Charles Roberts - The Heart of the Ancient Wood

“We’ll be right hungry for a sight of your faces by that time, Dave,” said Kirstie, sweeping a look of tenderness over the boy’s face, where he stood leaning on Star’s brindled shoulder. “But I ain’t scared of panthers. Don’t you mind about the gun, now, for I don’t want it, and I won’t use it!”

“She ain’t skeered o’ nothin’ that walks,” muttered Young Dave, with admiration.

The strong face darkened.

“Yes, I am, Davey,” she answered; “I’m afeard of evil tongues.”

“Well, my girl, here ye’re well quit of ’em,” said the old lumberman, a slow anger burning on his rough-hewn face as he thought of certain busy backbiters in the Settlement.

Just then Miranda’s small voice chimed in.

“Oh, Davey,” she cried, catching gleefully at the boy’s leg, “look at the nice, great big dog!” And her little brown finger pointed to a cluster of stumps, of all shapes and sizes, far over on the limits of the clearing. Her wide, brown eyes danced elvishly. The others followed her gaze, all staring intently; but they saw no excuse for her excitement.

“It might be a b’ar she sees,” said Old Dave; “but I can’t spot it.”

“They’re plenty hereabouts, I suppose,” said Kirstie, rather indifferently, letting her eyes wander to other portions of her domain.

“Ain’t no bear there,” asserted Young Dave, with all the confidence of his years. “It’s a stump!”

“Nice big dog! I want it, mother,” piped Miranda, suddenly darting away. But her mother’s firm hand fell upon her shoulder.

“There’s no big dog out here, child,” she said quietly. And Old Dave, after puckering his keen eyes and knitting his shaggy brows in vain, exclaimed: —

“Oh, quit yer foolin’, Mirandy, ye little witch. ’Tain’t nothin’ but stumps, I tell ye.”

It was the child’s eyes, however, that had the keener vision, the subtler knowledge; and, though now she let herself seem to be persuaded, and obediently carried her armful of fireweed into the cabin, she knew it was no stump she had been looking at. And as for Kroof, the she-bear, though she had indeed sat moveless as a stump among the stumps, she knew that the child had detected her. She saw that Miranda had the eyes that see everything and cannot be deceived.

For two days the man and the boy stayed at the clearing to help Kirstie get settled. The fields rang pleasantly with the tank, tank, a-tonk, tank of the cow-bells, as the cattle fed over the new pasturage. The edges of the clearing resounded with axe strokes, and busy voices echoed on the autumn air. There was much rough fencing to be built, – zig-zag arrangements of brush and saplings, – in order that Kirstie’s “critters” might be shut in till the sense of home should so grow upon them as to keep them from straying.

The two days done, Old Dave and Young Dave shouldered their axes and went away. Kirstie forthwith straightened her fine shoulders to the Atlas load of solitude which had threatened at first to overwhelm her; and she and Miranda settled down to a strangely silent routine. This was broken, however, at first, by weekly visits from Old Dave, who came to bring hay, and roots, and other provisions against the winter, together with large “hanks” of coarse homespun yarn, to occupy Kirstie’s fingers during the long winter evenings.

Kirstie was well fitted to the task she had so bravely set herself. She could swing an axe; and the fencing grew steadily through the fall. She could guide the plough; and before the snow came some ten acres of the long fallow sod had been turned up in brown furrows, to be ripened and mellowed by the frosts for next spring’s planting. The black-and-white cow was still in good milk, and could be depended on not to go dry a day more than two months before calving. The steers were thrifty and sleek, and showed no signs of fretting for old pastures. The hoarse but homely music of the cow-bells, sounding all day over the fields, and giving out an occasional soft tonk-a-tonk from the darkness of the stalls at night, came to content her greatly. The lines which she had brought from the Settlement smoothed themselves from about her mouth and eyes, and the large, sufficing beauty of her face was revealed in the peace of her new life.

About seven years before this move to the cabin in the clearing, Kirstie Craig – then Kirstie MacAlister – had gone one evening to the cross-roads grocery which served the Settlement as General Intelligence Office. Here was the post-office as well, in a corner of the store, fitted up with some dozen of lettered and dusty pigeon-holes. Nodding soberly to the loafers who lounged about on the soap boxes and nail kegs, Kirstie stepped up to the counter to buy a quart of molasses. She was just passing over her gaudy blue-and-yellow pitcher to be filled, when a stranger came in who caught her attention. He did far more than catch her attention; for the stately and sombre girl, who had never before taken pains to look twice on any man’s face, now felt herself grow hot and cold as this stranger’s eyes glanced carelessly over her splendid form. She heard him ask the postmaster for lodgings. He spoke in a tired voice, and accents that set him apart from the men of the Settlement. She looked at him twice and yet again, noted with a pang that he seemed ill, and met his eye fairly for just one heart-beat. At once she flushed scarlet under it, snatched up her pitcher, and almost rushed from the store. The loafers were too much occupied with the new arrival to notice her perturbation; but he noticed it, and was pleased. Never before had he seen so splendid a girl as this black-haired, sphinx-faced creature, with the scarlet kerchief about her head. She was a picture that awoke the artist in him, and put him in haste to resume his palette and brushes.

For Frank Craig, dilettante and man of the world, was a good deal of an artist when the mood seized him strongly enough. When another mood seized him, with sufficient vigour to overcome his native indolence, he was something of a musician; and again, more rarely, something of a poet. The temperament was his; but the steadiness of purpose, the decision of will, the long-enduring patience, these were not. He had just enough money to let him float through his world without work. Health he had not, and the poor semblance of it which mere youth supplied he had squandered childishly. Hearing of new health in the gift of the northern spruce woods, with their high, balsam-sweet airs, he had drifted away from his temptations, and at last sought out this remote backwoods settlement as a place where he might expect to get much for little. He was very good to look upon, – about as tall as Kirstie herself, – slender, active, alert in movement when not wearied, thoroughbred in every line of face and figure. His eyes, of a very deep greyish green under long black lashes, were penetrating in their clearness, but curiously unstable. In their beautiful depths there was waged forever a strange conflict between honesty and inconstancy. His face, pale and sallow, was clothed with a trimly pointed, close, dark beard; and his hair, just a trifle more abundant than the fashion of his world approved, was of a peculiar, tawny dark bronze.

The air of the Settlement was healing and tonic to the lungs, and before he had breathed it a month he felt himself aglow with joyous life. Before he had breathed it a month he had won Kirstie MacAlister, to whom he seemed little less than a god. To him, on her part, she was a splendid mystery. Even her peculiarities of grammar and accent did no more than lend a piquancy to her strangeness. They appealed as a rough, fresh flavour to his wearied senses. Here, safe from the wasting world, he would really paint, would really write, and life would come to mean something. One day he and Kirstie went away on the rattling old mail-waggon, which visited the Settlement twice a week. Ten days later they came back as man and wife, whereat the Settlement showed no surprise whatever.