Benjamin Farjeon - Aaron the Jew - A Novel

"My darling is waiting for me, my darling is waiting for me!"

God send to all sorrowing mothers a comfort so sweet!

Aaron Cohen had selected a curious spot in Gosport for his habitation. The windows of the house he had taken overlooked the quaint, peaceful churchyard of the market town. So small and pretty was this resting-place for the dead, that one might almost have imagined it to be a burial ground for children's broken toys. The headless wooden soldiers, the battered dolls, the maimed contents of cheap Noah's arks, the thousand and one treasures of childhood might have been interred there, glad to be at rest after the ruthless mutilations they had undergone. For really, in the dawning white light of a frosty morning, when every object for miles around sharply outlined itself in the clear air and seemed to have lost its rotund proportions, it was hard to realise that, in this tiny churchyard, men and women, whose breasts once throbbed with the passions and sorrows of life, were crumbling to that dust to which we must all return. No, no; it could be nothing but the last home of plain and painted shepherds, and bald-headed pets, and lambs devoid of fleece, and mayhap-a higher flight which we all hope to take when the time comes for us to claim our birthright of the grave-of a dead bullfinch or canary, carried thither on its back, with its legs sticking heavenwards, and buried with grown-up solemnity, and very often with all the genuineness of grief for a mortal bereavement. Have you not attended such a funeral, and has not your overcharged heart caused you to sob in your dreams as you lay in your cot close to mamma's bed?

But these fantastic fancies will not serve. It was a real human churchyard, and Rachel Cohen knew it to be so as she stood looking out upon it from the window of her bedroom on the first floor. It was from no feeling of unhappiness that her sight became dimmed as she gazed upon the tombstones. Shadows of children rose before her, the pattering of whose little feet was once the sweetest music that ever fell on parents' ears, the touch of whose little hands carried with it an influence as powerful as a heart-stirring prayer; children with golden curls, children with laughing eyes, children with wistful faces; but there was one, ah! there was one that shone as a star amid the shadows, and that rose up, up, till it was lost in the solemn clouds, sending therefrom a Divine message down to the mother's heart, "Mamma, mamma, I am waiting for thee!"

Quiet as was everything around her, Rachel heard the words; in the midst of the darkness a heavenly light was shining on her.

She wiped the tears from her eyes, and stole down to the room in which her husband was sitting.

It was the front room of the house, on the ground floor, which Aaron Cohen had converted into a shop. The small parlour windows had been replaced by larger ones, a counter had been put up, behind which were shelves fitted into the walls. These shelves at present were bare, but Aaron Cohen hoped to see them filled. Under the counter were other shelves, as empty as those on the walls.

When Rachel entered her husband was engaged counting out his money, like the king in his counting house. There was a studious expression on his face, which was instantly replaced by one of deep tenderness as he looked up and saw traces of tears in her eyes. He gathered his money together, banknotes, silver, gold, and coppers, and motioned her into the room at the rear of the shop. This was their living-room; but a large iron safe in a corner denoted that it was not to be devoted entirely to domestic affairs. In another corner was the symbol of his business, which was to be affixed to the front of the premises, over the shop door, the familiar device of three golden balls.

Letting his money fall upon the table, he drew his wife to his side, and passed his arm around her.

"The house," he said, "is almost in order."

"Yes, Aaron; there is very little left to do."

"I am also ready for business. I have the license, and to-morrow those glittering balls will be put up and the name painted over the shop window. They are rather large for so small a shop, but they will attract all the more attention." He gazed at her anxiously. "Do you think you will be contented and happy here?"

"Contented and happy anywhere with you," she replied, in a tone of the deepest affection.

"In this town especially, Rachel?"

"Yes, in this town especially. It is so peaceful."

"But," he said, touching her eyes with his fingers "these?"

"Not because I am unhappy," she said; and her voice was low and sweet. "I was looking out upon the churchyard from our bedroom window."

"Ah!" he said, and he kissed her eyes.

He divined the cause of her tears, and there was much tenderness in his utterance of the monosyllable and in the kisses he gave her. Man and wife for five years, they were still the fondest of lovers.

"My dear," said Aaron presently, "the spirit of prophecy is upon me. We shall lead a comfortable life in this town; we shall prosper in this house. It was a piece of real good fortune my hitting upon it. When I heard by chance that the man who lived here owned the lease and wished to dispose of it, I hesitated before parting with so large a sum as a hundred pounds for the purchase. It was nearly half my capital, but I liked the look of the place, and a little bird whispered that we should be lucky in it, so I made the venture. I am certain we shall not regret it. Here shall be laid the foundation stones of a fortune which shall enable us to set up our carriage. I know what you would say, my life, that we can be happy without a carriage. Yes, yes; but a carriage is not a bad thing to have. People will say, 'See what a clever man that Aaron Cohen is. He commenced with nothing, and he rides in his own carriage already. How grand he looks!' I should like to hear people say that. There is a knock at the street door."

"Who can it be?" asked Rachel. "We know no one in Gosport, and it is night."

"Which is no excuse for our not opening the door," said Aaron Cohen, sweeping the money off the table into a small chamois leather bag, which he tied carefully at the neck, and put into his pocket. "True, we believe we are not known here, but there may, nevertheless, be an old acquaintance in Gosport who has heard of our arrival, and comes to welcome us; or Judah Belasco may have told a friend of his we are here; or it may be an enterprising baker or grocer who wishes to secure our custom. No," he added, as the knock was repeated, "that is not the knock of a tradesman. It is a knock of self-importance, and you may depend upon it that it proceeds from Somebody with a large S. Let us see who it is that announces himself so grandly."

Aaron went to the street door, and Rachel followed him into the passage, carrying a candle. The night was dark, and Rachel stood a little in the rear, so that Aaron could not distinguish the features of his visitor. He was a big man, and that was all that was apparent to the Cohens.

"Mr. Cohen?" queried the visitor

"Yes," said Aaron.

"Mr. Aaron Cohen?"

"That is my name"

"Can I speak with you?"

"Certainly."

And Aaron waited to hear what the stranger had to say.

"I am not accustomed to be kept waiting on the doorstep. I should prefer to speak to you in the house."

Rachel, who was naturally timid, moved closer to her husband, who took the candle from her hand, and held it up in order to see the face of the stranger.

"Step inside," he said.

The stranger followed Aaron and Rachel into the little parlour, and without taking off his hat, looked at Aaron, then at Rachel, and then into every corner of the room; the last object upon which his eyes rested was the device of the three golden balls, and a frown gathered on his features as he gazed. Aaron noted these movements and signs with attention and amusement.