Gordon Stables - Our Home in the Silver West - A Story of Struggle and Adventure

Why should I, Murdoch M'Crimman of Coila, be condemned for a period of indefinite length to the drudgery of the desk's dull wood? That is the question I have just been asking myself. Am I emulous of the honour and glory that, they say, float halo-like round the brow of the author? Have I the desire to awake and find myself famous? The fame, alas! that authors chase is but too often an ignis fatuus . No; honour like theirs I crave not, such toil is not incumbent on me. Genius in a garret! To some the words may sound romantic enough, but – ah me! – the position seems a sad one. Genius munching bread and cheese in a lonely attic, with nothing betwixt the said genius and the sky and the cats but rafters and tiles! I shudder to think of it. If my will were omnipotent, Genius should never shiver beneath the tiles, never languish in an attic. Genius should be clothed in purple and fine linen, Genius should – 'Yes, aunt, come in; I'm not very busy yet.'

My aunt sails into my beautiful room in the eastern tower of Castle Coila.

'I was afraid,' she says, almost solemnly, 'I might be disturbing your meditations. Do I find you really at work?'

'I've hardly arrived at that point yet, dear aunt. Indeed, if the truth will not displease you, I greatly fear serious concentration is not very much in my line. But as you desire me to write our strange story, and as mother also thinks the duty devolves on me, behold me seated at my table in this charming turret chamber, which owes its all of comfort to your most excellent taste, auntie mine.'

As I speak I look around me. The evening sunshine is streaming into my room, which occupies the whole of one story of the tower. Glance where I please, nothing is here that fails to delight the eye. The carpet beneath my feet is soft as moss, the tall mullioned windows are bedraped with the richest curtains. Pictures and mirrors hang here and there, and seem part and parcel of the place. So does that dark lofty oak bookcase, the great harp in the west corner, the violin that leans against it, the jardinière , the works of art, the arms from every land – the shields, the claymores, the spears and helmets, everything is in keeping. This is my garret. If I want to meditate, I have but to draw aside a curtain in yonder nook, and lo! a little baize-covered door slides aside and admits me to one of the tower-turrets, a tiny room in which fairies might live, with a window on each side giving glimpses of landscape – and landscape unsurpassed for beauty in all broad Scotland.

But it was by the main doorway of my chamber that auntie entered, drawing aside the curtains and pausing a moment till she should receive my cheering invitation. And this door leads on to the roof, and this roof itself is a sight to see. Loftily domed over with glass, it is at once a conservatory, a vinery, and tropical aviary. Room here for trees even, for miniature palms, while birds of the rarest plumage flit silently from bough to bough among the oranges, or lisp out the sweet lilts that have descended to them from sires that sang in foreign lands. Yonder a fountain plays and casts its spray over the most lovely feathery ferns. The roof is very spacious, and the conservatory occupies the greater part of it, leaving room outside, however, for a delightful promenade. After sunset coloured lamps are often lit here, and the place then looks even more lovely than before. All this, I need hardly say, was my aunt's doing.

I wave my hand, and the lady sinks half languidly into a fauteuil.

'And so,' I say, laughingly, 'you have come to visit Genius in his garret.'

My aunt smiles too, but I can see it is only out of politeness.

I throw down my pen; I leave my chair and seat myself on the bearskin beside the ample fireplace and begin toying with Orla, my deerhound.

'Aunt, play and sing a little; it will inspire me.'

She needs no second bidding. She bends over the great harp and lightly touches a few chords.

'What shall I play or sing?'

'Play and sing as you feel, aunt.'

'I feel thus,' my aunt says, and her fingers fly over the strings, bringing forth music so inspiriting and wild that as I listen, entranced, some words of Ossian come rushing into my memory:

'The moon rose in the East. Fingal returned in the gleam of his arms. The joy of his youth was great, their souls settled as a sea from a storm. Ullin raised the song of gladness. The hills of Inistore rejoiced. The flame of the oak arose, and the tales of heroes were told.'

Aunt is not young, but she looks very noble now – looks the very incarnation of the music that fills the room. In it I can hear the battle-cry of heroes, the wild slogan of clan after clan rushing to the fight, the clang of claymore on shield, the shout of victory, the wail for the dead. There are tears in my eyes as the music ceases, and my aunt turns once more towards me.

'Aunt, your music has made me ashamed of myself. Before you came I recoiled from the task you had set before me; I longed to be out and away, marching over the moors gun in hand and dogs ahead. Now I – I – yes, aunt, this music inspires me.'

Aunt rises as I speak, and together we leave the turret chamber, and, passing through the great conservatory, we reach the promenade. We lean on the battlement, long since dismantled, and gaze beneath us. Close to the castle walls below is a well-kept lawn trending downwards with slight incline to meet the loch which laps over its borders. This loch, or lake, stretches for miles and miles on every side, bounded here and there by bare, black, beetling cliffs, and in other places

a very cloudland of foliage. The easternmost horizon of this lake is a chain of rugged mountains, one glance at which would tell you the season was autumn, for they are crimsoned over with blooming heather. The season is autumn, and the time is sunset; the shadow of the great tower falls darkling far over the loch, and already crimson streaks of cloud are ranged along the hill-tops. So silent and still is it that we can hear the bleating of sheep a good mile off, and the throb of the oars of a boat far away on the water, although the boat itself is but a little dark speck. There is another dark speck, high, high above the crimson clouds. It comes nearer and nearer; it gets bigger and bigger; and presently a huge eagle floats over the castle, making homeward to his eyrie in the cliffs of Ben Coila.

The air gets cooler as the shadows fall; I draw the shawl closer round my aunt's shoulders. She lifts a hand as if to deprecate the attention.

'Listen, Murdoch,' she says. 'Listen, Murdoch M'Crimman.'

She seldom calls me by my name complete.

'I may leave you now, may I not?'

'I know what you mean, aunt,' I reply. 'Yes; to the best of my ability I will write our strange story.'

'Who else would but you, Murdoch M'Crimman, chief of the house of Crimman, chief of the clan?'

I bow my head in silent sorrow.

'Yes, aunt; I know. Poor father is gone, and I am chief.'

She touches my hand lightly – it is her way of taking farewell. Next moment I am alone. Orla thrusts his great muzzle into my hand; I pat his head, then go back with him to my turret chamber, and once more take up my pen.

A blood feud! Has the reader ever heard of such a thing? Happily it is unknown in our day. A blood feud – a quarrel 'twixt kith and kin, a feud oftentimes bequeathed from bleeding sire to son, handed down from generation to generation, getting more bitter in each; a feud that not even death itself seems enough to obliterate; an enmity never to be forgotten while hills raise high their heads to meet the clouds.