Array Коллектив авторов - 30 лучших рассказов британских писателей / 30 Best British Short Stories

She was a bit short with me after that; so I judged it best to keep my own place.

In the morning she got an answer that seemed to excite her, and that afternoon she left; and the next I heard of her was a paragraph in the newspaper, headed – ‘Death of the Marchioness of Appleford. Sad accident.’ It seemed she had gone for a row on one of the Italian lakes with no one but a boatman. A squall had come on, and the boat had capsized. The boatman had swum ashore, but he had been unable to save his passenger, and her body had never been recovered. The paper reminded its readers that she had formerly been the celebrated tragic actress, Caroline Trevelyan, daughter of the well-known Indian judge of that name.

It gave me the blues for a day or two – that bit of news. I had known her from a baby as you might say, and had taken an interest in her. You can call it silly, but hotels and restaurants seemed to me less interesting now there was no chance of ever seeing her come into one again.

I went from Paris to one of the smaller hotels in Venice. The missis thought I’d do well to pick up a bit of Italian, and perhaps she fancied Venice for herself. That’s one of the advantages of our profession. You can go about. It was a second-rate sort of place, and one evening, just before lighting-up time, I had the salle-manger all to myself, and had just taken up a paper when I hears the door open, and I turns round.

I saw ‘her’ coming down the room. There was no mistaking her. She wasn’t that sort.

I sat with my eyes coming out of my head till she was close to me, and then I says:

‘Carrots!’ I says, in a whisper like. That was the name that come to me.

‘“Carrots” it is,’ she says, and down she sits just opposite to me, and then she laughs.

I could not speak, I could not move, I was that took aback, and the more frightened I looked the more she laughed till ‘Kipper’ comes into the room. There was nothing ghostly about him. I never see a man look more as if he had backed the winner.

‘Why, it’s ’Enery,’ he says; and he gives me a slap on the back, as knocks the life into me again.

‘I heard you was dead,’ I says, still staring at her. ‘I read it in the paper – “death of the Marchioness of Appleford.”’

‘That’s all right,’ she says. ‘The Marchioness of Appleford is as dead as a door-nail, and a good job too. Mrs. Captain Kit’s my name, née “Carrots.”’

‘You said as ’ow I’d find someone to suit me ’fore long,’ says ‘Kipper’ to me, ‘and, by Jove! you were right; I ’ave. I was waiting till I found something equal to her ladyship, and I’d ’ave ’ad to wait a long time, I’m thinking, if I ’adn’t come across this one ’ere’; and he tucks her up under his arm just as I remember his doing that day he first brought her into the coffee-shop, and Lord, what a long time ago that was!

That is the story, among others, told me by Henry, the waiter. I have, at his request, substituted artificial names for real ones. For Henry tells me that at Capetown Captain Kit’s First-class Family and Commercial Hotel still runs, and that the landlady is still a beautiful woman with fine eyes and red hair, who might almost be taken for a duchess – until she opens her mouth, when her accent is found to be still slightly reminiscent of the Mile End Road.

Mrs. Mooney was a butcher’s daughter. She was a woman who was quite able to keep things to herself: a determined woman. She had married her father’s foreman and opened a butcher’s shop near Spring Gardens. But as soon as his father-in-law was dead Mr. Mooney began to go to the devil. He drank, plundered the till, ran headlong into debt. It was no use making him take the pledge: he was sure to break out again a few days after. By fighting his wife in the presence of customers and by buying bad meat he ruined his business. One night he went for his wife with the cleaver and she had to sleep a neighbour’s house.

After that they lived apart. She went to the priest and got a separation from him with care of the children. She would give him neither money nor food nor house-room; and so he was obliged to enlist himself as a sheriff’s man. He was a shabby stooped little drunkard with a white face and a white moustache white eyebrows, pencilled above his little eyes, which were veined and raw; and all day long he sat in the bailiff’s room, waiting to be put on a job. Mrs. Mooney, who had taken what remained of her money out of the butcher business and set up a boarding house in Hardwicke Street, was a big imposing woman. Her house had a floating population made up of tourists from Liverpool and the Isle of Man and, occasionally, artistes from the music halls. Its resident population was made up of clerks from the city. She governed the house cunningly and firmly, knew when to give credit, when to be stern and when to let things pass. All the resident young men spoke of her as The Madam.

Mrs. Mooney’s young men paid fifteen shillings a week for board and lodgings (beer or stout at dinner excluded). They shared in common tastes and occupations and for this reason they were very chummy with one another. They discussed with one another the chances of favourites and outsiders. Jack Mooney, the Madam’s son, who was clerk to a commission agent in Fleet Street, had the reputation of being a hard case. He was fond of using soldiers’ obscenities: usually he came home in the small hours. When he met his friends he had always a good one to tell them and he was always sure to be on to a good thing-that is to say, a likely horse or a likely artiste. He was also handy with the mits and sang comic songs. On Sunday nights there would often be a reunion in Mrs. Mooney’s front drawing-room. The music-hall artistes would oblige; and Sheridan played waltzes and polkas and vamped accompaniments. Polly Mooney, the Madam’s daughter, would also sing. She sang:

Polly was a slim girl of nineteen; she had light soft hair and a small full mouth. Her eyes, which were grey with a shade of green through them, had a habit of glancing upwards when she spoke with anyone, which made her look like a little perverse madonna. Mrs. Mooney had first sent her daughter to be a typist in a corn-factor’s office but, as a disreputable sheriff’s man used to come every other day to the office, asking to be allowed to say a word to his daughter, she had taken her daughter home again and set her to do housework. As Polly was very lively the intention was to give her the run of the young men. Besides, young men like to feel that there is a young woman not very far away. Polly, of course, flirted with the young men but Mrs. Mooney, who was a shrewd judge, knew that the young men were only passing the time away: none of them meant business. Things went on so for a long time and Mrs. Mooney began to think of sending Polly back to typewriting when she noticed that something was going on between Polly and one of the young men. She watched the pair and kept her own counsel.

Polly knew that she was being watched, but still her mother’s persistent silence could not be misunderstood. There had been no open complicity between mother and daughter, no open understanding but, though people in the house began to talk of the affair, still Mrs. Mooney did not intervene. Polly began to grow a little strange in her manner and the young man was evidently perturbed. At last, when she judged it to be the right moment, Mrs. Mooney intervened. She dealt with moral problems as a cleaver deals with meat: and in this case she had made up her mind.

It was a bright Sunday morning of early summer, promising heat, but with a fresh breeze blowing. All the windows of the boarding house were open and the lace curtains ballooned gently towards the street beneath the raised sashes. The belfry of George’s Church sent out constant peals and worshippers, singly or in groups, traversed the little circus before the church, revealing their purpose by their self-contained demeanour no less than by the little volumes in their gloved hands. Breakfast was over in the boarding house and the table of the breakfast-room was covered with plates on which lay yellow streaks of eggs with morsels of bacon-fat and bacon-rind. Mrs. Mooney sat in the straw arm-chair and watched the servant Mary remove the breakfast things. She made Mary collect the crusts and pieces of broken bread to help to make Tuesday’s bread-pudding. When the table was cleared, the broken bread collected, the sugar and butter safe under lock and key, she began to reconstruct the interview which she had had the night before with Polly. Things were as she had suspected: she had been frank in her questions and Polly had been frank in her answers. Both had been somewhat awkward, of course. She had been made awkward by her not wishing to receive the news in too cavalier a fashion or to seem to have connived and Polly had been made awkward not merely because allusions of that kind always made her awkward but also because she did not wish it to be thought that in her wise innocence she had divined the intention behind her mother’s tolerance.