William Le Queux - The Broken Thread

A mixed throng promenaded the old Pantiles, discussing with breathless interest each item of fact or speculation that leaked out from the overcrowded and evil-smelling court-room. There were gaily dressed “society” women, newspaper men – descriptive writers – representing papers all over the country, the United States, Paris, and Rome. The tenants of the murdered baronet and farmers drove in from the countryside. A crowd of well-dressed idlers, those ghouls who appear to gloat over crime and its details wherever it may occur.

The rumour that Sir Henry Remington was the victim of political assassination gained credence. The newsboys shouted the startling headlines and sold more evening newspapers than if it had been the result of a football cup-tie.

Lady Remington, as became her position, the wife of an aristocrat, nerved herself for the occasion and gave her evidence calmly, and in a low, musical voice. The old butler, Edgson, an aristocrat of his craft, repeated the story we already know. The police had failed to identify the body of the dead assassin. Raife’s evidence threw no light on the subject. The verdict of murder by a person unknown was returned. The foreman asked permission, as representing the tenants, tradesmen and residents of the country around, to express their sympathy with the family of the late Sir Henry. With the indulgence of the coroner, he supplemented the testimony that Inspector Caldwell had given in the death chamber, when Raife met him there with the detectives from London.

The court-house was soon cleared. The unwonted crowd of visitors scattered, returning to their destinations, and Tunbridge Wells resumed its normal state, leaving the tragic mystery still unsolved.

Lady Remington, with Miss Hope and a maid, had returned in the car to Aldborough Park. When her ladyship reached her boudoir she collapsed, after the strain of the proceedings of the coroner’s court. The vulgar stare of the mixed crowd in the close room, the foetid atmosphere, the printed impertinences of some of the newspaper reporters, all had served to shatter her nerves, already tried by the tragic loss of the loved husband who had been her idol – her only love. The sweet-faced, grey-haired old lady reclined in a semi-conscious state, yet sobbing bitterly in the privacy of her boudoir. The rigid Miss Hope displayed a part of the anomalous dispositions of womenkind. Her austere features relaxed, and with tears, at first trickling, then flowing, she ministered to the stricken widow and gave what comfort she could.

The superficial austerity of a mature spinster should be treated with indulgence. Blighted love leaves a blight on the temperament of some women, whom a malignant fate has doomed to a solitude for which, by nature, at the outset, they were not intended. The history or life-story of Miss Hope does not concern this narrative further than this – that all the pent-up and hidden charm of a once passionate nature extended itself to this lady in great distress. Although the privacy of the boudoir should screen from public ear and gaze much of the tragedy of bereavement, who shall say that the sympathetic record of such a beautiful scene of human emotion is not justified?

Through her sobs Lady Remington spoke in a low, sweet voice. “Leave me, now, Miss Hope. You have been very kind. Thank you so much. You cannot do any more for me! I must fight this grief alone.”

There was no angularity of movement, no austerity of countenance now in Miss Hope. Her very voice assumed a softness that would have seemed strange to those who were only familiar with the mental mask she had so long worn in public. She started towards the door, and held it half open. Then, closing it again with swift, graceful movements, she crossed the room and knelt at the lounge on which Lady Remington reclined amidst soft rich cushions of eiderdown. She wept no more; nor had tears left her face stained. Instead, a radiance suffused her cheeks, and her eyes glistened, betraying a beauty that had long been hidden by the set expression of that mask, assumed at first, habitual by long use.

“Lady Remington! Oh, Lady Remington! let me speak – let me tell you! I, too, have suffered. Don’t stop me. Let me tell you a story to the end. It may help you.”

Then commenced a life-story, told musically, almost rhythmically, of love, deceit, treachery, ending in a debacle that soured a beautiful disposition of a lovely girl. Miss Hope did not imply that she had been a lovely girl, but her radiant face, with the deep grey eyes, that for the first time during many years disclosed their full size and the limpid look of sincerity, made it evident to the stricken widow. Abruptly she finished the story, and, rising from her knees, she started across the room again. She had proceeded a bare pace or two when Lady Remington, with a vigour, surprising for her years, almost leapt from the lounge, and, throwing her arms around Miss Hope’s neck, exclaimed “Gladys! Gladys Hope! you have taught me a lesson in bravery that I will never forget. You are no longer Miss Hope. You are, if you will let me, Gladys, a dear, dear friend to me. As long as I am spared I will endeavour to be more than a friend to you!”

They embraced again and again, until the arrival of the maid with tea afforded the opportunity of a closing scene that had been tense and affecting to both women.

The new baronet left the coroner’s court, and, walking down a long stable-yard of one of the hotels, escaped from the inquisitive crowd that pursued him, by entering a coach-house with a side door that led to the scullery and kitchen of the hotel. Quickly he made for a door in the narrow passage that led to the coffee-room and main entrance. Unbolting the door, which was seldom used in these latex days, he slipped into a narrow alley way. With rapid strides he found himself, unobserved, in one of the old post-houses in a side street. Raife walked right through the low-ceilinged bar to the private parlour, with its oak beams, swinging lamp, and wide, open fireplace and chimney, from which were hanging a few hams and a side of bacon. In a wooden arm-chair with high back, without cushions, sat an elderly man, pink-cheeked and clean-shaven except for two tufts of close-cropped side whiskers. He was smoking a long churchwarden pipe, and the air was redolent with the perfume of a Virginian tobacco, which, if too pungent in excess, possessed an aroma which, by indulgence, is, by some at least, considered not nauseating. He was smoking shag tobacco. At his side, on a deal table which had been scrubbed once a day at least, for some seventy years, was an old brown toby of Kentish ale.

Kent is the garden of England, and Kentish hops are responsible for much that has been good in English manhood. Mr Twisegood was born in Kent of a long line of Kentish ancestry, and Kentish hops had formed a substantial portion of his and their daily fare. Rising from his chair as Raife entered, he displayed a portly and robust frame.

“Good afternoon, Master Raife,” he said. “I’m very sorry to hear all this ’ere bad news about your father, Master Raife. I beg your pardon, Master Raife, I suppose as ’ow as I ought to carl yer Sir Raife now, sir. Beg your pardon, Master Raife – I mean Sir Raife, sir!”

In spite of the heavy load on his mind, Raife smiled, and, laying his hand on the old man’s shoulders, said cheerily, “No, Twisegood, I hope I shall always be Master Raife to you – and to some others. Yes! Twisegood, it’s a sad case and I’m much troubled. I’ve come to you to help me.”

“Lud a mussy, sir, help ’ee! What can I do to help the likes o’ you? I’ll help, sure enough, if I can help. Now tell me, Master Raife, what can. I do for ’ee?”

When Raife was a lad, and a mischievous lad, there were many scrapes out of which he had been lifted by old Twisegood. Before the old man inherited the public-house that had been a post-house, he had worked, as many of his ancestors had, on the Remington estates.