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John Passos: Three Soldiers

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John Passos Three Soldiers

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Part of the generation that produced Ernest Hemingway and Ford Madox Ford, John Dos Passos wrote one of the most grimly honest portraits of World War I. Three Soldiers portrays the lives of a trio of army privates: Fuselli, an Italian American store clerk from San Francisco; Chrisfield, a farm boy from Indiana; and Andrews, a musically gifted Harvard graduate from New York. Hailed as a masterpiece on its original publication in 1921, Three Soldiers is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence, and the brutal and dehumanizing effects of a regimented war machine on ordinary soldiers.

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“Dunno. Some guys says three weeks and some says six months… Say, mebbe you’ll get into our company. They transferred a lot of men out the other day, an’ the corporal says they’re going to give us rookies instead.”

“Goddam it, though, but Ah want to git overseas.”

“It’s swell over there,” said Fuselli, “everything’s awful pretty-like. Picturesque, they call it. And the people wears peasant costumes… I had an uncle who used to tell me about it. He came from near Torino.”

“Where’s that?”

“I dunno. He’s an Eyetalian.”

“Say, how long does it take to git overseas?”

“Oh, a week or two,” said Andrews.

“As long as that?” But the movie had begun again, unfolding scenes of soldiers in spiked helmets marching into Belgian cities full of little milk carts drawn by dogs and old women in peasant costume. There were hisses and catcalls when a German flag was seen, and as the troops were pictured advancing, bayonetting the civilians in wide Dutch pants, the old women with starched caps, the soldiers packed into the stuffy Y.M.C.A. hut shouted oaths at them. Andrews felt blind hatred stirring like something that had a life of its own in the young men about him. He was lost in it, carried away in it, as in a stampede of wild cattle. The terror of it was like ferocious hands clutching his throat. He glanced at the faces round him. They were all intent and flushed, glinting with sweat in the heat of the room.

As he was leaving the hut, pressed in a tight stream of soldiers moving towards the door, Andrews heard a man say:

“I never raped a woman in my life, but by God, I’m going to. I’d give a lot to rape some of those goddam German women.”

“I hate ’em too,” came another voice, “men, women, children and unborn children. They’re either jackasses or full of the lust for power like their rulers are, to let themselves be governed by a bunch of warlords like that.”

“Ah’d lahk te cepture a German officer an’ make him shine ma boots an’ then shoot him dead,” said Chris to Andrews as they walked down the long row towards their barracks.

“You would?”

“But Ah’d a damn side rather shoot somebody else Ah know,” went on Chris intensely. “Don’t stay far from here either. An’ Ah’ll do it too, if he don’t let off pickin’ on me.”

“Who’s that?”

“That big squirt Anderson they made a file closer at drill yesterday. He seems te think that just because Ah’m littler than him he can do anything he likes with me.”

Andrews turned sharply and looked in his companion’s face; something in the gruffness of the boy’s tone startled him. He was not accustomed to this. He had thought of himself as a passionate person, but never in his life had he wanted to kill a man.

“D’you really want to kill him?”

“Not now, but he gits the hell started in me, the way he teases me. Ah pulled ma knife on him yesterday. You wasn’t there. Didn’t ye notice Ah looked sort o’ upsot at drill?”

“Yes… but how old are you, Chris?”

“Ah’m twenty. You’re older than me, ain’t yer?”

“I’m twenty-two.”

They were leaning against the wall of their barracks, looking up at the brilliant starry night.

“Say, is the stars the same over there, overseas, as they is here?”

“I guess so,” said Andrews, laughing. “Though I’ve never been to see.”

“Ah never had much schoolin’,” went on Chris. “I lef’ school when I was twelve, ’cause it warn’t much good, an’ dad drank so the folks needed me to work on the farm.”

“What do you grow in your part of the country?”

“Mostly coan. A little wheat an’ tobacca. Then we raised a lot o’ stock… But Ah was juss going to tell ye Ah nearly did kill a guy once.”

“Tell me about it.”

“Ah was drunk at the time. Us boys round Tallyville was a pretty tough bunch then. We used ter work juss long enough to git some money to tear things up with. An’ then we used to play craps an’ drink whiskey. This happened just at coan-shuckin’ time. Hell, Ah don’t even know what it was about, but Ah got to quarrellin’ with a feller Ah’d been right smart friends with. Then he laid off an’ hit me in the jaw. Ah don’t know what Ah done next, but before Ah knowed it Ah had a hold of a shuckin’ knife and was slashin’ at him with it. A knife like that’s a turruble thing to stab a man with. It took four of ’em to hold me down an’ git it away from me. They didn’t keep me from givin’ him a good cut across the chest, though. Ah was juss crazy drunk at the time. An’ man, if Ah wasn’t a mess to go home, with half ma clothes pulled off and ma shirt torn. Ah juss fell in the ditch an’ slep’ there till daylight an’ got mud all through ma hair… Ah don’t scarcely tech a drop now, though.”

“So you’re in a hurry to get overseas, Chris, like me,” said Andrews after a long pause.

“Ah’ll push that guy Anderson into the sea, if we both go over on the same boat,” said Chrisfield laughing; but he added after a pause: “It would have been hell if Ah’d killed that feller, though. Honest Ah wouldn’t a-wanted to do that.”

“That’s the job that pays, a violinist,” said somebody.

“No, it don’t,” came a melancholy drawling voice from a lanky man who sat doubled up with his long face in his hands and his elbows resting on his knees. “Just brings a living wage… a living wage.”

Several men were grouped at the end of the barracks. From them the long row of cots, with here and there a man asleep or a man hastily undressing, stretched, lighted by occasional feeble electric-light bulbs, to the sergeant’s little table beside the door.

“You’re gettin’ a dis-charge, aren’t you?” asked a man with a brogue, and the red face of a jovial gorilla, that signified the bartender.

“Yes, Flannagan, I am,” said the lanky man dolefully.

“Ain’t he got hard luck?” came a voice from the crowd.

“Yes, I have got hard luck, Buddy,” said the lanky man, looking at the faces about him out of sunken eyes. “I ought to be getting forty dollars a week and here I am getting seven and in the army besides.”

“I meant that you were gettin’ out of this goddam army.”

“The army, the army, the democratic army,” chanted someone under his breath.

“But, begorry, I want to go overseas and ’ave a look at the ’uns,” said Flannagan, who managed with strange skill to combine a cockney whine with his Irish brogue.

“Overseas?” took up the lanky man. “If I could have gone an’ studied overseas, I’d be making as much as Kubelik. I had the makings of a good player in me.”

“Why don’t you go?” asked Andrews, who stood on the outskirts with Fuselli and Chris.

“Look at me… t.b.,” said the lanky man.

“Well, they can’t get me over there soon enough,” said Flannagan.

“Must be funny not bein’ able to understand what folks say. They say ‘we’ over there when they mean ‘yes,’ a guy told me.”

“Ye can make signs to them, can’t ye?” said Flannagan, “an’ they can understand an Irishman anywhere. But ye won’t ’ave to talk to the ’uns. Begorry I’ll set up in business when I get there, what d’ye think of that?”

Everybody laughed.

“How’d that do? I’ll start an Irish House in Berlin, I will and there’ll be O’Casey and O’Ryan and O’Reilly and O’Flarrety, and begod the King of England himself’ll come an’ set the goddam Kaiser up to a drink.”

“The Kaiser’ll be strung up on a telegraph pole by that time; ye needn’t worry, Flannagan.”

“They ought to torture him to death, like they do niggers when they lynch ’em down south.”

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