creature set on a journey northward, unable to stop or rest until her destination had been reached. On this raw night, she stepped out of the river when she could swim no more, shaking from exertion. The relay swimming title had just been granted to a fellow from the New York Athletic Club who’d been dubbed the Human Fish, but Coralie could have beat his time with ease. She climbed onto a deserted bank under a sky swirling with stars and stood ankle deep in the mud. She wrung out her hair, a smile playing at her blue lips. This had been her longest swim thus far. She’d lasted ninety minutes in the frigid river, a personal record. A wind had picked up and the weather was raw; few swimmers would have been able to tolerate the cold rushing water. All the same, Coralie was no champion; she had no clock and no admirers. She wore men’s clothes, which made her movements easier, fitted trousers and a white shirt tucked into her waistband. Before dressing she coated her limbs with bear grease mixed with digitalis, a concoction meant to act as a stimulant and keep her warm. Still, despite this elixir and her training to withstand inhuman circumstances, she shuddered with the cold.

As she forged her way through a tangle of reeds, Coralie realized the rising spring tide had carried her off course. She was much farther north than she’d anticipated and had arrived in the no-man’s-land of upper Manhattan, where the Dutch had once farmed enormous tracts in the wetlands. Not far to the east, there were still small villages along the Harlem River, inhabited by communities of black Americans and Irish immigrants who had settled on that river’s sandy coves, their houses hidden from view by enormous beech and tulip trees that were more than three hundred years old.

Unlike most rivers, the current in the Hudson ran in two directions, pushed north by the Atlantic Ocean, turning into rivulets and streams and meeting with the Harlem River before the combined waterways receded south to the harbor. After a winter of heavy squalls and snowfalls, the Hudson was moving much faster than expected. Coralie’s father’s calculations had therefore proved wrong. The Professor was waiting nearly three miles to the south, alongside the liveryman and his carriage, ready to greet Coralie with a wool blanket and the flask of whiskey he vowed would keep her from catching a chill in her lungs.

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