Joseph Dunn - Rimrock Trail

" You hurt?"

"Didn't hardly muss a ha'r of my head. Jest a li'l' excitement."

"Tell me all about it."

Sandy gave her a condensed and somewhat expurgated account to which she listened with her face aglow.

"I wisht I'd been there to see it," she said as he finished.

"It warn't jest the time nor place fo' a young lady," said Sandy. "Main p'int is we got the money for yo' eddication, like we planned."

The light faded from her face.

"Air you so dead set for me to go away?" she asked.

"See here, Molly." Sandy leaned forward in his chair, talking earnestly. "You've got the makin' of a mighty fine woman in you. An' paht of you is yore dad an' paht yore maw. Sabe? They handed you on down an', if you make the most of yo'se'f, you make the most of them. Me, I've allus been trubbled with the saddle-itch an' I've wanted the out-of-doors. A chap writ a poem that hits me once. It stahts in,

"Somethin' like that. I mayn't have got it jest right, but that's me . The chap that wrote that might have writ pahts of it jest fo' me. He sure knew what he was writin' erbout. It's called In Texas, Down by the Rio Grande . I've been there. Arizony ain't much differunt."

"It's called Lasca ," put in Sam. "I seen it in the movies. Had the po'try strung all through it. It was a love story. This Lasca, she – "

Mormon put a heavy foot over Sam's and he subsided.

"So you see I lost out on a heap," said Sandy. "An' I'm a man. I can git erlong with less. But fo' a gel, learnin's a grand thing. An' there's the big cities, an' theaters, fine clothes an' fine manners. Like livin' in another world."

"Where they wear suits like Sam's spiketail," said Mormon. "I mind me when I was to Chicago with a train of steers one time, the tall buildin's was higher than cañon cliffs. On'y full breath I drawed was down on the lake front where they was a free picter show in a museum. Reg'lar storm there was out on the lake; big waves. Wind like to curl my tongue back down my throat an' choke me."

"Who's hornin' in now?" asked Sam. "Go on, Sandy."

"But," said Molly, wide-eyed, "that's the life I like. I mean out here. I don't want to be different."

"Shucks," said Sandy. "You won't be. Jest polished up. Skin slicked up, hair fixed to the style, nails trimmed an' shined. Culchured. Inside you'll be yore real self. You can't take the gold out of a bit of ore any more than you can change iron pyrites inter the reel stuff. But, if the gold's goin' to be put into proper circulation, it's got to be refined. Sabe?"

"I ain't refined, I reckon," said Molly with a sigh. "I don't know as I want to be. I can allus come back, can't I?"

"You sure can."

"An' there's Dad. He's where he wanted to be. I w'udn't want to go away from him."

"He'd want you to make this trip, sure," said Sandy. "An' that settles it. You go off to bed an' dream on it. We got to figger out where you go an' that'll take some time an' thinkin'. I'm some tired myse'f. I've been out of trainin' lately fo' excitement. Sam, I'm goin' to soak that place on yore arm with iodine. Good night, Molly."

She got up immediately, went to Mormon and to Sam and gravely shook hands, thanking them.

"You-all are damned good to me," she said. Opposite Sandy she hesitated, then threw her arms round his neck and kissed him before she ran from the room, with Grit leaping after her. Sandy's bronzed face glowed like reflecting copper.

"Some folks git all the luck," said Mormon.

"There you go," bantered Sam, stripping his arm for the iodine. "You been married three times, reg'lar magnet fo' the wimmin, an' you grudge Sandy pay fo' what he done. Me, I helped, but I ain't grudgin' him. Though I sure envy him."

"Yes, you helped an' left me to home to count fingers."

"Shucks! You matched for it, didn't you? An' didn't you have yore li'l' session with Plimsoll all to yorese'f. What's eatin' you? You want to be a five-ringed circus all to yorese'f an' have all the fun. Ef that stuff heals like it smahts, Sandy, I'll say I'm cured now."

"It don't amount to much, Sam," said Sandy. "Yore flesh allus closed up quick. What you goin' to do with yore ninety dollars?"

"I thought of buyin' me a new saddle. Mine's spiled. Couldn't trust that tree fo' ropin' now. But I figger I'll buy me a fine travelin' bag fo' Molly. Loan me yore catalogue, Mormon, so's I can choose one."

So, bantering one another, they bunked in.

They did not make butter on the Three Star.

Since the arrival of Molly an unwilling and refractory cow had been brought in from the range and half forced, half coaxed to give the fresh milk that Mormon insisted the girl needed. Until then evaporated milk had suited all hands. But butter – to go with hot cakes and sage-honey – was an imperative need for the riders. Riders demanded the best quality in the "found" part of their wages and the three partners supplied it. The butter came over weekly from the Bailey ranch to be kept under the spring cover for cooling. Usually the gangling young Ed Bailey brought it over in the crotchety flivver. When Sandy saw the sparsely fleshed figure of Miranda Bailey seated by the driver he winced in spirit. This second visitation looked like mere curiosity and gossip and offset the opinion he had begun to form of the spinster – that she was sound underneath her angularities and mannerisms.

It was twilight. The three partners and Molly were on the ranch-house porch after supper, and there was no escape. Sam slid his harmonica into his pocket silently and Mormon groaned aloud as the rattlebang car chugged up and was braked, shaking all over until the engine was shut off. Ed Bailey crossed his legs and rolled his cigarette. No one at the Three Star had ever seen him alight from the car, Mormon insisted he ate and slept in it. Miranda nodded at the three partners, who rose as she came up the steps.

"You sure need some new clothes, child," she said to Molly. "You got to have 'em. I heard you was shot," she went on to Sam. "That sling ain't right. You should have it fixed so yore wrist is higher'n yore elbow. Who's tendin' it?"

"It's healin' fine," said Sam. "I'm pure-blooded an' my flesh allus heals quick."

Miranda sniffed.

"I reckon prohibition helps some," she retorted. "Now then, I come on business. Sandy Bourke, you ain't any of you the legal guardian of that child, air you?"

"Nothin' illegal in what we're doin', I reckon."

"I didn't ask you that. You-all ain't got papers?"

With the question she wriggled her eyebrows, shifted her glance and generally twisted her features in what Sandy interpreted plainly enough as a suggestion that Molly should be eliminated from the talk. He did not agree with the spinster. It was Molly's prime affair and he knew that she would resent being treated too childishly in regard to her own concerns. Sandy had gentled too many high-spirited fillies and colts not to have found out that methods that apply to well-bred quadrupeds are generally coefficient with humans. He shook his head slightly at Miss Bailey's signaling.

"Jest what's the idea?" he asked. "Some one figgerin' on makin' her stay at the Three Star unpleasant? Fur as jest gossip is concerned, it don't have any weight with none of us an' there ain't no sense in mentionin' it."

"'Pears you ain't givin' me over an' above credit for sense," said Miranda, a bit grimly. "This ain't gossip. Ef you're bound the gel is to sit in with her elders I'll go right ahead. I got a lot of chores to do yet, deliverin' butter, an' the car's actin' up uncertain. Here 'tis. I got it direct from my brother who's heard the talk that's goin' round. You've run foul of Jim Plimsoll – or he foul of you, which is more likely. Plimsoll an' Eke Jordan, the sheriff, are like two peas in a pod. The sheriff's got the inside of local politicks, so fur. When we wimmen git to votin' this fall things is goin' to be different. Right now, he's in. He an' the courts of this county are all striped the same way. Reg'lar zebras. Penitentiary pattern 'ud match their skins. Mebbe some of 'em ought to be wearin' it.