Harriet Stowe - Household Papers and Stories

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A man who has any heart in him values a genuine, little bit of home more than anything else you can give him. He can get French cooking at a restaurant; he can buy expensive wines at first-class hotels, if he wants them; but the traveler, though ever so rich and ever so well-served at home, is, after all, nothing but a man as you are, and he is craving something that doesn’t seem like an hotel, – some bit of real, genuine heart life. Perhaps he would like better than anything to show you the last photograph of his wife, or to read to you the great, round-hand letter of his ten-year-old which he has got to-day. He is ready to cry when he thinks of it. In this mood he goes to see you, hoping for something like, home, and you first receive him in a parlor opened only on state occasions, and that has been circumstantially and exactly furnished, as the upholsterer assures you, as every other parlor of the kind in the city is furnished. You treat him to a dinner got up for the occasion, with hired waiters, – a dinner which it has taken Mrs. Smilax a week to prepare for, and will take her a week to recover from, – for which the baby has been snubbed and turned off, to his loud indignation, and your young four-year-old sent to his aunts. Your traveler eats your dinner, and finds it inferior, as a work of art, to other dinners, – a poor imitation. He goes away and criticises; you hear of it, and resolve never to invite a foreigner again. But if you had given him a little of your heart, a little home warmth and feeling, – if you had shown him your baby, and let him romp with your four-year-old, and eat a genuine dinner with you, – would he have been false to that? Not so likely. He wanted something real and human, – you gave him a bad dress rehearsal, and dress rehearsals always provoke criticism.

Besides hospitality, there is, in a true home, a mission of charity. It is a just law which regulates the possession of great or beautiful works of art in the Old World, that they shall in some sense be considered the property of all who can appreciate. Fine grounds have hours when the public may be admitted; pictures and statues may be shown to visitors: and this is a noble charity. In the same manner the fortunate individuals who have achieved the greatest of all human works of art should employ it as a sacred charity. How many, morally wearied, wandering, disabled, are healed and comforted by the warmth of a true home! When a mother has sent her son to the temptations of a distant city, what news is so glad to her heart as that he has found some quiet family where he visits often and is made to feel at home? How many young men have good women saved from temptation and shipwreck by drawing them often to the sheltered corner by the fireside! The poor artist; the wandering genius who has lost his way in this world, and stumbles like a child among hard realities; the many men and women who, while they have houses, have no homes, see from afar, in their distant, bleak life journey, the light of a true home fire, and, if made welcome there, warm their stiffened limbs, and go forth stronger to their pilgrimage. Let those who have accomplished this beautiful and perfect work of divine art be liberal of its influence. Let them not seek to bolt the doors and draw the curtains; for they know not, and will never know till the future life, of the good they may do by the ministration of this great charity of home.

We have heard much lately of the restricted sphere of woman. We have been told how many spirits among women are of a wider, stronger, more heroic mould than befits the mere routine of housekeeping. It may be true that there are many women far too great, too wise, too high, for mere housekeeping. But where is the woman in any way too great, or too high, or too wise, to spend herself in creating a home? What can any woman make diviner, higher, better? From such homes go forth all heroisms, all inspirations, all great deeds. Such mothers and such homes have made the heroes and martyrs, faithful unto death, who have given their precious lives to us during these three years of our agony!

Homes are the work of art peculiar to the genius of woman. Man helps in this work, but woman leads; the hive is always in confusion without the queen bee. But what a woman must she be who does this work perfectly! She comprehends all, she balances and arranges all; all different tastes and temperaments find in her their rest, and she can unite at one hearthstone the most discordant elements. In her is order, yet an order ever veiled and concealed by indulgence. None are checked, reproved, abridged of privileges by her love of system; for she knows that order was made for the family, and not the family for order. Quietly she takes on herself what all others refuse or overlook. What the unwary disarrange she silently rectifies. Everybody in her sphere breathes easy, feels free; and the driest twig begins in her sunshine to put out buds and blossoms. So quiet are her operations and movements that none sees that it is she who holds all things in harmony; only, alas, when she is gone, how many things suddenly appear disordered, inharmonious, neglected! All these threads have been smilingly held in her weak hand. Alas, if that is no longer there!

Can any woman be such a housekeeper without inspiration? No. In the words of the old church service, “her soul must ever have affiance in God.” The New Jerusalem of a perfect home cometh down from God out of heaven. But to make such a home is ambition high and worthy enough for any woman, be she what she may.

One thing more. Right on the threshold of all perfection lies the cross to be taken up. No one can go over or around that cross in science or in art. Without labor and self-denial neither Raphael nor Michel Angelo nor Newton was made perfect. Nor can man or woman create a true home who is not willing in the outset to embrace life heroically to encounter labor and sacrifice. Only to such shall this divinest power be given to create on earth that which is the nearest image of heaven.

IV

THE ECONOMY OF THE BEAUTIFUL

Talking to you in this way once a month, O my confidential reader, there seems to be danger, as in all intervals of friendship, that we shall not readily be able to take up our strain of conversation just where we left off. Suffer me, therefore, to remind you that the month past left us seated at the fireside, just as we had finished reading of what a home was, and how to make one.

The fire had burned low, and great, solid hickory coals were winking dreamily at us from out their fluffy coats of white ashes, – just as if some household sprite there were opening now one eye and then the other, and looking in a sleepy, comfortable way at us.

The close of my piece about the good house mother had seemed to tell on my little audience. Marianne had nestled close to her mother, and laid her head on her knee; and though Jenny sat up straight as a pin, yet her ever busy knitting was dropped in her lap, and I saw the glint of a tear in her quick, sparkling eye, – yes, actually a little bright bead fell upon her work; whereupon she started up actively, and declared that the fire wanted just one more stick to make a blaze before bedtime; and then there was such a raking among the coals, such an adjusting of the andirons, such vigorous arrangement of the wood, and such a brisk whisking of the hearth-brush, that it was evident Jenny had something on her mind. When all was done, she sat down again and looked straight into the blaze, which went dancing and crackling up, casting glances and flecks of light on our pictures and books, and making all the old, familiar furniture seem full of life and motion.

“I think that’s a good piece,” she said decisively. “I think those are things that should be thought about.”

Now Jenny was the youngest of our flock, and therefore, in a certain way, regarded by my wife and me as perennially “the baby;” and these little, old-fashioned, decisive ways of announcing her opinions seemed so much a part of her nature, so peculiarly “Jennyish,” as I used to say, that my wife and I only exchanged amused glances over her head when they occurred.

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