John Passos - Three Soldiers

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Part of the generation that produced Ernest Hemingway and Ford Madox Ford, John Dos Passos wrote one of the most grimly honest portraits of World War I. Three Soldiers portrays the lives of a trio of army privates: Fuselli, an Italian American store clerk from San Francisco; Chrisfield, a farm boy from Indiana; and Andrews, a musically gifted Harvard graduate from New York. Hailed as a masterpiece on its original publication in 1921, Three Soldiers is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence, and the brutal and dehumanizing effects of a regimented war machine on ordinary soldiers.

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“You look all in.”

“Not a bit of it. Oi just had a little hold up, that’s all, in a woodland-lake. Some buggers tried to do me in.”

“What d’you mean?”

“Oi guess they had a little information… that’s all. Oi’m carryin’ important messages from our headquarters in Rouen to your president. Oi was goin’ through a bloody thicket past this side. Oi don’t know how you pronounce the bloody town… Oi was on my bike making about thoity for the road was all a-murk when I saw four buggers standing acrost the road… lookter me suspicious-like, so Oi jus’ jammed the juice into the boike and made for the middle ’un. He dodged all right. Then they started shootin’ and a bloody bullet buggered the boike… It was bein’ born with a caul that saved me… Oi picked myself up outer the ditch an lost ’em in the woods. Then I got to another bloody town and commandeered this old sweatin’ machine… How many kills is there to Paris, Yank?”

“Fifteen or sixteen, I think.”

“What’s he saying, Jean?”

“Some men tried to stop him on the road. He’s a despatch rider.”

“Isn’t he ugly? Is he English?”

“Irish.”

“You bet you, miss; Hirlanday; that’s me… You picked a good looker this time, Yank. But wait till Oi git to Paree. Oi clane up a good hundre’ pound on this job in bonuses. What part d’ye come from, Yank?”

“Virginia. I live in New York.”

“Oi been in Detroit; goin’ back there to git in the automoebile business soon as Oi clane up a few more bonuses. Europe’s dead an stinkin’, Yank. Ain’t no place for a young fellow. It’s dead an stinkin’, that’s what it is.”

“It’s pleasanter to live here than in America… Say, d’you often get held up that way?”

“Ain’t happened to me before, but it has to pals o’ moine.”

“Who d’you think it was?”

“Oi dunno; ’Uns or some of these bloody secret agents round the Peace Conference… But Oi got to go; that despatch won’t keep.”

“All right. The beer’s on me.”

“Thank ye, Yank.” The man got to his feet, shook hands with Andrews and Jeanne, jumped on the bicycle and rode out of the garden to the road, threading his way through the iron chairs and tables.

“Wasn’t he a funny customer?” cried Andrews, laughing. “What a wonderful joke things are!”

The waiter arrived with the omelette that began their lunch.

“Gives you an idea of how the old lava’s bubbling in the volcano. There’s nowhere on earth a man can dance so well as on a volcano.”

“But don’t talk that way,” said Jeanne laying down her knife and fork. “It’s terrible. We will waste our youth to no purpose. Our fathers enjoyed themselves when they were young… And if there had been no war we should have been so happy, Etienne and I. My father was a small manufacturer of soap and perfumery. Etienne would have had a splendid situation. I should never have had to work. We had a nice house. I should have been married… ”

“But this way, Jeanne, haven’t you more freedom?”

She shrugged her shoulders. Later she burst out:

“But what’s the good of freedom? What can you do with it? What one wants is to live well and have a beautiful house and be respected by people. Oh, life was’so sweet in France before the war.”

“In that case it’s not worth living,” said Andrews in a savage voice, holding himself in.

They went on eating silently. The sky became overcast. A few drops splashed on the table-cloth.

“We’ll have to take coffee inside,” said Andrews.

“And you think it is funny that people shoot at a man on a motorcycle going through a wood. All that seems to me terrible, terrible,” said Jeanne.

“Look out. Here comes the rain!”

They ran into the restaurant through the first hissing sheet of the shower and sat at a table near a window watching the rain drops dance and flicker on the green iron tables. A scent of wet earth and the mushroom-like odor of sodden leaves came in borne on damp gusts through the open door. A waiter closed the glass doors and bolted them.

“He wants to keep out the spring. He can’t,” said Andrews.

They smiled at each other over their coffee cups. They were in sympathy again.

When the rain stopped they walked across wet fields by a foot path full of little clear puddles that reflected the blue sky and the white-and amber-tinged clouds where the shadows were light purplish-grey. They walked slowly arm in arm, pressing their bodies together. They were very tired, they did not know why and stopped often to rest leaning against the damp boles of trees. Beside a pond pale blue and amber and silver from the reflected sky, they found under a big beech tree a patch of wild violets, which Jeanne picked greedily, mixing them with the little crimson-tipped daisies in the tight bouquet. At the suburban railway station, they sat silent, side by side on a bench, sniffing the flowers now and then, so sunk in languid weariness that they could hardly summon strength to climb into a seat on top of a third class coach, which was crowded with people coming home from a day in the country. Everybody had violets and crocuses and twigs with buds on them. In people’s stiff, citified clothes lingered a smell of wet fields and sprouting woods. All the girls shrieked and threw the arms round the men when the train went through a tunnel or under a bridge. Whatever happened, everybody laughed. When the train arrived in the station, it was almost with reluctance that they left it, as if they felt that from that moment their work-a-day lives began again. Andrews and Jeanne walked down the platform without touching each other. Their fingers were stained and sticky from touching buds and crushing young sappy leaves and grass stalks. The air of the city seemed dense and unbreatheable after the scented moisture of the fields.

They dined at a little restaurant on the Quai Voltaire and afterwards walked slowly towards the Place St. Michel, feeling the wine and the warmth of the food sending new vigor into their tired bodies. Andrews had his arm round her shoulder and they talked in low intimate voices, hardly moving their lips, looking long at the men and women they saw sitting twined in each other’s arms on benches, at the couples of boys and girls that kept passing them, talking slowly and quietly, as they were, bodies pressed together as theirs were.

“How many lovers there are,” said Andrews.

“Are we lovers?” asked Jeanne with a curious little laugh.

“I wonder… Have you ever been crazily in love, Jeanne?”

“I don’t know. There was a boy in Laon named Marcelin. But I was a little fool then. The last news of him was from Verdun.”

“Have you had many… like I am?”

“How sentimental we are,” she cried laughing. “No. I wanted to know. I know so little of life,” said Andrews.

“I have amused myself, as best I could,” said Jeanne in a serious tone. “But I am not frivolous… There have been very few men I have liked… So I have had few friends… do you want to call them lovers? But lovers are what married women have on the stage… All that sort of thing is very silly.”

“Not so very long ago,” said Andrews, “I used to dream of being romantically in love, with people climbing up the ivy on castle walls, and fiery kisses on balconies in the moonlight.”

“Like at the Opéra Comique,” cried Jeanne laughing.

“That was all very silly. But even now, I want so much more of life than life can give.”

They leaned over the parapet and listened to the hurrying swish of the river, now soft and now loud, where the reflections of the lights on the opposite bank writhed like golden snakes.

Andrews noticed that there was someone beside them. The faint, greenish glow from the lamp on the quai enabled him to recognize the lame boy he had talked to months ago on the Butte.

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