Arthur Conan Doyle: The Last Galley. Impressions And Tales

I have written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

The second half of the collection consists of eight stories, which explain themselves.

The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama of history and not the drama of invention should claim the attention of the reader. I have been tempted sometimes to try the effect upon a larger scale; but meanwhile these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction.

It was a spring morning, one hundred and forty-six years before the coming of Christ. The North African Coast, with its broad hem of golden sand, its green belt of feathery palm trees, and its background of barren, red-scarped hills, shimmered like a dream country in the opal light. Save for a narrow edge of snow-white surf, the Mediterranean lay blue and serene as far as the eye could reach. In all its vast expanse there was no break but for a single galley, which was slowly making its way from the direction of Sicily and heading for the distant harbour of Carthage.

Seen from afar it was a stately and beautiful vessel, deep red in colour, double-banked with scarlet oars, its broad, flapping sail stained with Tyrian purple, its bulwarks gleaming with brass work. A brazen, three-pronged ram projected in front, and a high golden figure of Baal, the God of the Phoenicians, children of Canaan, shone upon the after deck. From the single high mast above the huge sail streamed the tiger-striped flag of Carthage. So, like some stately scarlet bird, with golden beak and wings of purple, she swam upon the face of the waters – a thing of might and of beauty as seen from the distant shore.

But approach and look at her now! What are these dark streaks which foul her white decks and dapple her brazen shields? Why do the long red oars move out of time, irregular, convulsive? Why are some missing from the staring portholes, some snapped with jagged, yellow edges, some trailing inert against the side? Why are two prongs of the brazen ram twisted and broken? See, even the high image of Baal is battered and disfigured! By every sign this ship has passed through some grievous trial, some day of terror, which has left its heavy marks upon her.

And now stand upon the deck itself, and see more closely the men who man her! There are two decks forward and aft, while in the open waist are the double banks of seats, above and below, where the rowers, two to an oar, tug and bend at their endless task. Down the centre is a narrow platform, along which pace a line of warders, lash in hand, who cut cruelly at the slave who pauses, be it only for an instant, to sweep the sweat from his dripping brow. But these slaves – look at them! Some are captured Romans, some Sicilians, many black Libyans, but all are in the last exhaustion, their weary eyelids drooped over their eyes, their lips thick with black crusts, and pink with bloody froth, their arms and backs moving mechanically to the hoarse chant of the overseer. Their bodies of all tints from ivory to jet, are stripped to the waist, and every glistening back shows the angry stripes of the warders. But it is not from these that the blood comes which reddens the seats and tints the salt water washing beneath their manacled feet. Great gaping wounds, the marks of sword slash and spear stab, show crimson upon their naked chests and shoulders, while many lie huddled and senseless athwart the benches, careless for ever of the whips which still hiss above them. Now we can understand those empty portholes and those trailing oars.

Nor were the crew in better case than their slaves. The decks were littered with wounded and dying men. It was but a remnant who still remained upon their feet. The most lay exhausted upon the fore-deck, while a few of the more zealous were mending their shattered armour, restringing their bows, or cleaning the deck from the marks of combat. Upon a raised platform at the base of the mast stood the sailing-master who conned the ship, his eyes fixed upon the distant point of Megara which screened the eastern side of the Bay of Carthage. On the after-deck were gathered a number of officers, silent and brooding, glancing from time to time at two of their own class who stood apart deep in conversation. The one, tall, dark, and wiry, with pure, Semitic features, and the limbs of a giant, was Magro, the famous Carthaginian captain, whose name was still a terror on every shore, from Gaul to the Euxine. The other, a white-bearded, swarthy man, with indomitable courage and energy stamped upon every eager line of his keen, aquiline face, was Gisco the politician, a man of the highest Punic blood, a Suffete of the purple robe, and the leader of that party in the State which had watched and striven amid the selfishness and slothfulness of his fellow-countrymen to rouse the public spirit and waken the public conscience to the ever-increasing danger from Rome. As they talked, the two men glanced continually, with earnest anxious faces, towards the northern skyline.

"It is certain," said the older man, with gloom in his voice and bearing, "none have escaped save ourselves."

"I did not leave the press of the battle whilst I saw one ship which I could succour," Magro answered. "As it was, we came away, as you saw, like a wolf which has a hound hanging on to either haunch. The Roman dogs can show the wolf-bites which prove it. Had any other galley won clear, they would surely be with us by now, since they have no place of safety save Carthage."

The younger warrior glanced keenly ahead to the distant point which marked his native city. Already the low, leafy hill could be seen, dotted with the white villas of the wealthy Phoenician merchants. Above them, a gleaming dot against the pale blue morning sky, shone the brazen roof of the citadel of Byrsa, which capped the sloping town.

"Already they can see us from the watch-towers," he remarked. "Even from afar they may know the galley of Black Magro. But which of all of them will guess that we alone remain of all that goodly fleet which sailed out with blare of trumpet and roll of drum but one short month ago?"

The patrician smiled bitterly. "If it were not for our great ancestors and for our beloved country, the Queen of the Waters," said he, "I could find it in my heart to be glad at this destruction which has come upon this vain and feeble generation. You have spent your life upon the seas, Magro. You do not know of know how it has been with us on the land. But I have seen this canker grow upon us which now leads us to our death. I and others have gone down into the market-place to plead with the people, and been pelted with mud for our pains. Many a time have I pointed to Rome, and said, 'Behold these people, who bear arms themselves, each man for his own duty and pride. How can you who hide behind mercenaries hope to stand against them?' – a hundred times I have said it."