Benjamin Farjeon - At the Sign of the Silver Flagon

"I will not stop to be insulted!"

"No one shall insult you."

"But some one has-you know who-and she shall not do so again-no, not if you swear a million declarations!"

"Come, now, tell me all about it," said the manager, taking her arm, and walking slowly with her up and down the stage. "By the way, the Honourable Mr. Simpson, the Warden of Moonlight Flat, said last night, when you were playing Ophelia-you know him; he was in the theatre with the Commissioner of the Goldfields and the Resident Magistrate-"

"Yes, yes," said the Leading Lady impatiently, "what did he say?"

"That your Ophelia was equal to anything he had seen on the London stage, and that he believed you would create a sensation there. He is first cousin to the Earl of Badmington, you know, who has a theatre in London. I thought you would like to hear it. He is very anxious to make your acquaintance-as all gentlemen of taste and refinement would be."

He glanced slyly at the Leading Lady, whose head was nodding gently up and down, in sweet contentment.

"And now, my dear lady, tell me your grievance."

"It's yours as well as mine, but if you like to stand it, I shan't. If bouquets of flowers are to be thrown on the stage, they must be thrown to me-do you understand, sir? to me , as the Leading Lady, and as the star of the company!"

It happened that Mr. Hart had been busy elsewhere during the episode that had very nearly brought the ship to wreck, and had heard nothing of it. He asked the Leading Lady for an explanation, which was given to him.

"And if you don't stop these shameful goings-on," were her concluding words, "I give you fair warning, I will not stay with you. I have a character to lose, thank God!"

Which was to be construed in so many queer ways, that Mr. Hart could scarcely refrain from laughing. "Confound Master Philip!" he thought, and said aloud, "Well, well, my dear creature, I will see to it. And no flowers shall be thrown-by Mr. Philip Rowe, at all events-on the stage to any one but you."

This difficulty being soothed over, he went in search of Philip Rowe, and found him leaning against a fence outside the hotel, gazing up at a light in a bedroom window on the first floor.

"Rehearsing 'Romeo and Juliet?'" asked Mr. Hart kindly, taking the young man's arm.

Philip blushed, and stammered some unintelligible words.

"That is her window, Philip," said Mr. Hart, "so you will not make the same ridiculous mistake that I did for a fortnight together, gazing up every night at the light in my lady's bedroom, and working myself into a state of gushing sentimentalism over the slender waist and the graceful turn of the head I saw shadowed on the blind, until I discovered that I had been watching the bedroom window of a black footman."

This was a piece of pure invention on the part of Mr. Hart.

Philip, having nothing to say in reply, shifted one foot over another restlessly. If he could have retired with a good grace, he would have done so, but Mr. Hart had hold of his arm. Mr. Hart continued:

"Putting sentiment aside, a nice scrape you were almost getting me into to-night. Ah! you may stare, but I should like to know what you mean by throwing flowers to my singing Chambermaid-who is not by any means clever, let me tell you, and will never make her fortune on the stage-when we have in our company a lady who plays leading characters, and who knows every line of Juliet's part?"

"Ho, ho!" laughed Philip; "Juliet was a girl of sixteen or seventeen, and your Leading Lady is forty."

"Woe for your life if you said so in her presence!" exclaimed Mr. Hart, with a quiet chuckle; "it would not be worth a moment's purchase. Forty, sir! and what if she is forty? – which she is not by five years-she is the only woman that can play Juliet to your Romeo."

"Hush!" whispered Philip. "She is opening the window."

Margaret, alone, in her white dress, was indeed opening the window. She did not know-not she! – that her lover was below, nor that her form could be seen, for she had extinguished the light in the room. Her shadow might be discerned, but what is there in a shadow? She sat down by the window, and rested her head on her arm. The graceful outlines of her arm and neck and bended head were clearly visible, and the lover feasted his eyes upon them. She held in her hand the flowers which Philip had thrown her! Her lips were upon the tender leaves-sweets to the sweet. He saw her kiss the flowers, and his soul thrilled with rapture. The night was beautifully still; not a sound was stirring; and as far as eye could see the white tents of the diggers were gleaming. So Margaret sat and mused, and Philip looked on and dreamed. Here, in the new world, but yesterday a savage waste, the old, old story was being enacted with as much freshness as though the world were but just created. What wonder? Because the sun has risen a few million of times, is the dew on the leaves less sweet and pure in the early morning's light than on that wondrous day when Adam awoke and found Eve by his side?

So Margaret sat and mused, and Philip looked on and dreamed; and I think that Margaret peeped through the lattice-work of her fingers, and saw with her cunning eyes that her lover was there, worshipping her.

How long they would have thus remained, Heaven only knows. Mr. Hart gave them at least twenty minutes, and then touched Philip's arm. Philip started, and Margaret at the window started also, and with a swift happy glance outwards, and with wave of the pretty hand and arm, closed the window. Philip was standing in the light, and Mr. Hart, like a kind and careful friend, had crept backward in the shade; so that Margaret, when she cast that straight swift glance in her lover's direction, saw only him. Surely as the hand-love's white flag of recognition-waved towards him, it had touched her lips first, and she had sent a kiss into the air-which he received in his heart. It stirred tender chords there, and through his veins crept love's fever, which turns dross into gold, and makes a heaven of earth!

Then said Philip, as he and Mr. Hart moved slowly away-then said Philip softly, as though but a moment had passed since his companion last spoke:

"Her name is Margaret, not Juliet. I have no need to play Romeo to Margaret. Margaret!" he whispered to himself, finding a subtle charm in the name; "My Margaret!" and then aloud, "Has your Leading Lady ever played such a character?"

"Yes," replied Mr. Hart, without any direct meaning, "in 'Faust.'"

Philip's face flushed scarlet, not at the words, but at the tone, which was sad and significant, without the speaker intending it to be so.

"I know you to be a gentleman-" pursued Mr. Hart.

"I thought you to be one," interrupted Philip hotly.

"I hope you will see no reason to change your opinion," said Mr. Hart.

"I see a reason already."

"Let me hear it," asked Mr. Hart, secretly pleased at the young man's ill-humour.

"You associated my Margaret's name-"

"Your Margaret!" exclaimed Mr. Hart. "My Margaret, if you please!"

"Mine!" cried Philip, in a loud voice.

"Mine!" echoed Mr. Hart, in a calmer tone.

"Call her down and ask her!" demanded Philip in his rashness, without considering; and, for the life of him, Mr. Hart could not help laughing long and heartily.

"O that you were twenty years younger!" said Philip.

"O that I were!" exclaimed Mr. Hart, with grave humour. "Then you would really have cause for uneasiness when you hear me call her mine."

"How do you make her yours?"

"I stand to her in the light of a father," replied Mr. Hart more seriously. "When I persuaded her mother in town to let her accompany us, I promised that I would look after her and protect her. Therefore she is mine, because I am her father."