Richard Marsh - Between the Dark and the Daylight
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- Название:Between the Dark and the Daylight
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Mrs. Burgoyne smiled. She was putting on her bonnet before the glass. They were preparing to sally out for a quiet dinner on the boulevard.
"You silly Charlie! What queer ideas you get in your head. What does it matter to us if foolish people lose their things? We have not a mission to make folks wiser, or, what amounts to the same thing, to compel them to keep valuable things in secure places."
The lady, who had finished her performance at the glass, came and put her hands upon her lord's two shoulders,
"My dear child, don't look so black? I shall be much better prepared to discuss that, or any subject, when-we have dined."
The lady made a little moue and kissed him on the lips. Then they went downstairs. But when they had got so far upon their road, the gentleman discovered that he had brought no money in his pockets. Leaving his wife in the salle de lecture , he returned to his bedroom to supply the omission.
The desk in which he kept his loose cash was at that moment standing on the chest of drawers. On the top of it was a bag of his wife's-a bag on which she set much store. In it she kept her more particular belongings, and such care did she take of it that he never remembered to have seen it left out of her locked-up trunk before. Now, taking hold of it in his haste, he was rather surprised to find that it was unlocked-it was not only unlocked, but it flew wide open, and in flying open some of the contents fell upon the floor. He stooped to pick them up again.
The first thing he picked up was a silver spoon, the next was an ivory chessman, the next was a fan, and the next-was a diamond brooch.
He stared at these things in a sort of dream, and at the last especially. He had seen the thing before. But where?
Good God! it came upon him in a flash! It was the advertisement in diamond work which had been the property of Mrs. Homer Joy!
He was seized with a sort of momentary paralysis, continuing to stare at the brooch as though he had lost the power of volition. It was with an effort that he obtained sufficient mastery over himself to be able to turn his attention to the other articles he held. He knew two of them. The spoon was one of the spoons which had been lost at Morlaix; the chessman was one of a very curious set of chessmen which had disappeared at Vannes. From the notice which had been posted in the salle de lecture he had no difficulty in recognising the fan which had vanished from the chair.
It was some moments before he realised what the presence of those things must mean, and when he did realize it a metamorphosis had taken place-the Charles Burgoyne standing there was not the Charles Burgoyne who had entered the room. Without any outward display of emotion, in a cold, mechanical way he placed the articles he held upon one side, and turned the contents of the bag out upon the drawers.
They presented a curious variety at any rate. As he gazed at them he experienced that singular phenomenon-the inability to credit the evidence of his own eyes. There were the rest of the chessmen, the rest of the spoons, nick-nacks, a quaint, old silver cream-jug, jewellery-bracelets, rings, ear-rings, necklaces, pins, lockets, brooches, half the contents of a jeweller's shop. As he stood staring at this very miscellaneous collection, the door opened, and his wife came in.
She smiled as she entered.
"Charlie, have they taken your money too? Are you aware, sir, how hungry I am?"
He did not turn when he heard her voice. He continued motionless, looking at the contents of the bag. She advanced towards him and saw what he was looking at. Then he turned and they were face to face.
He never knew what was the fashion of his countenance. He could not have analysed his feelings to save his life. But, as he looked at her, his wife of yesterday, the woman whom he loved, she seemed to shrivel up before his eyes, and sank upon the floor. There was silence. Then she made a little gesture towards him with her two hands. She fell forward, hiding her face on the ground at his feet, prisoning his legs with her arms.
"How came these things into your bag?"
He did not know his own voice, it was so dry and harsh. She made no answer.
"Did you steal them?"
Still silence. He felt a sort of rage rising within him.
"There are one or two questions you must answer. I am sorry to have to put them; it is not my fault. You had better get up from the floor."
She never moved. For his life he could not have touched her.
"I suppose-." He was choked, and paused. "I suppose that woman's jewels are some of these?"
No answer. Recognising the hopelessness of putting questions to her now, he gathered the various articles together and put them back into the bag.
"I'm afraid you will have to dine alone."
That was all he said to her. With the bag in his hand he left the room, leaving her in a heap upon the floor. He sneaked rather than walked out of the hotel. Supposing they caught him red-handed, with that thing in his hand? He only began to breathe freely when he was out in the street.
Possibly no man in Paris spent the night of that twentieth of June more curiously than Mr. Burgoyne. When he returned it was four o'clock in the morning, and broad day. He was worn-out, haggard, the spectre of a man. In the bedroom he found his wife just as he had left her, in a heap upon the floor, but fast asleep. She had removed none of her clothes, not even her bonnet or her gloves. She had been crying-apparently had cried herself to sleep. As he stood looking down at her he realised how he loved her-the woman, the creature of flesh and blood, apart entirely from her moral qualities. He placed the bag within his trunk and locked it up. Then, kneeling beside his wife, he stooped and kissed her as she slept. The kiss aroused her. She woke as wakes a child, and, putting her arms about his neck, she kissed him back again. Not a word was spoken. Then she got up. He helped her to undress, and put her into a bed as though she were a child. Then he undressed himself, and joined her. And they fell fast asleep locked in each other's arms.
That night they returned to London. The bag went with them. On the morning after their arrival, Mr. Burgoyne took a cab into the city, the fatal bag beside him on the seat. He drove straight to Mr. Staunton's office. When he entered, unannounced, his father-in-law started as though he were a ghost.
"Burgoyne! What brings you here? I hope there's nothing wrong?"
Mr. Burgoyne did not reply at once. He placed the bag-Minnie's bag-upon the table. He kept his eyes fixed upon his father-in-law's countenance.
"Burgoyne! Why do you look at me like that?"
"I have something here I wish to show you." That was Mr. Burgoyne's greeting. He opened the bag, and turned its contents out upon the table. "Not a bad haul from Breton peasants, – eh?"
Mr. Staunton stared at the heap of things thus suddenly disclosed.
"Burgoyne," he stammered, "what's the meaning of this?"
"Are you quite sure you don't know what it means?"
Looking up, Mr. Staunton caught the other's eyes. He seemed to read something there which carried dreadful significance to his brain. His glance fell and he covered his face with his hands. At last he found his voice.
"Minnie?"
The word was gasped rather than spoken. Mr. Burgoyne's reply was equally brief.
"Minnie!"
"Good God!"
There was silence for perhaps a minute. Then Mr. Burgoyne locked the door of the room and stood before the empty fire-place.
"It is by the merest chance that I am not at this moment booked for the travaux forces . Some of those jewels were stolen from a woman's dressing case at the Grand Hotel, with the woman herself in bed and more than half awake at the time. She talked about having every guest in the place searched by the police. If she had done so, you would have heard from us as soon as the rules of the prison allowed us to communicate."
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