Eva Ibbotson - A Glove Shop In Vienna

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A collection of short stories by the author of
reveals the writer’s ability to write funny and erudite historical fiction.
Known for her neatly fashioned romance fiction, Ibbotson (Madensky Square) here collects 19 decorous stories of love gained and lost. With settings that range from the early 1990s to the present day, they generally feature surprise endings, some of them sadly contrived. In the title story, Max, a lawyer and confirmed bachelor in pre-WW I Vienna, attends the opera, where Helene, a singer of Wagnerian heft, is hurt in an onstage accident. She hires Max to file suit; they marry; later, Max takes a mistress. On his wife’s death he is free to marry his paramour, but Helene’s will dictates otherwise — she knew that forbidden fruit is sweetest. The London grocer in “Doushenka” is obsessed by Russia. Traveling to St. Petersburg, he falls in love with a young ballerina, but their relationship is ended by his sacrifice on her behalf, and for the rest of his life he must be content with the memories of his Great Love. A Great Love is the essential element in these old-fashioned tales, of which “Sidi” is the most celebratory-and blatantly sentimental. Eschewing the angst and alienation discussed in much contemporary fiction, Ibbotson offers leisurely details of a more genteel era whose passing she obviously laments. Her stories, however, are oversweet and ultimately cloying. From Publishers Weekly
From Library Journal
Women who enjoy romantic fiction will enjoy these heartwarming stories, first published in Great Britain in 1984. Ibbotson concentrates on the infinite variety of Great Love-its discovery, development, recognition, loss, and denouement. Her characters, males and females of all ages and professions, are frequently seen during the Christmas season and in prewar Vienna and Russia. In many stories, people find and lose each other-often with an O. Henry twist. Ibbotson, a winner of the Romantic Novelists Association award, writes charmingly about love, forgiveness, loss, and happiness. Highly recommended.
Ellen R. Cohen, Rockville, Md.

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After a year or two, being of a rather indolent nature, she brought her Cousin Lily to live in Hitzing, to take over the housekeeping.

Cousin Lily belonged to that now extinct band of faintly-etched and unassuming spinsters whose own lives never quite break into flame and who live at the periphery of others — often indispensable, as often ignored. She was pale, long-nosed and ageless and wore round her neck a necklace of the milk teeth of all the children in the family. It was a disquieting necklace: brownly mottled in places, never quite free of the suggestion of dental caries and tiny flecks of dried blood.

Milk teeth or no, Cousin Lily was an excellent and unobtrusive housekeeper, keeping Uncle Max’s clothes in order, supervising the maids. And my Uncle Max, now a vigorous man in his early forties, thus had a beautifully run home, a prosperous business, an undemanding wife…

Had, in short, everything.

Well, nearly everything. For to tell the truth, Aunt Helene was a trifle too undemanding. Probably it was quite simply a matter of her bulk. One imagines her, in the matter of sex, prepared in every way to do her duty but feeling, perhaps, that it was all happening a long way off; possibly even to someone else.

If Freud had by now stopped bowling his hoop along the Pfeffer Gasse, he could not have got much further than examining his incipient moustache in the bedroom of his parents’ house. It was therefore in the conventions of his own day that Uncle Max solved this most conventional of problems.

He took a mistress.

In the old Habsburg Empire there was a precedent for everything. From Bohemia one got the best cooks, the finest glass. From Hungary one imported horses and violin players for the Philharmonic.

But for a mistress… somehow, for a mistress you couldn’t do better than a real, a proper ‘ eclit’ Viennese.

My Uncle Max, searching the chorus at the Folk Opera, the little dressmakers scuttling by with cardboard boxes, found what he was looking for at last, in a glove shop in the Karntner Strasse.

Susie Siebermann was everything a mistress should be: golden-haired, blue-eyed and not too young. Uncle Max, detecting an unexpected rip in his grey kid gloves, had been despatched by Tante Helene to replace them before an important dinner. Susie did nothing except sell him another pair, but it was enough.

He offered her a villa in the Vienna Woods, but she was modest and sensible and took instead a small apartment in the unfashionable district beside the Danube Canal. This she furnished simply, in the old Biedemeyer style, with painted furniture, white-looped curtains and geraniums in pots — for there was nothing of the courtesan in Susie, who recalled a simpler, more pastoral kind of mistress: Giselle in her forest hut waiting for Prince Albrecht: Gretchen at her spinning-wheel… Only one object linked Susie’s love nest with the grand villa in Hitzing: a large, mildly malodorous stuffed squirrel (a present from an anonymous admirer) on which Uncle Max, when he came to visit, hung his hat.

