Lawrence Lynch - Madeline Payne, the Detective's Daughter

A bright spot burned on either cheek, and the little hand resting on the chair back clinched itself tighter.

Olive Girard drew a step nearer the now angry girl, and searched her face with grave eyes.

"If I said you were standing on the verge of a horrible precipice, that your life and soul were in danger, would you listen then?" she asked, sternly.

"No," said Madeline, doggedly, drawing farther away as she spoke; "not unless I saw the danger with my own eyes. And in that case I should not need your warning," she added, dryly.

"And when your own eyes see the danger, it will be too late to avert it," said Olive, bitterly. "I know your feeling at this moment, and I know the heartache sure to follow your rashness. What are you, and what do you hope or expect to be, to the man you call Lucian Davlin? " She spoke his name as if it left the taste of poison in her mouth.

The girl's head dropped until it rested on the hands clasped upon the chair before her; cold fingers seemed clutched upon her heart. Across her memory came trooping all his love words of the past, and among them, – she remembered it now for the first time, – among them all, the word wife had never once been uttered. In that moment, a thought new and terrible possessed her soul; a new and baleful light seemed shining upon the pictures of the past, imparting to each a shameful, terrible meaning. She uttered a low moan like that of some wounded animal, and suddenly uplifting her head, turned upon Olive Girard a face in which passion and a vague terror were strangely mingled.

"What are you saying? What are you daring to say to me!" she ejaculated, in tones half angry, half terror-stricken, wholly pitiful. "What horrible thing are you trying to torture me with?"

She would have spoken in indignation, but the new thought in her heart frightened the wrath from her voice. She dared not say "I am to be his wife," with these forebodings whispering darkly within her.

She turned away from the one who had conjured up these spectres, and throwing herself upon a couch, buried her face in the cushions, and remained in this attitude while Olive answered her and for long moments after; moments that seemed hours to both.

Olive's eyes were full of pity, and her tone was very gentle. Her woman's quick instinct assured her that words of comfort were of no avail in this first moment of bitter awakening. She knew that it were better to say all that she deemed it her duty to say, now, while her hearer was passive; and stepping nearer the couch, she said:

"Dr. Vaughan, who saw you in the company of a man so well known to him that to see a young girl in his society he knew could mean no good, came to me this morning with a brief account of your meeting of last night. He is too good a physiognomist not to have discovered, readily, that you were not such a woman as could receive no contamination from such as Lucian Davlin. He feared for you, believing you to be another victim of his treachery. Your coming to this hotel assured him that you were safe for the time, at least; and this being a subject so delicate that he, a stranger, feared to approach you with it, he desired me to come to you, and, in case his fears were well founded, to save you if I could. My poor, poor child! you have cast yourself upon the protection of a professional gambler; a man whose name has been associated for years with that of a notorious and handsome adventuress. If he has any fear or regard for anything, it is for her; and your very life would be worth little could she know you as her rival. Judge if such a man can have intentions that are honorable, where a young, lovely and unsophisticated girl like yourself is concerned."

She paused here, but Madeline never stirred.

"Come with me," continued Olive, drawing a step nearer the motionless girl; "accept me as your protector, for the present, at least. Believe me, I know what you are suffering now, and near at hand you will find that which will aid you to forget this man."

Madeline slowly raised herself to a sitting posture and turned towards the speaker a face colorless as if dead, but with never a trace of a tear. Her eyes were unnaturally bright, and her lips were compressed, as if she had made, and was strong to keep, some dark resolve.

"What is it that I am to find?" she said, in a low, intense tone.

"A girl, young as you, and once as beautiful," replied Olive, sadly, "who is dying of a broken heart, and her destroyer is Lucian Davlin."

Madeline gazed at her absently for a moment. "I suppose I had ought to hate you," she said, wearily; "you have made my life very black. Lucian Davlin will soon be here, – will you please go?"

"Surely you are going with me?" said Olive, in amaze.

"No."

"You doubt me? Oh, I have not made you feel your danger! You think I am an impostor!"

"No," said the girl, in the same quiet tone; "something here," putting her hand upon her bosom, "tells me that you are sincere. My own heart has abandoned me; it will not let me doubt you, much as I wish to. I cannot thank you for making my heart ache, – please go."

Still with that air of unnatural calm, she arose and walked to the window.

Of the two, Olive Girard was by far the more agitated. "Tell me," she said, in eager entreaty; "oh, tell me, you are not going with him ?"

Madeline turned sharply around. "I shall not add myself to the list of his victims," she said, briefly.

And then the two gazed at each other in silence for a moment.

"This is madness," said Olive, at length. "What rash thing do you meditate? I will not leave you to face this man alone; I dare not do it."

Madeline came from the window and stood directly before her. "I am not the weak child you think me. You can do nothing but harm by remaining here. I will meet Lucian Davlin, and part with him in my own way," she said, between her teeth.

Olive saw, in the set face, and stern eye, that she was indeed dealing with a character stubborn as death, and devoid of all fear. She dreaded to leave her thus, but felt assured that she could do nothing else.

"Will you come to me afterward?" she asked. "You have no friends here, you tell me, and you need a friend now. Promise me this and I will go."

"Thank you," said the girl, wearily; "at least I promise to go to no one else; good-by."

Turning away, she resumed her position at the window, and never looked once at Olive after that.

"I will write my address on this card," said Olive. She did so; then turning on the girl a look full of pitying tenderness, said: "I need not tell you to be brave; I should rather bid you be cautious. Remember, your life is worth more than the love and loss of such a man. Put this behind you, and come to me soon, believing that you are not friendless."

She lowered her veil and, casting one more wistful glance at the silent figure by the window, went out and closed the door softly.

It is a fortunate provision of Providence that calamity comes upon us, in most cases, with a force so sudden and overwhelming that it is rather seen than felt. As we realize the full torture of an ugly wound, not when the blow is struck, but after the whole system has been made to languish under its effects, so a blow struck at the heart can not make itself fully felt while the mind is still unable to picture what the future will be like now that the grief has come. We only taste our bitterest grief when the mind has shaken itself aloof from the present woe, to travel forward and question what the future can hold for us, now that our life is bereft of this treasure.

Madeline's condition, after the departure of Olive Girard, was an exponent of this truth. Fast and hard worked her thoughts, but they only encountered the ills of the present, and never glanced beyond.