Dennis Lehane - The Given Day

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Set in Boston at the end of the First World War, bestselling author Dennis Lehane's extraordinary eighth novel unflinchingly captures the political and social unrest of a nation caught at the crossroads where past meets future. Filled with a cast of richly drawn, unforgettable characters, The Given Day tells the story of two families — one black, one white — swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power. Coursing through the pivotal events of a turbulent epoch, it explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself.

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And he gave the child breasts the size of circus balloons and Lila giggled and swatted his hand and rubbed the child off the window.

The trip took two days and Luther lost some money in a card game with some porters the first night, and Lila stayed mad about that well into the next morning, but otherwise Luther was hard-pressed coming up with a time he’d cherished more in his life. There’d been a few plays here and there on the diamond, and he’d once gone to Memphis when he was seventeen with his cousin, Sweet George, and they’d had themselves a time on Beale Street that he’d never forget, but riding in that train car with Lila, knowing his child lived in her body — her body no longer a singular life, but more like a life-and-a-half — and that they were, as he’d so often dreamed, out in the world, drunk on the speed of their crossing, he felt a lessening of the anxious throb that had lived in his chest since he was a boy. He’d never known where that throb came from, only that it had always been there and he’d tried to work it away and play it away and drink it away and fuck it away and sleep it away his whole life. But now, sitting on a seat with his feet on a floor that was bolted to a steel underbelly that was strapped to wheels that locked onto rails and hurtled through time and distance as if time and distance weren’t nothing at all, he loved his life and he loved Lila and he loved their child and he knew, as he always had, that he loved speed, because things that possessed it could not be tethered, and so, they couldn’t be sold.

They arrived in Tulsa at the Santa Fe rail yard at nine in the morning and were met by Lila’s Aunt Marta and her husband, James. James was as big as Marta was small, both of them dark as dark got, with skin stretched so tight across the bone Luther wondered how they breathed. Big as James was, and he was the height some men only reached on horseback, Marta was, no doubt, the dog who ate first.

Four, maybe five, seconds into the introductions, Marta said, “James, honey, git them bags, would you? Let the poor girl stand there and faint from the weight?”

Lila said, “It’s all right, Auntie, I—”

“James?” Aunt Marta snapped her fingers at James’s hip and the man hopped to. Then she smiled, all pretty and small, and said, “Girl, you as beautiful as you ever was, praise the Lord.”

Lila surrendered her bags to Uncle James and said, “Auntie, this is Luther Laurence, the young man I been writing you about.”

Though he probably should have figured as much, it took Luther by surprise to realize his name had been placed to paper and sent across four state lines to land in Aunt Marta’s hand, the letters touched, however incidentally, by her tiny thumb.

Aunt Marta gave him a smile that had a lot less warmth in it than the one she gave her niece. She took his hand in both of hers. She looked up into his eyes.

“A pleasure to meet you, Luther Laurence. We’re churchgoers here in Greenwood. You a churchgoer?”

“Yes, ma’am. Surely.”

“Well, then,” she said and gave his hand a moist press and a slow shake, “we’re to get along fine, I ’spect.”

“Yes, ma’am.”

Luther was prepared for a long walk out of the train station and up through town to Marta and James’s house, but James led them to an Olds Reo as red and shiny as an apple just pulled from a water bucket. Had wood spoke wheels and a black top that James rolled down and latched in the back. They piled the suitcases in the backseat with Marta and Lila, the two of them already talking a mile a minute, and Luther climbed up front with James and they pulled out of the lot, Luther thinking how a colored man driving a car like this in Columbus was just asking to get shot for a thief, but at the Tulsa train station, not even the white folk seemed to notice them.

James explained the Olds had a flathead V8 engine in it, sixty horsepower, and he worked the shift up into third gear and smiled big.

“What you do for work?” Luther asked.

“Own two garages,” James said. “Got four men working under me. Would love to put you to work there, son, but I got all the help I can handle right now. But don’t you worry — one thing Tulsa’s got on either side of the tracks is jobs, plenty of jobs. You in oil country, son. Whole place just sprung up overnight ’cause of the black crude. Shoot. None of this was even here twenty-five years ago. Wasn’t nothing but a trading post back then. Believe that?”

Luther looked out the window at downtown, saw buildings bigger than any he’d seen in Memphis, big as ones he’d seen only in pictures of Chicago and New York, and cars filling the streets, and people, too, and he thought how you would have figured a place like this would take a century to build, but this country just didn’t have time to wait no more, no interest in patience and no reason for it either.

He looked forward as they drove into Greenwood, and James waved to some men building a house and they waved back and he tooted his horn and Marta explained how coming up here was the section of Greenwood Avenue known as the Black Wall Street, lookie here….

And Luther saw a black bank and an ice cream parlor filled with black teenagers and a barbershop and a billiard parlor and a big old grocery store and a bigger department store and a law office and a doctor’s office and a newspaper, and all of it occupied by colored folk. And then they rolled past the movie theater, big bulbs surrounding a huge white marquee, and Luther looked above that marquee to see the name of the place — The Dreamland — and he thought, That’s where we’ve come. Because all this had to be just that indeed.

By the time they drove up Detroit Avenue, where James and Marta Hollaway owned their own home, Luther’s stomach was starting to slide. The homes along Detroit Avenue were red brick or creamy chocolate stone and they were as big as the homes of white folk. And not white folk who were just getting by, but white folk who lived good. The lawns were trimmed to bright green stubble and several of the homes had wraparound porches and bright awnings.

They pulled into the driveway of a dark brown Tudor and James stopped the car, which was good, because Luther was so dizzy he worried he might get sick.

Lila said, “Oh, Luther, couldn’t you just die?”

Yeah, Luther thought, that there is one possibility.

The next morning Luther found himself getting married before he’d had breakfast. In the years that followed, when someone would ask how it was he came to be a married man, Luther always answered:

“Hell if I know.”

He woke that morning in the cellar. Marta had made it plenty clear the evening before that a man and a woman who were not husband and wife didn’t sleep on the same floor in her house, never mind the same room. So Lila got herself a nice pretty bed in a nice pretty room on the second floor and Luther got a sheet thrown over a broke-down couch in the cellar. The couch smelled of dog (they’d had one once; long since dead) and cigars. Uncle James was the culprit on that score. He took his after-dinner stogie in the basement every night because Aunt Marta wouldn’t allow it in her house.

Lot of things Aunt Marta wouldn’t allow in her house — cussing, liquor, taking the Lord’s name in vain, card playing, people of low character, cats — and Luther had a feeling he’d just scratched the surface of the list.

So he went to sleep in the cellar and woke up with a crick in his neck and the smells of long-dead dog and too-recent cigar in his nostrils. Right off, he heard raised voices coming from upstairs. Feminine voices. Luther’d grown up with his mother and one older sister, both of whom had passed on from the fever in ’14, and when he allowed himself to think of them it hurt enough to stop his breath because they’d been proud, strong women of loud laughter who’d loved him fiercely.

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