The apartment faced inwards, towards a cobbled courtyard with an old pear tree in the centre, and when the shutters were closed (and of course they always were closed when Uncle Max was there) the call of the street sellers, the carpet-beating, the sound of tug-boats hooting up the Danube, came as the gentlest, the most undisturbing counterpoint to their secret and illicit love.

And indeed their love was secret. Very secret. It had to be. Let no one imagine that the Vienna of those days was a permissive ‘ oh-la-la’ sort of place. In the Imperial Hofburg, sixty-seven or so moribund Archduchesses tottered about on Spanish heels, sniffing out imperceptible breaches of etiquette. Vast armies of monumentally incompetent civil servants nevertheless managed to keep tabs on the bourgeoisie. No, in the Vienna of my Uncle Max’s youth, a prosperous solicitor who wanted to stay that way did not exhibit his mistress in public.

And then, of course, there was Helene. Helene who, in one doom-filled moment, had been thrown so tragically from her steel cable above the underwater bottom of the Rhine and who must never, never be hurt again.

And she was not. My Uncle Max and his Susie were incredibly careful. He never took a. fiacre to the apartment but walked, his hat over his eyes, or took a horse-bus two stops further before doubling most cunningly back. To the concierge he was Herr Finkelstein from Linz, and it was as Herr Finkelstein that Susie addressed him when she opened the door, even if the corridor was entirely empty. Nor did he ever, however much he might be tempted, visit Susie more than twice a week: on Tuesday evening when Helene held a card party, and on Saturday afternoon when she visited her relations.

So much is fact. What happened next — how the change in their relationship came about — no one will ever know for certain.

For my part, I think it happened very slowly. I think for days and weeks and months my Uncle Max came and hung his hat on the stuffed squirrel and sat politely, first in Susie’s kitchen drinking coffee, because after all it was a business arrangement and neither of them was all that young. And then one day, perhaps, he put down his coffee cup too quickly, staining the cloth, and when Susie rose to dab at it he caught her and held her and began then and there to pull the hairpins from her piled-up golden hair. I think the day came when, returning to his office after lunch, he took a long and pointless detour past the glove shop in the Karntner Strasse — not to see her, of course, or wave to her through the glass — just to know that she was there.

He was not a very imaginative man. Susie was even a little stupid. There cannot, on the surface, have been much spiritual content in their love. He called her his ‘ Putzchen’’ , his ‘ Mauslein’ , she, no doubt, giggled and squealed during moments when exaltation would have been more proper.

And yet, as he walked through the dusk towards his abode of shame and found the May-green lime trees limned in lamplight almost too beautiful to be endured, he must have begun to suspect that he was getting more than he was paying for. Until one day, lying behind closed shutters in his Susie’s arms, listening to the soft cooing of the pigeons on the roof, it must have dawned on my modest, unassuming Uncle Max that he had found what half the world was looking for in vain: a Great Love.

With this realisation came sudden black despair. What was he doing to her, his Susie, his treasure? Hiding her away behind closed shutters and barred doors! What was he doing to himself? Tearing himself from her for days at a time, confining his passion to the inhuman restraints of the calendar! How bitter it all was, how cruel!

Ach , Suserl,’ my Uncle Max would say as the scent of lilac, piercing the shutters, drifted towards the bed on which they lay, ‘how I would like to take you driving in my carriage to the Prater.’

‘Just once,’ Susie would confess, rubbing her cheek against his. ‘Just once I would like to walk on your arm down the RingStrasse and nod to all my friends. I am so proud of you.’

But of course they knew it could never be. Sweet and precious their love might be but also, and for always, secret, unhallowed, furtive.

And this was the way things stood until the day of Tante Helene’s epic picnic in the Vienna Woods.

The Vienna Woods, even as late as my own childhood, deserved every impassioned stanza from Austria’s minor poets, every waltz-beat paean from the pen of every Strauss. A blue-green halo for the city, tender with beech trees, studded with flower-filled meadows, it had everything: viewpoints and castle ruins; rivulets and roe deer and, in the taverns, a wild, green wine…

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