Mary Braddon - John Marchmont's Legacy. Volumes 1-3
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- Название:John Marchmont's Legacy. Volumes 1-3
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The poor people knew this. Rheumatic men and women, crippled and bed–ridden, knew that the blankets which covered them had been bought out of money that would have purchased silk dresses for the Rector's handsome daughter, or luxuries for the frugal table at the Rectory. They knew this. They knew that, through frost and snow, through storm and rain, Olivia Arundel would come to sit beside their dreary hearths, their desolate sick–beds, and read holy books to them; sublimely indifferent to the foul weather without, to the stifling atmosphere within, to dirt, discomfort, poverty, inconvenience; heedless of all, except the performance of the task she had set herself.
People knew this; and they were grateful to Miss Arundel, and submissive and attentive in her presence; they gave her such return as they were able to give for the benefits, spiritual and temporal, which she bestowed upon them: but they did not love her.
They spoke of her in reverential accents, and praised her whenever her name was mentioned; but they spoke with tearless eyes and unfaltering voices. Her virtues were beautiful, of course, as virtue in the abstract must always be; but I think there was a want of individuality in her goodness, a lack of personal tenderness in her kindness, which separated her from the people she benefited.
Perhaps there was something almost chilling in the dull monotony of Miss Arundel's benevolence. There was no blemish of mortal weakness upon the good deeds she performed; and the recipients of her bounties, seeing her so far off, grew afraid of her, even by reason of her goodness, and could not love her.
She made no favourites amongst her father's parishioners. Of all the school–children she had taught, she had never chosen one curly–headed urchin for a pet. She had no good days and bad days; she was never foolishly indulgent or extravagantly cordial. She was always the same,–Church–of–England charity personified; meting out all mercies by line and rule; doing good with a note–book and a pencil in her hand; looking on every side with calm, scrutinising eyes; rigidly just, terribly perfect.
It was a fearfully monotonous, narrow, and uneventful life which Olivia Arundel led at Swampington Rectory. At three–and–twenty years of age she could have written her history upon a few pages. The world outside that dull Lincolnshire town might be shaken by convulsions, and made irrecognisable by repeated change; but all those outer changes and revolutions made themselves but little felt in the quiet grass–grown streets, and the flat surrounding swamps, within whose narrow boundary Olivia Arundel had lived from infancy to womanhood; performing and repeating the same duties from day to day, with no other progress to mark the lapse of her existence than the slow alternation of the seasons, and the dark hollow circles which had lately deepened beneath her grey eyes, and the depressed lines about the corners of her firm lower–lip.
These outward tokens, beyond her own control, alone betrayed this woman's secret. She was weary of her life. She sickened under the dull burden which she had borne so long, and carried so patiently. The slow round of duty was loathsome to her. The horrible, narrow, unchanging existence, shut in by cruel walls, which bounded her on every side and kept her prisoner to herself, was odious to her. The powerful intellect revolted against the fetters that bound and galled it. The proud heart beat with murderous violence against the bonds that kept it captive.
"Is my life always to be this–always, always, always?" The passionate nature burst forth sometimes, and the voice that had so long been stifled cried aloud in the black stillness of the night, "Is it to go on for ever and for ever; like the slow river that creeps under the broken wall? O my God! is the lot of other women never to be mine? Am I never to be loved and admired; never to be sought and chosen? Is my life to be all of one dull, grey, colourless monotony; without one sudden gleam of sunshine, without one burst of rainbow–light?"
How shall I anatomise this woman, who, gifted with no womanly tenderness of nature, unendowed with that pitiful and unreasoning affection which makes womanhood beautiful, yet tried, and tried unceasingly, to do her duty, and to be good; clinging, in the very blindness of her soul, to the rigid formulas of her faith, but unable to seize upon its spirit? Some latent comprehension of the want in her nature made her only the more scrupulous in the performance of those duties which she had meted out for herself. The holy sentences she had heard, Sunday after Sunday, feebly read by her father, haunted her perpetually, and would not be put away from her. The tenderness in every word of those familiar gospels was a reproach to the want of tenderness in her own heart. She could be good to her father's parishioners, and she could make sacrifices for them; but she could not love them, any more than they could love her.
That divine and universal pity, that spontaneous and boundless affection, which is the chief loveliness of womanhood and Christianity, had no part in her nature. She could understand Judith with the Assyrian general's gory head held aloft in her uplifted hand; but she could not comprehend that diviner mystery of sinful Magdalene sitting at her Master's feet, with the shame and love in her face half hidden by a veil of drooping hair.
No; Olivia Arundel was not a good woman, in the commoner sense we attach to the phrase. It was not natural to her to be gentle and tender, to be beneficent, compassionate, and kind, as it is to the women we are accustomed to call "good." She was a woman who was for ever fighting against her nature; who was for ever striving to do right; for ever walking painfully upon the difficult road mapped out for her; for ever measuring herself by the standard she had set up for her self–abasement. And who shall say that such a woman as this, if she persevere unto the end, shall not wear a brighter crown than her more gentle sisters,–the starry circlet of a martyr?
If she persevere unto the end! But was Olivia Arundel the woman to do this? The deepening circles about her eyes, the hollowing cheeks, and the feverish restlessness of manner which she could not always control, told how terrible the long struggle had become to her. If she could have died then,–if she had fallen beneath the weight of her burden,–what a record of sin and anguish might have remained unwritten in the history of woman's life! But this woman was one of those who can suffer, and yet not die. She bore her burden a little longer; only to fling it down by–and–by, and to abandon herself to the eager devils who had been watching for her so untiringly.
Hubert Arundel was afraid of his daughter. The knowledge that he had wronged her,–wronged her even before her birth by the foolish waste of his patrimony, and wronged her through life by his lack of energy in seeking such advancement as a more ambitious man might have won,–the knowledge of this, and of his daughter's superior virtues, combined to render the father ashamed and humiliated by the presence of his only child. The struggle between this fear and his remorseful love of her was a very painful one; but fear had the mastery, and the Rector of Swampington was content to stand aloof, mutely watchful of his daughter, wondering feebly whether she was happy, striving vainly to discover that one secret, that keystone of the soul, which must exist in every nature, however outwardly commonplace.
Mr. Arundel had hoped that his daughter would marry, and marry well, even at Swampington; for there were rich young landowners who visited at the Rectory. But Olivia's handsome face won her few admirers, and at three–and–twenty Miss Arundel had received no offer of marriage. The father reproached himself for this. It was he who had blighted the life of his penniless girl; it was his fault that no suitors came to woo his motherless child. Yet many dowerless maidens have been sought and loved; and I do not think it was Olivia's lack of fortune which kept admirers at bay. I believe it was rather that inherent want of tenderness which chilled and dispirited the timid young Lincolnshire squires.
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