Dennis Lehane - The Given Day

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Set in Boston at the end of the First World War, bestselling author Dennis Lehane's extraordinary eighth novel unflinchingly captures the political and social unrest of a nation caught at the crossroads where past meets future. Filled with a cast of richly drawn, unforgettable characters, The Given Day tells the story of two families — one black, one white — swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power. Coursing through the pivotal events of a turbulent epoch, it explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself.

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“You okay?”

“Yeah, yeah.”

“Here.” Connor stooped and Joe wrapped his arms around his shoulders and Connor lifted him off the street.

“Fire at will!”

Connor spun, saw the State Guard troops coming off the bridge, their rifles extended. Rifles from the crowd pointed back. A collection of volunteer policemen, one with a black eye and broken nose, leveled their weapons as well. Everyone was pointing at everyone else, as if there were no sides, just targets.

“Close your eyes, Joe. Close your eyes.”

He pressed Joe’s head to his shoulder and all the rifles seemed to go off at once. The air exploded with white puffs from the muzzles. A sudden, high-pitched shriek. A member of the State Guard grabbing his neck. A bloody hand raised in the air. Connor ran for a car overturned at the base of the bridge with Joe in his arms as the crack of rifle fire erupted anew. Bullets sparked off the side of the car, the clang of them like the sound of heavy coins thrown into a metal bowl, and Connor pressed Joe’s face harder to his shoulder. A bullet hissed by on his right and hit a guy in the knee. The guy fell. Connor turned his head away. He’d almost reached the front of the car when the bullets hit the window. The glass slid through the night air like sleet or hail, translucent, a shower of silver rushing out of all that blackness.

Connor found himself on his back. He didn’t remember slipping. He was just suddenly on the ground. He could hear the ping of bullets grow less insistent, could hear the yells and moans and people shouting out names. He smelled cordite and smoke in the air and the faint odor of roasted meat for some reason. He heard Joe call his name and then shriek it, his voice wracked with horror and sadness. He reached out his hand and felt Joe’s close over it, but Joe still wouldn’t stop screaming.

Then his father’s voice, shushing Joe, cooing to him. “Joseph, Joseph, I’m here. Ssssh.”

“Dad?” Connor said.

“Connor,” his father said.

“Who turned out the lights?”

“Jesus,” his father whispered.

“I can’t see, Dad.”

“I know, son.”

“Why can’t I see?”

“We’re going to get you to a hospital, son. Immediately. I swear.”

“Dad?”

He felt his father’s hand on his chest. “Just lie still, son. Just lie still.”

Chapter thirty-nine

The next morning, the State Guard placed a machine gun on a tripod at the northern end of West Broadway in South Boston. They placed another at the intersection of West Broadway and G Street and a third at the intersection of Broadway and Dorchester Street. The Tenth Regiment patrolled the streets. The Eleventh Regiment manned the rooftops.

They repeated the procedure in Scollay Square and along Atlantic Avenue in the North End. General Cole blocked off access to any streets entering Scollay Square and set up a checkpoint on the Broadway Bridge. Anyone caught on the streets in question without a viable reason for being there was subject to immediate arrest.

The city remained quiet throughout the day, the streets empty.

Governor Coolidge held a press conference. While he expressed sympathy for the nine confirmed dead and the hundreds injured, he stated that it was the mob itself that was to blame. The mob and the policemen who had left their posts. The governor went on to state that while the mayor had attempted to shore up the city during the terrible crisis, it was clear he had been wholly unprepared for such an emergency. Therefore control from this point on would be assumed by the state and the governor himself. In that capacity, his first order of business was to reinstate Edwin Upton Curtis to his rightful place as police commissioner.

Curtis appeared by his side at the rostrum and announced that the police department of the great city of Boston, acting in concert with the State Guard, would brook no further rioting. “The rule of law will be respected or the consequences will be dire. This is not Russia. We will use every measure of force at our disposal to ensure democracy for our citizens. Anarchy ends today.”

A reporter from the Transcript stood and raised his hand. “Governor Coolidge, am I clear that it is your opinion that Mayor Peters is at fault for the past two nights’ chaos?”

Coolidge shook his head. “The mob is at fault. The policemen who committed gross dereliction of their sworn duties are at fault. Mayor Peters is not at fault. He was merely caught unawares and was thus, in the early stages of the riots, a bit ineffectual.”

“But, Governor,” the reporter said, “we’ve heard several reports that it was Mayor Peters who wished to call out the State Guard within an hour of the police walkout, and that you, sir, and Commissioner Curtis vetoed the idea.”

“Your information is incorrect,” Coolidge said.

“But, Governor—”

“Your information is incorrect,” Coolidge repeated. “This press conference is completed.”

Thomas Coughlin held his son’s hand while he wept. Connor didn’t make a sound, but the tears slid freely from the thick white bandages covering his eyes and rolled off his chin to dampen the collar of his hospital gown.

His mother stared out the window of Mass General, trembling, her eyes dry.

Joe sat in a chair on the other side of the bed. He hadn’t spoken a word since they’d lifted Connor into the ambulance last night.

Thomas touched Connor’s cheek. “It’s okay,” he whispered.

“How’s it okay?” Connor said. “I’m blind.”

“I know, I know, son. But we’ll get through this.”

Connor turned his head away and tried to remove his hand, but Thomas held fast to it.

“Con’,” Thomas said, hearing the helplessness in his own voice, “it’s a terrible blow. Of that there can be little doubt. But don’t give in to the sin of despair, son. It’s the worst sin of all. God will help you through this. He just asks for strength.”

“Strength?” Connor coughed a wet laugh. “I’m blind .”

At the window, Ellen blessed herself.

“Blind,” Connor whispered.

Thomas could think of nothing to say. Maybe this, of all things, was the true price of family — being unable to stop the pains of those you loved. Unable to suck it out of the blood, the heart, the head. You held them and named them and fed them and made your plans for them, never fully realizing that the world was always out there, waiting to apply its teeth.

Danny walked into the room and froze.

Thomas hadn’t thought it through, but he realized immediately what Danny saw in their eyes: They blamed him.

Well, of course they did. Who else was to blame?

Even Joe, who’d idolized Danny for so long, stared up at him with confusion and spite.

Thomas kept it simple. “Your brother was blinded last night.” He raised Connor’s hand to his lips and kissed it. “In the riots.”

“Dan?” Connor said. “That you?”

“It’s me, Con’.”

“I’m blind, Dan.”

“I know.”

“I don’t blame you, Dan. I don’t.”

Danny lowered his head and his shoulders shook. Joe looked away.

“I don’t,” Connor said again.

Ellen left the window and crossed the room to Danny. She placed a hand on his shoulder. Danny raised his head. Ellen looked in his eyes as Danny dropped his hands by his side and turned up the palms.

Ellen slapped him in the face.

Danny’s face crumpled and Ellen slapped him again.

“Get out,” she whispered. “Get out, you … you Bolshevik.” She pointed at Connor. “You did that. You. Get out.”

Danny looked toward Joe, but Joe looked away.

He looked at Thomas. Thomas met his eyes and then shook his head and turned his face from him.

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